Contact (musical)
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| Contact | |
| The Musical | |
| Music | various |
|---|---|
| Lyrics | various |
| Book | John Weidman |
| Productions | 1999 Off Broadway 2000 Broadway 2002 West End 2003 U.S. tour |
Contact: The Musical is a musical "dance play" (some deemed it a ballet) that was developed by Susan Stroman and John Weidman, with its "book" by Weidman and both choreography and direction by Stroman. It was first presented at the Mitzi E. Newhouse Theatre in September 1999 (after 1999 workshop productions of parts of the show), then moved to the Vivian Beaumont Theatre (both are part of Lincoln Center), a Broadway house, on March 30, 2000 and played for 1,010 performances.
The show was received with much critical acclaim [1] and won the 2000 Tony Award for Best Musical (among others - see below). However, it caused much controversy in the American theater world about what constitutes a musical, as instead of original music, it uses pre-recorded music and songs, the actors do not sing, and there is minimal dialogue. As a result of the controversy, a new category was created for the Tony Awards: Best Special Theatrical Event. [2]
The original cast album was released on March 6, 2001. The idea of a cast album for a show with no original score was in itself controversial. PBS included the show's final performance in its program "Live From Lincoln Center" on September 1, 2002. The show went on to tour nationally.
A West End production opened at the Queen's Theatre in October 2002, and closed on May 10, 2003. [3]
Contents |
[edit] Structure, music and story
Contact is made up of three separate dance pieces, each set to pre-recorded music from the likes of Tchaikovsky, Stephane Grappelli, the Squirrel Nut Zippers, Royal Crown Revue, and The Beach Boys:
- Part One - "Swinging"
- Part One, set in an 18th century French forest clearing, can be described as a Contact improvisation on Fragonard's The Swing, a print of which is displayed on an easel when the audience arrives. Sex and concealed identity are involved in this piece of amoral intrigue - a servant and his master each seeks the young lady's affection. Much of the action takes place on a moving swing.
- Part Two - Did You Move?
- Part Two, set in 1950s New York, takes place in an Italian restaurant, focusing on the empty marriage of a small-time gangster and his wife. The wife has extensive dance sequences as she fantasizes about escaping her verbally abusive spouse, set to recorded orchestral music of Tchaikovsky and Grieg.
- Part Three - "Contact"
- Part Three, a contemporary piece, explores the emptiness of the career-driven lives of Manhattan apartment dwellers and prevents them from making contact with others.[1]. It helped to create a surge of interest in acrobatic and rock and roll swing dancing.
In each story, the central character expresses a longing to make a romantic connection.[2]
[edit] Awards
In addition to winning Best Musical and Best Choreography, Contact's leading actors, Karen Ziemba (in Part Two) and Boyd Gaines (in Part Three), won Tonys for Best Featured Actress and Best Featured Actor in a Musical, respectively. The show also won Drama Desk Awards for Outstanding New Musical, Outstanding Featured Actress in a Musical, Outstanding Choreography and Outstanding Lighting Design.
Deborah Yates, who originated the spectacular dance role of Girl in a Yellow Dress (Part Three), was also nominated for a Tony Award that year in the same category as Karen Ziemba.
[edit] Original cast
- Jason Antoon
- John Bolton
- Boyd Gaines
- Jack Hayes
- Robert Wersinger
- Scott Taylor
- Deborah Yates
- Karen Ziemba
- Stephanie Michels
- Sean Martin Hingston
[edit] Musical numbers
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[edit] References
- ^ See, for example: Curtain Up review
- ^ http://www.variety.com/article/VR1117942384.html?categoryid=2136&cs=1 Variety article
- ^ http://www.playbill.com/news/article/72914.html playbill article
[edit] See also
[edit] External links
- Contact at the Internet Off Broadway Database
- IBDB Entry for Contact
- The Swing (Les hazards heureux de l'escarpolette) by Fragonard
- Interview with Karen Ziemba
- Interview with Deborah Yates
- Review in Dance Magazine
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