David Flynn
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| David Flynn | |
|---|---|
| Born | January 6, 1977 Dublin, Ireland |
| Genre(s) | Folkloric, minimalism, tonal/modal, Irish |
| Occupation(s) | Composer, musician |
| Years active | 1993–present |
| Label(s) | Frisbee Records |
David Flynn (also known as Dave Flynn, born 6 January 1977) is an Irish composer and musician with a number of major awards and commissions to his name. His recent music is noteworthy for merging the influence of traditional Irish music with contemporary classical music and jazz. He is also an accomplished multi-instrumentalist who works across many genres including classical, jazz, rock and traditional Irish music. He performs regularly on guitar, mandolin, banjo, bouzouki and vocals. [1]
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[edit] Early experiences
Flynn was born and raised in Dublin, Ireland. His early musical experiences included brief periods studying piano and tin whistle, but it wasn’t until his early teens that Flynn really took to music, teaching himself how to play rock guitar. He developed an interest in classical guitar in his mid-teens and taught himself how to read music notation, he also learnt classical guitar by ear from recordings. He composed his first piece for classical guitar aged 16.
Upon leaving school in 1995 he studied rock music at Ballyfermot Senior College, Dublin. Around this time Flynn started composing songs and became a regular performer on the Dublin singer-songwriter scene which spawned some of Ireland's current crop of successful songwriters such as Damien Rice and Damien Dempsey. He was also lead guitarist of the rock band Maize. [2] He later developed a strong interest in traditional Irish music which he learnt through recordings and workshops at various Irish music festivals. [3]
[edit] Formal studies
In 1998 Flynn began formal classical music studies at the Dublin Institute of Technology (D.I.T.) College of Music, initially studying classical guitar on a part-time basis with Dr. John Feeley. In 1999 he enrolled in the full-time music degree course at the College of Music, continuing his guitar studies with Feeley while majoring in composition. Now fully committed to composing, Flynn won the IMRO Composition Award in 2002 at the Feis Ceoil in Dublin for his String Orchestra Piece "Mesh".
While in the D.I.T. he co-founded the Dublin Guitar Quartet with fellow students. He graduated from the D.I.T. in 2003 at which time he left the Dublin Guitar Quartet in order to move to London where he became the first person from the Republic of Ireland to be accepted onto the Masters Degree in Composition course at the Guildhall School of Music and Drama, London, UK. He was awarded bursaries from the Arts Council of Ireland, Guildhall Trust and Michael Collins Memorial Foundation in order to fund these studies. At Guildhall he studied composition with Malcolm Singer and electro-acoustic music with Dr. Nye Parry and he formed his own ensemble, the David Flynn Collective. He graduated from the Guildhall in 2004. [4]
[edit] Professional composition career
Soon after graduating from the Guildhall his string quartet piece ‘Slip’ was selected for the Young Composers Workshop at the 2004 Huddersfield Contemporary Music Festival, which led to Flynn being awarded the 2004 Young Composers Award at the Festival. His prize was a commission to elaborate ‘Slip’ into his String Quartet No.2 "The Cranning" for the 2005 festival where it was premiered by the Smith Quartet to the acclaim of critics including Neil Fisher of The Times who praised Flynn for ‘incorporating traditional Irish music without Hollywood pastiche’. [5]
Michael Dervan of The Irish Times was similarly impressed — ‘Flynn is attempting to bring the influence of traditional Irish music into the hallowed realms of the classical string quartet and moments in the Smith Quartet’s performance of this minimalist influenced work gelled to perfection.' [6]
Earlier in 2004 Flynn had instigated the foundation of the Young Composers Collective (YCC) in Ireland. Flynn announced the YCC with an article in the Journal of Music in Ireland (JMI) in which he criticised established bodies for failing to support young composers. The article caused considerable controversy and debate but ultimately led to the YCC providing a platform for a large number of previously unknown young composers to have their music performed. [7]
Flynn caused further controversy in the JMI in 2005 when his article ‘Looking for the Irish Bartók’ questioned the failure of established Irish classical composers to engage with traditional Irish music and musicians. Despite some harsh criticism of Flynn’s ideas from some of the established Irish composers his article resonated with traditional Irish musicians who had in the past largely been ignored or denigrated by the Irish classical music establishment. [8]
This article directly led to Flynn’s contact with the renowned traditional Irish fiddler Martin Hayes and his musical partner, guitarist Dennis Cahill. In 2006, the Masters of Tradition Festival in Cork commissioned Flynn to compose a piece for Hayes and Cahill to perform with the classical violinist Ioana Petcu-Colan. The resulting piece Music for the Departed was premiered at the Masters of Tradition Festival in August 2006.
Since this event Flynn has become more in demand as a composer, receiving commissions from the Guitar Festival of Ireland, RTÉ Lyric FM and most recently Music For Galway, who selected Flynn to compose a new work for The Contempo String Quartet from a competitive selection process. In addition Flynn was commissioned by the RTÉ Concert Orchestra to compose a Fiddle Concerto for Martin Hayes to premiere in 2008. [9]
[edit] Traditional music career
During his time in London, Flynn became strongly involved with the London Irish traditional music scene, performing regularly in concerts and sessions with some of the leading Irish musicians in London. Flynn remained in London until the beginning of 2006 when he returned to live in Ireland.
Flynn continues to build a parallel career as concert music composer and multi-genre performer. His debut recording ‘Draíocht’, a mix of traditional Irish music and new compositions and songs based on the tradition, was released late in 2006. Most of the songs on the album were co-written with the poet/lyricist Pádraic Ó’Beírn. Also featured on the album are some of his regular musical partners including fiddler Liz Coleman, percussionist Aidan Dunphy, bassist Brian O’Toole and guitarist Ciarán Swift. The album was co-produced by Flynn with engineers Manus Lunny and Paul Thomas. Writing in Irish Music Magazine, critic John O'Regan says, "Draíocht is one of the most surprising debuts to hit my ears in ages.....An interesting and intriguing collection from a tunesmith, instrumentalist and composer, Dave Flynn is a name to conjure with and Draíocht is very definitely worth an open-minded listen." [10]
[edit] Complete concert works
- "Elegy For Joan" for guitar solo (1993)
- "Homage To Villa-Lobos" for guitar solo (1998)
- "Irish Seascape with Waves-Homage to Leo Brouwer" for guitar solo (2000)
- "5to9" for guitar solo (2000)
- "Passacaglia" for guitar solo (2000)
- "Rainstorm" for guitar solo (2000)
- "Chimurenga" for Guitar Quartet (2000)
- "3 Gymno’Paddy’s" for guitar solo (2000/2001)
- "Twelve-Tone BACH" for piano solo (2001)
- "Mesh" for String Orchestra (2001)
- "Quirk No.1" Versions available for Violin & Cello or Flute & Bb Clarinet) (2001)
- "Quirk No.2 (Shadowplay)" for Flute and Guitar (2002)
- "Kora" for Guitar Quartet (2002)
- "Horrific Spasm" for Chamber Quintet (2002)
- "I have always known" Song set to poem by Narihiri for voice and piano (2002)
- "7-11" for Piano 4-Hands or Piano Duet (2002/2003)
- "After Cowell" for Solo Piano (2003)
- "Paddy"s Rambles through Africa and The Balkans’ for Orchestra (2003)
- "Echoes of Bamako" for String Orchestra (2003)
- "Polymetric Cycles" - for Chamber Ensemble (2003)
- String Quartet No.1 "Fairground Attractions" (2003)
- "Quirk No.3" for Alto Flute, Oboe, Eb Clarinet, Soprano Sax & Guitar (2003)
- "Full Circle" song cycle for voice and piano set to poetry by Joan Jennings (2003/2004)
- "Two Nonsense Songs" for voice and piano (2003-4)
- "Manipulations" for Chamber Sextet (2004)
- "Electric Guichair" electronic music (2004)
- "Between the Jigs and the Reels" for Violin & Piano.(2004)
- String Quartet No.2 "The Cranning" (2004/5)
- "Four Etudes for Five Finger Right Hand Technique" guitar solo (2005)
- "Tar éis an Cran" for Fiddle and keyboard (piano or harpsichord) (2005)
- "Ómós do Frankie Kennedy" for Flute and Guitar (2006)
- Music for the Departed for Fiddle, Violin and Guitar (2006)
- "Errigal Suite" for traditional Irish musician and two Guitars (2007)
- "Taibhreamh O Ríada" for traditional Irish music ensemble and seán nós singers" (2007)
- "String Quartet No.3 "The Keening" (2007) [11]
[edit] References
- Dervan, Michael "Experiments with Sound", The Irish Times, 30th November 2005
- Fisher, Neil "Concert:Huddersfield Festival", The Times, 30th November 2005
- Flynn, David "The Young Composers Collective" in The Journal of Music in Ireland (Vol.4 No.3)
- Flynn, David "Looking for the Irish Bartók" in The Journal of Music in Ireland (Vol.5 No.4)
- Also refer to The Journal of Music in Ireland Vol.5 No.5 and Vol.5 No.6 for debate on this article
- Long, Siobhán "Losing their Shackles to Play from the Heart", The Irish Times, 14 August 2006
- O'Regan, John "Dave Flynn - Draíocht album review", Irish Music Magazine, December 2007
- Scores and Programme Notes for David Flynn's compositions can be found in The Contemporary Music Centre, Dublin
[edit] Notes
- ^ daveflynn.com
- ^ daveflynn.com
- ^ daveflynn.com
- ^ daveflynn.com
- ^ Fisher, Neil "Concert:Huddersfield Festival", The Times, 30th November 2005
- ^ ireland.com - The Irish Times - Wed, Nov 30, 2005 - Experiments with sound
- ^ The JMI : Young Composers' Collective : David Flynn
- ^ The JMI : Looking for the Irish Bartók : David Flynn
- ^ Latest News
- ^ December 2007 » Irish Music Magazine
- ^ Contemporary Music Centre, Ireland: Irish Composers David Flynn compositions by date
