David Rosand
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David Rosand (b. 1938) is one of the foremost scholars of Italian Renaissance art active today. Noted for his important work on Venetian artists like Titian, Rosand has gradually expanded his scholarly scope to include much of post-Renaissance and modern art. He has made significant contributions to the phenomenological understanding of specific artistic media including drawing and impasto-style painting. Since 1964, Rosand has taught at Columbia University in New York City where he is Meyer Schapiro Professor of Art History.
[edit] Selected Publications
"Titian and the Venetian Woodcut." Washington, The Foundation, 1976
"Titian." New York, Abrams, 1978
"The Meaning of the Mark: Leonardo and Titian." Lawrence, Spencer Museum of Art, 1988
"Painting in Sixteenth-Century Venice: Titian, Veronese, and Tintoretto." Cambridge, Cambridge University Press, 1997.
"Robert Motherwell on Paper: Drawings, Prints, Collages." New York, Abrams, 1997.
"The Myths of Venice: The Figuration of a State." Chapel Hill, University of North Carolina Press, 2001.
"Drawing Acts: Studies in Graphic Expression and Representation." Cambridge, Cambridge University Press, 2002.
"The Invention of Painting in America." New York, Columbia University Press, 2004.
