Destination Moon (film)

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Destination Moon
Destination Moon DVD cover
Directed by	Irving Pichel
Produced by	George Pal
Written by	Robert A. Heinlein James O'Hanlon Rip Van Ronkel
Music by	Leith Stevens
Cinematography	Lionel Lindon
Editing by	Duke Goldstone
Distributed by	Eagle-Lion Classics Inc.
Release date(s)	August 1950
Running time	91 min.
Country	United States
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IMDb profile

Destination Moon is a 1950 American science fiction feature film instigated and produced independently by George Pal. Pal commissioned a script by James O'Hanlon and Rip Van Ronkel, which was directed by Irving Pichel. The movie was filmed in Technicolor and was distributed in the USA by Eagle-Lion Classics.

Destination Moon was the first major science-fiction film dealing seriously with the prospect, problems and technology of space travel produced in the United States, and won the Academy Award for Visual Effects in the name of the effects director, (Lee Zavitz) and was nominated for the Academy Award for Best Art Direction. The noted science-fiction writer Robert A. Heinlein contributed significantly to the script and invented many of the special effects. He also published, about the same time as the release of the film, "Destination Moon", a short story of the same name that was based on the screenplay. Rather than a drama, the film more closely resembles a documentary or a propaganda piece, and it was promoted through an unprecedented onslaught of publicity in the print media. Seven years before Sputnik, the movie clearly spells out a rationale for the space race: the bad guys (clearly the communists) are sabotaging the American space project, and if we don't beat them to the moon, they'll make a base there to drop bombs on us, and take over the world.

The film's producer, George Pál, later produced When Worlds Collide (1951), The War of the Worlds (1953), and The Time Machine (1960).

Four American astronauts blast off from the Mojave Desert and fly to the Moon (before the Russians get there). They establish a base, but are not certain they have enough fuel to return to Earth...

This film features the notion that US private industry will take it upon itself to fund and produce the first spacecraft to reach the moon, given the Soviet threat at the time, and then the US government will bring itself to buy or lease the machinery. Visionary factory owners are shown trying to raise money amongst themselves to do this. The fictional rocket uses nuclear thermal propulsion, a method that has not been employed in any real launches to date.

It includes an animated segment of Woody Woodpecker illustrating the basics of space flight.

Rudimentary scenes of the rocket being constructed occur in situ in the desert, and Lockheed aircraft plant in Southern California was shown with workers examining a model of the nuclear spacecraft. Transitional sequences show Lockheed Constellations being assembled. The only plot element in the picture is that once on the moon, they do not have enough fuel to return, and so must remove a good deal of equipment from the ship. This movie was not the first such to hit the screens, however; Rocketship X-M stole its thunder. The sets and costumes were used in cheap films subsequently, and even appear in the second episode of The Time Tunnel. Both Destination Moon and Rocketship X-M are polemical films, but with almost diametrically opposed messages: where Rocketship X-M contains a seriously intended antinuclear message, Destination Moon has a nuclear-powered spacecraft taking off in defiance of a court order, and depicts the court order as inspired by irrational fear.

The relationship between the film and the novel Rocket Ship Galileo exists, but is very weak. In the novel, the astronauts are high school boys led by an older scientist, the enemies are the Nazis rather than the Soviets, and the emphasis is on conflict with them. In the movie, sabotage is only vaguely hinted at, the concept of a space race is introduced, the voyage is a massive industrial undertaking, and the plot revolves around the dangers of the voyage. A common element in both stories is that the rocket takes off in defiance of a court order. The movie is in fact more similar to Heinlein's novella The Man Who Sold the Moon, which according to its copyright date was written by 1949, although it wasn't published until 1951, the year after Destination Moon came out.

The matte and scene paintings for "Destination Moon" were created by the noted astronomical artist Chesley Bonestell. Pal also employed Bonestell for work on "When Worlds Collide," from the novel by Philip Wylie and Edwin Balmer; "The Conquest of Space," which in turn was based on the book by Willy Ley and Bonestell; and "The War of the Worlds," notably the opening sequence featuring cleverly animated astronomical paintings of the planets by Bonestell.

1 Adaptations
2 See also
3 External links
4 References

[edit] Adaptations

Episode 12 of the Dimension X radio series was called Destination Moon and was based on Heinlein's input to the script of the movie.

A highly condensed version of the story was released on a 78 rpm disk by Capitol Records in 1950 as part of the "Bozo Approved" series, under the title of Destination Moon (Adapted From The George Pal Production by Charles Palmer)^[1]. The narrator was Tom Reddy; Billy May composed incidental and background music. The story took considerable liberties with the film's plot and characters, though the general shape of the story remains.