Common Market (band)
From Wikipedia, the free encyclopedia
| Common Market | |
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 Common Market performs at the Capitol Hill Block Party in Seattle, July 2006.
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| Background information | |
| Origin | Seattle, Washington, U.S. |
| Genre(s) | Hip-hop, Northwest hip hop |
| Years active | 2005 - Present |
| Label(s) | Massline Media |
| Associated acts | Blue Scholars |
| Website | Official Site |
| Members | |
| RA Scion Sabzi |
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Common Market is a hip hop duo based in Seattle, Washington with members RA Scion and DJ/Producer Sabzi. The two members were individually active hip hop artists in the Pacific Northwest since 2002, but collectively combined their talents in 2005 to form Common Market.[1]
Sabzi started his career as DJ and producer in another hip hop duo: Blue Scholars. RA Scion gained musical talent while in Zambia, but later began a solo career, playing a new style of hip hop with a spiritual message, inspired by his membership in the Bahá'í Faith[1]. RA Scion and Sabzi's paths crossed through their Bahá'í contacts, and their political and spiritual approach to hip-hop music.
In an interview on Seattle radio station 107.7 The End, the duo stated that their new album is titled Tobacco Road and is scheduled for release "on your mom's 50th birthday."[2] It has since been confirmed that Tobacco Road will be released in September 2008 in a news letter sent out on March 20th, 2008. The duo also unveiled the EP entitled "Black Patch War" in their news letter and announced it's release to be May 13th, 2008.
The duo had this to say about their new EP: Despite the fact that Common Market was loosely crafted, the recurring topical principles of social justice, personal accountability and the eternal quest to fulfill a greater purpose resonated deeply with a vast audience. Black Patch War builds beautifully on the platform of its predecessor, but with a much more concentrated focus. The album opens with the title track on which RA Scion, from a first-person perspective, paints a vividly violent picture of the intense struggle between small-scale farmer and Big Tobacco; the emcee's delivery every bit as relentless as the fabled Night Riders of Kentucky. By the end of the second track, RA has deftly flashed-forward a hundred years, and speaking now as himself he illustrates how he has become a byproduct of the very self-righteousness that started the Black Patch War.
In the history of America, there has never been a more religious or a more bloodthirsty region than the South; Black Patch War dissects the contradiction to explain the condition of interdependence. The emcee's fight to separate himself from the indoctrination of the Old Church culminates in "Watership Down," a paean for anyone who has ever questioned the validity of their own faith. Laying the musical foundation for Black Patch War is the debut single "Trouble Is," a fiery allegory over Sabzi's lethal organ riffs in which the author expounds upon the old proverb "the harvest is plentiful, but the laborers are few." This analogous theme will continue to serve as the cornerstone for Tobacco Road.
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[edit] Collaboration and first album
After collaborating on several tracks on RA Scion’s 2004 solo project, "Live and Learn", the duo began working in an attic-based studio for what would eventually become the 14-track self-titled debut, released in October 2005. An advance copy caught the ear of KRS-One, who praised the album and RA Scion for “spitting in the Tradition of the conscious Hiphop movement.”[3] KRS-One then drove up to perform at Common Market’s album release party in Seattle, then taking the duo on the road with him on the Temple of Hiphop tour.[4]
Distinguishing this album from his previous body of work, Sabzi combined his talents as a DJ to RA Scion's lyrics and talents as a performer. The album was hailed by fans as a remarkable improvement over any of their previous works. Common Market takes on questions about religion, politics and the state of mainstream hip-hop. At the core of Common Market’s music is a critical, unapologetic world view that change is not only necessary, it is inevitable, and can only come about through having love for and serving the people.[5]
In the brief time since Common Market released their debut album, the duo has gathered praise as Seattle Weekly’s 2006 Best New Artist and performing slots on grand stages such as Sasquatch Festival and The Capitol Hill Block Party. They have shared the stage with KRS-One[6], Zion I, Ghostface Killah[7], The Coup, and the Blue Scholars. The album’s regional success, along with the rising tidal wave of Northwest hip-hop, has poised the group for a serious push into the national scene, as the Common Market LP has been mixed and mastered by Seattle music engineer Martin Feveyear and repackaged with new album cover art. Common Market will be the first official new release of Mass Line, a co-op indie record label run by Common Market, Blue Scholars and Gabriel Teodros.[8] The label's mission statement includes the goal of using hip hop as a means of grassroots community organizing and youth outreach.
[edit] Members
Ryan Abeo (RA Scion) was born in Louisville, Kentucky in 1974 and briefly attended Northern Kentucky University before moving on to start a family. He has lived all over the globe, calling home to such places as Zambia and Greece before settling with his family in the Pacific Northwest. Much of his musical influence can be accredited to his travels, which he has mentioned several times in his lyrics.
Alexei Saba Mohajerjasbi (Sabzi) was born in Seattle, Washington in 1981 and graduated from the University of Washington. He represents half of Common Market, as well as half of the Blue Scholars.
[edit] Discography
- Common Market (Pacific Northwest release, 2005)
- Common Market (national release, 2006)
- Black Patch War (2008)
- Tobacco Road (scheduled release in Sept. 2008)
[edit] External links
[edit] References
- ^ a b Details published in the Seattle Post-Intelligencer. [1]
- ^ Live interview with Sabzi and RA Scion. 107.7 The End. October 19, 2007.
- ^ According to this review by Keith Adam, this quote is on a sticker on the album's cover.
- ^ The full story was published in Seattle's alternative newspaper, The Stranger.[2]
- ^ This observation comes from a review at okayplayer.com.[3]
- ^ One show was mentioned in the Seattle Weekly.[4]
- ^ This noted in a CD review by Seattle Weekly.[5]
- ^ The full story on the record label published in The Stranger.[6]
