Delirious (Prince song)

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“Delirious”
“Delirious” cover
U.S. 7" single
Single by Prince
from the album 1999
B-side "Horny Toad"
Released 17 August 1983
Format 7" single
Recorded Sunset Sound and Minneapolis 1982
Genre Pop, Rock
Length 7" edit: 2:38
Album: 3:56
Label Warner Bros. Records
Writer(s) Prince
Producer Prince
Prince singles chronology
"Little Red Corvette"
(1983)
"Delirious"
(1983)
"Let's Pretend We're Married"
(1983)


Prince (AUS) singles chronology
"Little Red Corvette"
(1983)
"Delirious"
(1983)
"Automatic"
(1983)

"Delirious" is a song from Prince's 1982 album, 1999. It was the album's third single, and Prince's second top-10 hit, reaching #8 in the U.S. during the fall of 1983. The success of the single was boosted by the runaway success of the previous single, "Little Red Corvette," and also due to the fact that DJs often played the first three album tracks in sequence, which just happened to be the order of the singles released from the album.

"Delirious" is a standard 12-bar blues number that tells how Prince is being driven crazy by a beautiful woman. The song teases the listener with sexual metaphors, hidden enough to avoid being censored. The track begins with a trademark Linn drum machine loop and a bit of synth bass before the keyboard hook introduces the song. A rubbery bass guitar gives the track a rockabilly feel, which Prince had experimented earlier on "Jack U Off" from Controversy. The track ends suddenly with the sound effect of a baby cooing. In live performances over the years, Prince would later add live horns to the song, making it into more of a swing number. The 7" single release of the song included a poster bag with a 1983 calendar and images of Prince.

[edit] Trivia

  • The baby cooing sound effect used at the very end of "Delirious" was thought to be sampled for the 1998 Aaliyah song "Are You That Somebody?" but was later figured out to be samples of Aaliyah as a baby.

The B-side to the track is "Horny Toad," which is very similar in rockabilly style and instrumentation. Some of the sexually charged lyrics were mistakenly interpreted as sadistic at the time and were the source of some controversy. The track was included on The Hits/The B-Sides in 1993.

[edit] External links