Denis Gifford

From Wikipedia, the free encyclopedia

 This article or section is missing citations or needs footnotes.
Using inline citations helps guard against copyright violations and factual inaccuracies. (January 2008)

Denis Gifford (1927-2000) was a British writer. He specialized in the history of popular entertainments such as comic books and horror films. In his lengthy career, he wrote and drew for British comics; wrote more than fifty books on various topics; devised, compiled and contributed to popular programmes for radio and television; and other, related work, including film.

In addition to being a regular at comics conventions, Gifford helped established the genre in Britain with Comics 101 in 1976, attended by dealers and comic artists. In 1978 he established the Association of Comics Enthusiasts (ACE), which ran for 14 years proper and, in reprint form in the British Comics Journal, until his death.

As a 14-year-old at Dulwich College, Gifford began drawing for Dandy, after sending a comic strip to its publisher D. C. Thomson of Dundee. His efforts caught the imagination of Bob Monkhouse, in the school year below, and they became friends and collaborators. They toured in the South East, giving charity performances with Monkhouse as the “straight man”.

After RAF service during WWII, Gifford drew cartoons for the London Evening News, Empire State News and Sunday Dispatch. In the 1960s, he began devising panel games like Sounds Familiar for radio, crossing to television as Looks Familiar.

Gifford wrote the script for comedian Derek Roy on the opening night of ITV in 1955; was asked to complete the first TV series by Morecambe and Wise (for which the initial scripts had been criticised); co-wrote the first comedy show to be screened by BBC2 in 1964; wrote for Junior Showtime; and devised stunts for The Generation Game when this launched.

The British Film Catalogue took Gifford 20 years to compile, and listed every film made in Britain for public entertainment, along with the stars and directors. In order to compile the entries, Gifford pored through back copies of trade newspapers, looking at every advertisement; and tracking down directors who had retired years before.

Denis Gifford was briefly married during the 1970s, and had a daughter, Pandy.

His collection of more than 20,000 comics and other paper ephemera (including books, popular magazines and sheet music) dominated his lifestyle and his habitat, once described in one of the colour supplements as the den of “a boy who had run away from home” and never returned. His walls were lined with bookshelves, with other bookshelves installed at right-angles to these. As well as being unable to use the oven, he could reach neither his radiators, nor a broken curtain rail. At least once he fell, due to boxes of ephemera narrowing his way upstairs to bed.

Despite hints that he might bequeath this vast collection “to the country”, via the Victoria and Albert Museum or similar, this was broken up and sold off after his death, having been rescued from the black bags of a non-specialist house clearance company.

[edit] Selected bibliography

  • A Pictorial History of Horror Movies (1973)
  • Encyclopedia of Comic Characters (1987)
  • American Animated Films: The Silent Era, 1897-1929; McFarland & Company; ISBN 0-89950-460-4 (library binding, 1990)