Culture of Kenya

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A woman in a traditional Kenyan outfit
A woman in a traditional Kenyan outfit

Culture of Kenya - Kenya has no one culture that identifies it. With such diverse regional peoples such as the Swahili along the coast, several pastoralist communities mainly in the North and the different communities in Central and Western regions, having a mutually acceptable cultural identification is difficult.

There are about 42 different tribes in Kenya - each of these with its own unique culture, but majority of them with intertwining cultural practices brought about by the close resemblance in the languages, the similar environment and physical proximity of the tribes. The tribes are grouped into larger sub-groups - based on their cultural and linguistic similarities. There are three major unifying categories of languages: the Bantu speaking people of the Coastal region, the Central Highlands and the Western Kenya Region, The Nilotes who are mainly found in the Rift Valley and the Lake Victoria Region and the Cushites who are mainly composed of pastoralists and nomads in the drier North Eastern part of the country. Of note is that these sub-groups span a vast area of not just Kenya, but the East, Central and Southern African Region as a whole.

The Maasai culture owes its widespread identification to the tourist industry which has exploited them for purely commercial purposes.

Historical and current politics of division practiced first by the colonizers and then by subsequent community leaders has led to a situation where Kenyans themselves barely know their own culture let alone that of their neighbours. The colonial administration in partnership with missionary activities and formal education wiped out most cultural practices leaving a gap that was filled by Western cultural attitudes and identification especially by the youth.

The recent attempts at coming up with a national dress testifies to the difficult nature of Kenyans' cultural identity. The top-down formula employed rendered the entire process irrelevant as it only involved the urban areas hence the better educated and wealthier segments of society. The result was basically a restricted set of pre-approved national dresses and outfits with questionable aesthetic appeal to the majority of Kenyans.

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