Death of the novel

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The death of the novel is the common name for the theoretical discussion of the declining importance of the novel as literary form. Many 20th century authors entered into the debate, often sharing their ideas in their own fiction and non-fiction writings.

1 History
2 Causes
3 Critical Response
4 References
5 External links

[edit] History

The novel was well-defined by the 19th century. In the 20th century, however, many writers began to rebel against the traditional structures imposed by this form. This reaction against the novel caused some literary theorists to question the relevancy of the novel and even to predict its 'death.'

Some of the earliest proponents of the "death of the novel" were José Ortega y Gasset, who wrote his Decline of the Novel in 1925^[1] and Walter Benjamin in his 1930 review Krisis des Romans (Crisis of the Novel)^[2].

In the 1950s and 1960s, contributors to the discussion have included Gore Vidal , Roland Barthes, and John Barth. Ronald Sukenick wrote the story The Death of the Novel in 1969.

Tom Wolfe in the 1970s predicted that the New Journalism would displace the novel.

[edit] Causes

As for causes, Robert B. Pippin connects the 'death of the novel' with the rise of nihilism in European culture.^[3] Saul Bellow, discussing Ravelstein which was loosely a portrait of Allan Bloom, commented on a connection to the idea that they are really saying that there are no significant people to write about.^[4]

On the other hand, David Foster Wallace^[5] connected the 'death of the novel' with the mortality of the post-war generation of American novelists.

[edit] Critical Response

Contemporary scholars such as Kathleen Fitzpatrick argue that claims of the novel's death were highly exaggerated, and that such claims often reflect anxiety about changes in the twentieth-century media landscape, as well as more submerged anxieties about social changes within the United States itself.^[6]

[edit] References

^ In Ideas sobre la novela. Cf. [1]
^ [2]: Döblin finds fault with the novel, since it focuses on individual characters or in its classic form of the Bildungsroman even recounts the education of the one protagonist. In his critique of the novel as genre, Döblin echoes considerations of both the literary discourse in Germany, which reflects on what has been called the 'crisis of narration', and the philosophical debate on the vanishing subject.
^ Robert Pippin, Response to Critics
^ Ravelstein by Saul Bellow | Critics | Guardian Unlimited Books
^ [3], The New York Observer, October 13, 1997
^ The Anxiety of Obsolescence: The American Novel in the Age of Television (Vanderbilt UP, 2006)