David Gemmell

From Wikipedia, the free encyclopedia

David Gemmell
Born August 1, 1948
West London, UK
Died July 28, 2006 (age 57)
Hastings, UK
Pen name Ross Harding
Occupation Author
Nationality English
Writing period 1984 – 2006
Genres Heroic fantasy
Historical fiction
Spouse(s) Stella Gemmell
Children 2

David Andrew Gemmell (August 1, 1948–July 28, 2006) was a bestselling British author of heroic fantasy. A former journalist and newspaper editor, Gemmell had his first work of fiction published in 1984, going on to write over thirty novels. Best known for his debut, Legend, Gemmell's works are often violent and explore themes of honour, loyalty and redemption.

Contents

[edit] Early life

"Some of the other children had no father, but their lack was honorable. [Their] Dad died in the war, you know. He was a hero. This boy's lack was the subject of sly whispers from the adults, and open jeering from his peers. This boy's mother was—the boy heard so many times —a whore… the word was less hurtful than the blows that would follow it. Most of the blows came from other children, but sometimes adults too would weigh in."
— David Gemmell on his tough upbringing, October 2000[1]

David Gemmell was born in 1948 in West London. Raised alone by his mother until the age of six, he experienced a harsh upbringing in a tough urban area, suffering bullying and taunts from his peers, partly due to the absence of his father,[1] and often sustained serious injuries through fighting. Preferring reading books to fighting, he was compelled to take up boxing by his stepfather, who insisted he learn how to stand up for himself without "hiding behind walls or running away", this philosophy informing much of Gemmell's later writing.[2] As a child, he said he "would have given anything" to stand beside King Harold II at the Battle of Hastings. As a teenager, he wanted to stand with Marshal Will Kane in the film High Noon.[3] He was expelled from school at the age of sixteen for organizing a gambling syndicate and as a youth was arrested several times. He claimed that one psychologist's report at the time labelled him a psychopath.[4] Gemmell went on to work as a labourer, a lorry-driver's mate and a nightclub bouncer, before his mother set up a job interview with a local newspaper. Of 100 applicants, he was probably the least qualified for the position, but was hired due to his display of arrogance during the interview, which was mistaken for self-confidence. He went on to work as a journalist for several local newspapers in East Sussex, eventually becoming editor-in-chief for five.[5] He also worked freelance as a stringer for the Daily Mail, Daily Mirror, and Daily Express national newspapers.[6][4] Having married once, producing two children, it was while working as a deputy editor on one of the local newspapers that Gemmell met his second wife, Stella, who joined the publication as a junior reporter.[7] The couple made their home in Hastings on the south-east coast of England until the author's death.[6] Coming from a staunch socialist family, Gemmell carried banners and campaigned for eventual Labour Prime Minister Harold Wilson in the 1960s, nevertheless admitting a grudging alignment with Thatcherite policies on issues of foreign policy, especially the Falklands Conflict,[2] and with Reaganite views on East-West relations.[3]

Gemmell first attempted writing a novel in the 1970s, but The Man from Miami failed to find a publisher. He later admitted that the book "was so bad it could curdle milk at 50 paces.”[3][5] In 1976, after being diagnosed with a cancer he believed to be terminal, he wrote The Siege of Dros Delnoch in order to take his mind off his illness and to realise his ambition of having a novel published before he died.[6] Written in two weeks, the novel told of a siege resisted against overwhelming odds, at the time serving as a metaphor for his illness; the fortress at the center of the tale was Gemmell, the invaders were his cancer. Leaving the ending of the novel open, he planned to let the fortress stand or fall dependent upon his own prognosis.[2] When Gemmell later learned that he had suffered a misdiagnosis, he set The Siege of Dros Delnoch to one side until 1980, when a friend read the manuscript and convinced Gemmell to sharpen up the novel in order to make one last attempt at publication. It was accepted in 1982 and published in 1984 under the new title, Legend, going on to achieve considerable commercial success.[2][5] Gemmell said that while it had "all the flaws you expect in a first novel", the writing of Legend was "a golden time" in his life, citing it as the favourite of all his novels. He said that while he could "write it better" after becoming an established author, "[its heart] wouldn't be bettered by improving its style."[3] Gemmell's journalism career overlapped with his career writing novels until the publication of his third novel Waylander in 1986, when he was fired after using colleagues' names for characters in the book. Gemmell later said that his Managing Director had regarded it "a poisonous attack on his integrity."[8]

[edit] Writing career and later life

After the publication of Waylander, Gemmell became an author full-time, writing over thirty novels in total, some as part of long-running series, others as standalone works. Most of his novels were in the heroic fantasy genre; White Knight, Black Swan was a crime thriller, appearing under the pseudonym Ross Harding, and was Gemmell's only novel not to become a bestseller.[5] His last three novels were historical fiction. Up until his death, Gemmell was also patron of the Hastings Writers' Group, following founder member Catherine Cookson. As patron, he was the main judge in the national literary competition run by the group, the Legend Writing Award, which was named after his breakthrough novel.[9] In October 2007, it was revealed that the prologue to Gemmell's Dark Prince was copied by Mary Kellis (under the pen name "Lanaia Lee") without attribution, in the as-yet-unpublished Of Atlantis.[10] Two of Gemmell's novels have also been adapted into graphic novel format.

Gemmell preferring to go to bed late, with his wife favouring an early start, on July 28th, 2006 she was surprised to wake up to discover the bed empty. “I thought, ‘Oh good, he must be working’, and went to take him a cup of tea in his study.” Finding him slumped over his desk, she "hoped he was asleep but I knew, really, that he was dead.”
— Gemmell's wife recalls his death[7]

In mid-2006, Gemmell was on a trip to Alaska when he became discomforted. Immediately travelling back to the UK, he underwent quadruple heart bypass surgery in a private London hospital. Within two days he was able to take physical exercise and returned home to resume work on his latest novel.[6] On the morning of July 28, 2006, four days before his 58th birthday, Gemmell's wife Stella discovered him slumped over his computer, the author having died of coronary artery disease.[7] At the time of his death, Gemmell was writing the final novel in an alternate-history trilogy based upon the legend of the siege of Troy, having completed 70,000 words.[11] Only hours after his death, Gemmell's wife Stella resolved to complete the second half of the novel based upon his chapter plan and notes, contacting Gemmell's publisher two weeks after his funeral in order to make the offer. As a former junior reporter, aspiring novellist and subeditor, and having been involved in Gemmell's writing process for a number of years, Stella Gemmell felt she was "the only one who could do it." Preparing for the task, she reread her husband's previous work, deconstructing the battle scenes in order to build her own. Troy: Fall of Kings was published in 2007 under the joint authorship of David and Stella Gemmell.[7]

[edit] Influences, themes and criticism

" The Alamo had a big effect on me when I first read about it. Unfortunately I now know the truth about the Alamo… The Alamo is a consistent story of cock-up after cock-up. Nobody there expected to die. I'm not saying they weren't very brave men. But the whole thing was mismanaged to the point of ineptness... I don't like to believe that, but it's the reality of life, so perhaps I shouldn't have studied the Alamo. Legend is the Alamo spirit - or what should have been that spirit."
— David Gemmell on the influence of The Alamo[2]

Originally intending to be a historical novelist, Gemmell was intrigued by events which ended badly for the protagonists. Citing the Battle of the Alamo and the grisly fate of William Wallace as influences, he said that had he written about the 13th century Scottish revolutionary, he would have found a way in which he was ultimately victorious despite the odds, eventually realising this kind of storytelling would be more palatable in a fantasy setting.[2] Gemmell's work typically deals with themes of honour and loyalty, advancing age, lost causes and the possibility of redemption for even the most corrupt (he was interested in the "true nature" of heroes, considering most to be unreliably so). The consistent presence of redemption in Gemmell's work reflected his Christian beliefs. He claimed that all of his novels have a religious basis, calling them "essentially Christian books" and saying that Christianity stopped him from "promoting the cause of evil" by writing "mindless savagery" in the vein of George G. Gilman's Edge westerns.[2] Propelled by often didactic writing, his work typically features a charismatic warrior tortured by loss and self-doubt, who bands together with a group of unlikely companions in order to defeat a dark enemy, usually aided by mystical forces. While all his novels are violent, successes are often Pyrrhic and the villains complex. Gemmell credited his time as a journalist for providing him with his pacey, succinct style, though critics labelled his work "macho" and would often cite his limited vocabulary and the repetitive nature of his stories. Violent events usually provide the sole impetus for plot development, and are resolved by physical violence or heroics. Known for his strong characterisation, he attributed this to his tendency to draw from real life; having been acquainted with violent men, he understood and enjoyed writing them.[5][6] Gemmell based the hero from his novel Legend on his stepfather Bill Woodford, calling men like him "…the havens, the safe harbours of childhood. They are the watch hounds who keep the wolves at bay." Bill reappeared in many of Gemmell's subsequent novels, in many different forms. When Bill died during the writing of Ravenheart, as a tribute Gemmell reworked the novel to give the "Bill" character center stage.[1]

[edit] Works

[edit] Fantasy fiction

[edit] Drenai Series

  1. Legend (1984) (Originally published in the USA as Against the Horde, re-released as Legend)
  2. The King Beyond the Gate (1985)
  3. Waylander (1986)
  4. Quest for Lost Heroes (1990)
  5. Waylander II: In the Realm of the Wolf (1992)
  6. The First Chronicles of Druss the Legend (1993)
  7. The Legend of Deathwalker (1996)
  8. Winter Warriors (1997)
  9. Hero in the Shadows (2000)
  10. White Wolf (2003)
  11. The Swords of Night and Day (2004)

Anthologies:

  1. Drenai Tales Volume I: contains; Legend, The King Beyond the Gate and Waylander
  2. Drenai Tales Volume II: contains; Quest for Lost Heroes, Waylander II and The First Chronicles of Druss the Legend
  3. Drenai Tales Volume III: contains; The Legend of the Deathwalker, Winter Warriors and Hero in the Shadows

[edit] Rigante series

  1. Sword in the Storm (1999)
  2. Midnight Falcon (2000)
  3. Ravenheart (2001)
  4. Stormrider (2002)

[edit] Stones Of Power/Sipstrassi tales

This series is known by several names. The entire series deals with the Stones of Power, also known as the Sipstrassi. The last three novels involve the protagonist Jon Shannow. The first four novels were published in an omnibus edition as Stones of Power: A Sipstrassi Omnibus in 1992.

  1. Ghost King (1988)
  2. Last Sword of Power (1988)

[edit] Jon Shannow
  1. Wolf in Shadow (1987) (first published as The Jerusalem Man)
  2. The Last Guardian (1989)
  3. Bloodstone (1994)
  • Omnibus: The Complete Chronicles of the Jerusalem Man (1995)

[edit] Hawk Queen series

  1. Ironhand's Daughter (1995)
  2. The Hawk Eternal (1995)

[edit] Individual fantasy titles

[edit] Historical fiction

[edit] Troy series

  1. Troy: Lord of the Silver Bow (2005)
  2. Troy: Shield of Thunder (2006)
  3. Troy: Fall of Kings (2007)

[edit] Greek series

  1. Lion of Macedon (1990)
  2. Dark Prince (1991)

It should be noted that in official printings, these two books are grouped with the "Stones of Power" series and contain some of the same characters and assumptions on how the world works.

[edit] Non-fantasy

  • White Knight, Black Swan (1993) (under the pseudonym Ross Harding)

[edit] Graphic novels

  • Both Legend (1993) and Wolf in Shadow (1994) have also been released as graphic novels, with text by Stan Nicholls and artwork by Fangorn.

[edit] References

  1. ^ a b c David Gemmell at Transworld. Transworld Publishers. Retrieved on 2007-11-26.
  2. ^ a b c d e f g Stan Nicholls (1989). David Gemmell Interview. deathwalker.co.uk (Gemmell fansite). Retrieved on 2007-11-26.
  3. ^ a b c d "Interview with David Gemmell", Science Fiction and Fantasy News, 1998-08-01. Retrieved on 2008-02-06. 
  4. ^ a b Sandy Auden (2005). Heroic Intentions: an interview with David Gemmell. SF Site (originally appearing on Sci-Fi Channel UK). Retrieved on 2007-11-24.
  5. ^ a b c d e "David Gemmell Obituary", The Times, 2006-08-01. Retrieved on 2007-11-24. 
  6. ^ a b c d e Christopher Priest. "Obituary: David Gemmell", The Guardian, 2006-08-02. Retrieved on 2007-11-24. 
  7. ^ a b c d Jane Wheatley. "Last Writes", The Times, 2007-08-25. Retrieved on 2007-11-27. 
  8. ^ "Fantasy writer Gemmell dies at 57", BBC News Online, 2006-07-26. Retrieved on 2007-11-23. 
  9. ^ Hastings Writers' Group. Retrieved on 2007-11-27.
  10. ^ Marissa Newhall (2007-10-11). Top 10 Tips for Plagiarists. Dear Author. Retrieved on 2007-10-15.
  11. ^ Thomas M. Wagner (2007). Troy: Shield of Thunder review. SFReviews.net. Retrieved on 2007-11-27.

[edit] External links