Danielle Collobert
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| Danielle Collobert | |
|---|---|
| Born | July 23, 1940 Rostrenen, Brittany |
| Died | July 23, 1978 Paris, Île-de-France |
| Occupation | poet, novelist, and short story writer |
| Nationality |  French |
| Writing period | 1961-1978 |
| Subjects | death, madness, schizophrenia, gender |
| Literary movement | prose poetry, experimental poetry |
Danielle Collobert was a French author, poet and journalist, born in Rostrenen, Brittany, on 23 July 1940. She died, by her own hand, in Paris, Île-de-France on the 23 July 1978.
Her mother, a teacher, was obliged to live in a neighbouring village, and thus, Danielle grew up at her grandparents' house, where her mother and her aunt would return whenever they so could. Both entered into the French Resistance.
In 1961, having abandoned her university studies, she worked at the Galerie Hautefeuille in Paris, where she wrote Totem and many other texts that would three years later be part of her seminary text, Meurtre. In the April of that year, she published, at her own expense, Chants des Guerres (War Songs) with Pierre-Jean Oswald publishers. Some years later, she would destroy the early editions of this, her first published book.
She engaged in the FLN and was involved in missions in Algeria. After a self-imposed exile from May to August 1962 in Italy, she returned to collaborate with the Algerian magazine, Révolution Africaine, until it stopped being published during the Presidency of Ahmed Ben Bella. After rejection by Les Éditions de Minuit, her cause was supported by Raymond Queneau, which led to Gallimard publishing Meurtre, in 1964.
After joining the Writers' Union in May 1968, and soon after turning up in Czechoslovakia during the Soviet backlash to the Prague Spring, she would travel near continuously from 1970 to 1976. Her travels would strongly influence her later writings. In 1978, she asked Uccio Esposito-Torrigiani to translate her last work, the ironically titled Survie (Survival), into Italian; reportedly, she wanted it published as quickly as possible. Survie came out at the end of April, and Danielle Collobert would die by suicide, on her birthday, three months later, in a hotel on the rue Dauphine in Paris.
An experimental writer, Collobert wrote in a haunting, pessimistic, tense and stark style of 'prose poems.' Her work showed an obsession with death as the destination of humankind, the ambiguity of gender, travel and madness.
[edit] Bibliography
- Chants des guerres, Éditions P.-J. Oswald, 1961 (later by Éditions Calligrammes, Quimper, 1999).
- Meurtre, Gallimard (Lagny-sur-Marne, impr. É. Grevin et fils), [Paris,], 1964.
- Des nuits sur les hauteurs, Éditions Denoel (preface by Italo Calvino)
- Dire : I-II :+un-deux+, Paris, Seghers : Laffont, 1972, 27-Mesnil-sur-l'Estrée, impr. Firmin-Didot, 192 p., collection Change, série rouge.
- Il donc, Laffont, Paris, 1976.
- Survie, Éditions Orange Export Ltd, 1978.
