Demolition Man (soundtrack)

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Demolition Man
Demolition Man cover
Soundtrack by Elliot Goldenthal
Released November 23rd, 1993
Genre Classical
Avante garde
Modernist
Progressive
Electronic
Length 30:03
Label Varese Sarabande,
Cat.VSD-5447
Producer Matthias Gohl
Professional reviews
Elliot Goldenthal chronology
Alien³
(1992)
Demolition Man
(1993)
Golden Gate
(1994)
Alternate cover
Alternate cover

Elliot Goldenthal scored the soundtrack for the movie Demolition Man; the movie itself is generally seen as too "throw away" and "shlocky" for a composer of Goldenthal's standard, although he seems to have been having fun with the score, evidenced by cues with titles like "Obligatory Car Chase", a sample of which (among others) can be heard below. It is a unique example of his typically off-beat style and use of uncoventional yet effective techniques in film score; incorpoating big brass clashes and complex, dramatic string arrangements.[1][2]

It won Goldenthal an ASCAP award in 1994 for best original score and was his first big budget action film score.

Contents

[edit] Track listing

  1. Dies Irae (1:51)
  2. Fire Fight (1:35)
  3. Guilty as Charged (3:58)
  4. Action, Guns, Fun (1:26)
  5. Machine Waltz (1:56)
  6. Defrosting (1:43)
  7. Confronting the Chief (0:32)
  8. Museum Dis Duel (1:56)
  9. Subterranean Slugfest (1:44)
  10. Meeting Coctaeu (1:42)
  11. Tracking Simon Phoenix (3:03)
  12. Obligatory Car Chase (3:06)
  13. Flawless Pearl (1:15)
  14. Final Confrontation (1:56)
  15. Code 187 (0:41)
  16. Silver Screen Kiss (1:30)

[edit] Audio

"Dies Irae"

Sample of "Dies Irae" from the album Demolition Man.
Problems listening to the file? See media help.

The cue for the opening sequence, as Los Angeles is at war, begins one of the films few stand-out themes.

"Guilty as Charged"

Sample of "Guilty as Charged" from the album Demolition Man.
Problems listening to the file? See media help.

The ambient, atmospheric, atonal cue for the title sequence at the start as the protagonist is put into cryo-stasis.

"Obligatory Car Chase"

Sample of "Obligatory Car Chase" from the album Demolition Man.
Problems listening to the file? See media help.

The self-evident title explains the use of this cue, a car chase; another example of Goldenthals odd-ball aspect regarding the movie and one of his first overt uses of electronic techniques to augment his orchestrations.

"Machine Waltz"

Sample of "Machine Waltz" from the album Demolition Man.
Problems listening to the file? See media help.

This cue is used during a fight just before the end, based on a waltz and, like a lot of the rest of the score, conveys a subtle comical overtone to the action.

"Final Confrontation"

Sample of "Final Confrontation" from the album Demolition Man.
Problems listening to the file? See media help.

A Goldenthalian action cue from the end of the movie.

[edit] External links

[edit] References