Dhyāna

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Dhyana
Sanskrit Name
Romanization Dhyāna
Devanāgarī ध्यान
Pali Name
Romanization Jhāna
Devanāgarī झान
Sinhala ඣාන
Chinese Name
Hanyu Pinyin Chán
Wade-Giles Ch’an
Cantonese IPA sɪm4
Cantonese Jyutping sim
Hanzi
Jiantizi
Korean Name
Revised Romanization Seon
McCune-Reischauer Sŏn
Hangul
Hanja
Japanese Name
Romaji Zen
Kanji
Vietnamese Name
Quốc ngữ Thiền
Tibetan Name
Wylie bsam gtan (pronounced samten)

Dhyāna (from Sanskrit ध्यान dhyāna) or Jhāna in Pāli refers to a stage of meditation, which is a subset of samadhi. It is a key concept in Hinduism,Buddhism, and Sikhism. Equivalent terms are "Chán" in modern Chinese, "Zen" in Japanese, "Seon" in Korean, "Thien" in Vietnamese, and "Samten" in Tibetan.

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[edit] Dhyāna in Hinduism

Main article: Dhyana in Hinduism

In Hinduism, dhyana is considered to be an instrument to gain self knowledge, separating maya from reality to help attain the ultimate goal of Moksha.

The Bhagavad Gita, thought to have been written some time between 400 and 100 BC, talks of four branches of yoga:

Dhyana in Raja Yoga is also found in Patanjali's Yoga Sutras. Practiced together with Dharana and Samadhi it constitutes the Samyama. Depictions of Hindu yogis performing dhyāna are found in ancient texts and in statues and frescoes of ancient India temples.

The Bhagavad Gita talks of only two main modes , Jnana Yoga and Karma Yoga (Not to be confused with physical exercise Yoga (Hatha Yoga) ). Meditation is a subset to attaining Jnana since you realize the one Advaita principle

[edit] Dhyāna in Buddhism

[edit] In the Theravada tradition

Main article: Jhana in Theravada

In the Pali Canon the Buddha describes four progressive states of absorption meditation or jhāna. The jhānas are said by the Buddha to be conducive to a pleasant abiding and freedom from suffering (DN-22). The jhānas are states of meditation where the mind is free from the five hindrances (craving, aversion, sloth, agitation, doubt) and (from the second jhāna onwards) incapable of discursive thinking. The deeper jhānas can last for many hours. When a meditator emerges from jhāna, his/her mind is empowered and able to penetrate into the deepest truths of existence.

There are four deeper states of meditative absorption called the immaterial attainments. Sometimes these are also referred to as the "formless" jhānas, or arupajhana (distinguished from the first four jhānas, rupajhana). In the Buddhist canonical texts, the word jhāna is never explicitly used to denote them, but they are always mentioned in sequence after the first four jhānas.

Jhānas are normally described according to the nature of the mental factors which are present in these states

  1. Movement of the mind onto the object, Vitakka (Sanskrit: Vitarka)
  2. Retention of the mind on the object, Vicāra
  3. Joy, Pīti (Sanskrit: Prīti)
  4. Happiness, Sukha
  5. Tranquility, Passaddhi
  6. Equanimity, Upekkhā (Sanskrit: Upekṣā)
  7. One-pointedness, Ekaggatā (Sanskrit: Ekāgratā)[1]

Four progressive states of Jhāna:

  1. First Jhāna (Vitakka, Vicāra, Pīti, Sukha, Ekaggatā) - The five hindrances have completely disappeared and intense unified bliss remains. Only the subtlest of mental movement remains - perceivable in its absence by those who have entered the second jhāna. The ability to form unwholesome intentions ceases.
  2. Second Jhāna (Pīti, Sukha, Ekaggatā) - All mental movement utterly ceases. There is only bliss. The ability to form wholesome intentions cease as well.
  3. Third Jhāna (Sukha, Ekaggatā) - One half of bliss disappears (joy).
  4. Fourth Jhāna (Upekkhā, Ekaggatā) - The other half of bliss (happiness) disappears, leading to a state with neither pleasure nor pain, which the Buddha said is actually a subtle form of happiness (more sublime than pīti and sukha). The Buddha described the jhānas as "the footsteps of the tathāgata". The breath is said to cease temporarily in this state.

Traditionally, this fourth jhāna is seen as the beginning of attaining psychic powers (abhigna).[2]

The scriptures state that one should not seek to attain ever higher jhanas but master one first, then move on to the next. 'Mastery of jhana' involves being able to enter a jhana at will, stay as long as one likes, leave at will and experience each of the jhana factors as required. They also seem to suggest that lower jhana factors may manifest themselves in higher jhanas, if the jhanas have not been properly developed. The Buddha is seen to advise his disciples to concentrate and steady the jhana further.

[edit] In Mahayana traditions

Buddhist
Perfections
 
10 pāramī
dāna
sīla
nekkhamma
paññā
viriya
khanti
sacca
adhiṭṭhāna
mettā
upekkhā
   
 6 pāramitā 
dāna
sīla
kṣānti
vīrya
dhyāna
prajñā
 
Colored items are in both lists.

In the Mahayana tradition, dhyāna is the fifth of six pāramitās (perfections). It is usually translated as "concentration" or "meditative stability."

In East Asia, several schools of Buddhism were founded that focused on dhyāna, under the names Chan, Zen, and Soen. According to tradition, Bodhidharma brought Dhyāna to the Shaolin Temple in China, where it came to be transliterated as "chan" ("soen" in Korea, and then "zen" in Japan).

[edit] Dhyāna in Jainism

is called Samayika.

[edit] See also

[edit] Notes

  1. ^ In the Suttapitaka, right concentration is often referred to as having five factors, with one-pointedness (ekaggata) not being explicitly identified as a factor of jhana attainment (see, for instance, SN 28.1-4, AN 4.41, AN 5.28).
  2. ^ For instance in AN 5.28, the Buddha states:
    "When a monk has developed and pursued the five-factored noble right concentration in this way, then whichever of the six higher knowledges he turns his mind to know and realize, he can witness them for himself whenever there is an opening....
    "If he wants, he wields manifold supranormal powers. Having been one he becomes many; having been many he becomes one. He appears. He vanishes. He goes unimpeded through walls, ramparts, and mountains as if through space. He dives in and out of the earth as if it were water. He walks on water without sinking as if it were dry land. Sitting crosslegged he flies through the air like a winged bird. With his hand he touches and strokes even the sun and moon, so mighty and powerful. He exercises influence with his body even as far as the Brahma worlds. He can witness this for himself whenever there is an opening ..." (Thanissaro, 1997.)

[edit] Sources

[edit] External links

[edit] Buddhist

[edit] Sufi