User:Dark Kubrick/Sandbox

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Memento (film)

  • Gargett, Adrian (September 2002). "Nolan's Memento, Memory, and Recognition". CLCWeb: Comparative Literature and Culture: A WWWeb Journal. 
  • Schmidt, Torben (2003). "Christopher Nolan's Memento - Analysis of the narrative structure of a noirish revenge film". . Goethe University, Frankfurt
  • Lyons, Diran (April 2006). "Vengeance, the powers of the false, and the time-image in christopher nolan's memento". Journal of Theoretical Humanities 11: 127-135. doi:10.1080/09697250600798003.  (may be hard to find)
  • Williams, G. Christopher (Fall 2003). "Factualizing the Tattoo: Actualizing Personal History Through Memory in Christopher Nolan's "Memento"". Post Script 23: 27-36.  (saved)
  • Little, William G. (January 2005). "Surviving Memento". Narrative 13: 67-83.  (saved)
  • Clarke, Melissa (2002). "The Space-Time Image: the Case of Bergson, Deleuze, and Memento". The Journal of Speculative Philosophy 16: 167-181.  (saved)
  • Renner, Karen (Summer 2006). "Repeat Viewings Revisited: Emotions, Memory, and Memento". Film studies 8: 106-115.  (saved)
  • Sibielski, R. (2004). "Postmodern? History, Identity, and the Failure of Rationality as an Ordering Principle in Memento". Literature and Psychology 49.  (can't seem to retrieve at the moment)

Some journals for inclusion. —Erik (talkcontrib) - 14:24, 10 August 2007 (UTC)

  • Martin-Jones, David (June 2006). "Memento", Deleuze, Cinema and National Identity: Narrative Time in National Contexts (Hardcover), Edinburgh University Press, 141-150. ISBN 0748622446. 

A chapter in a book about Memento.

[edit] Analysis and Themes

Memento touches on several themes in its narrative, including the emotions of grief and revenge, the issue of memory and how it affects personal identity, the reality of time, and the difference between truth and perception.

Gargett, 11 on.

Schmidt, 15-24.