Color calibration
From Wikipedia, the free encyclopedia
The aim of color calibration is to measure or adjust the color response of a device (input or output) to establish a known relationship to a standard color space.[1] The device that is to be calibrated is sometimes known as calibration source; the color space that serves as a standard is sometimes known as calibration target.[citation needed]
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[edit] Information flow and output distortion
A computer program that sends a signal to the computer's graphic card in the form RGB (Red,Green,Blue) 255,0,0, signals only a device instruction, not a color itself. This instruction then causes the connected display to show Red to the maximum achievable brightness, while the Green and Blue components of the display remain dark. The resultant color being displayed, however, depends on two main factors:
- The phosphors or crystals actually producing a light that falls inside the red spectrum and
- the overall brightness of the color resulting in the desired color perception. (An extremely bright light source will always be seen as white, irrespective of spectral composition.)
Hence every output device will have its unique color signature, displaying a certain color according to manufacturing tolerances and material deterioration through use and age. If the output device is a printer, additional distorting factors are the qualities of a particular batch of paper and ink.
The conductive qualities and standards-compliance of connecting cables, circuitry and equipment can also alter the electrical signal at any stage in the signal flow. (A partially inserted VGA connector can result in a monochrome display, for example, as some pins are not connected.)
[edit] Color perception
Color perception is subject to ambient light levels, and the ambient white point; for example, a red object looks black in blue light. It is therefore not possible to achieve calibration that will make a device look correct and consistent in all capture or viewing conditions. The computer display and calibration target will have to be considered in controlled, predefined lighting conditions.
[edit] Techniques and procedures
The most common form of calibration aims at adjusting monitors and printers for photographic reproduction. The aim is that a printed copy of a photograph appears identical in saturation and dynamic range to the source file on a computer display. This means that two independent calibrations need to be performed:
- The computer display needs to represent the colors of the image color space.
- The printer needs to match the computer display.
In the first stage, an external calibration device is attached flat to the display's surface, shielded from all ambient light. The calibration software sends a series of color signals to the display and compares the values that were actually sent against the readings from the calibration device. This establishes the current offsets in color display. Depending on the calibration software and type of monitor used, the software either creates a correction matrix (i.e. an ICC profile) for color values before being sent to the display, or gives instructions for altering the display's brightness/contrast and RGB values through the OSD. This tunes the display to reproduce parts of a desired color space. (It is technically and procedurally not possible to reproduce an exact color space on a computer display). The calibration target for this kind of calibration is that of print stock paper D65 at 120 cd/m2.
In the second stage, the software sends a test print to the printer and compares the print result with the original file with the use of an external calibration device, similar to the display calibration. A calibration profile is necessary for each printer/paper combination.
Limited calibration can be done visually using a color chart. This is not a substitute for hardware calibration.
[edit] Colorimeters
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| Device name | Manufacturer | Versions and features |
|---|---|---|
| Huey | GretagMacbeth |
|
| Spyder | ColorVision |
|
| Spyder2 | ColorVision |
|
| Spyder3 | ColorVision |
|
| Eye-One Display 2 | GretagMacbeth |
|
| MonacoOptix XR (DTP94) | X-Rite |
|
Note about manufacturers and vendors:
- GretagMacbeth was acquired by X-Rite in February 2006, but still sells products under own brand name.
- Original MonacoOPTIX was manufactured by Monaco Systems until 2003, when the company was acquired by X-Rite. The new product name is “MonacoOPTIX XR” (with “XR” meaning X-Rite).
- ColorVision is a subsidiary of Datacolor.
- Pantone was selling ColorVision products till 2006 (such as “Pantone ColorVision Spyder”), then switched to GretagMacbeth (“Pantone / gretagmacbeth Huey”). By the end of October 2007 the company was acquired by X-Rite, too.
So, there are only two independent manufacturing parties: Datacolor and X-Rite.
Feature classifications:
- Basic — fixed gamma and color temperature (2.2/6500).
- Medium — selectable calibration tagets, even custom (Spyder2 Standard).
- Advanced — professional capabilities:
- Characterization without calibration. You can calibrate the display to whatever target you want, even leave it as is.
- Pure arbitrary gamma and color temperature (MonacoOPTIX XR Pro). You can define any tonal response curve, even that non-exponential of sRGB, by simply supplying a text file with numbers. You can specify target temperature not only by a correlated value (CCT), but directly by xy chromaticity coordinates.
- Calibration verification and profile validation: reduced series of measurement to check whether profile still describes monitor characterisicts well enough; average ΔE difference is reported. While Spyder2 verifies against the same RGB-shades as used for calibration and profiling, MonacoOPTIX applies color-checking charts of different hues. MonacoOPTIX also tracks measured deviation and displays a trend diagram for estimating how often the display needs re-calibration and profiling.
- Table-based profiles (MonacoOPTIX XR Pro) allow you to characterize very sophisticated devices. This is obligatory for printers and scanners, but for displays usually renders worse results than standard matrix-based profiles (could add 1 ΔE or more).
- Measured tuning allows you to set up monitor brightness (white level) and bias (black level) to a desired numerical value, rather than with visual assessment. Actually, the software only informs you about current luminance level — it doesn't modify videocard's color look-up table (which is done for gamma correction). So if you monitor has no bias control, you can't raise black level without affecting white level (when controlling brightness or contrast).
- Multi-monitor matching (MonacoOPTIX XR Pro). Despite of challenging name, this function just helps you to find “least common denominator” between several display profiles, so you can perform measured tuning of brightness range among all monitors being matched. No direct modification of chromaticity is done.
- Projector calibration (Spyder2 Pro). Special holder is supplied to fix the sensor on a tripod.
- Free measurement mode (Spyder2 Pro). You can measure what you want and see the color coordinates: XYZ and Yxy (cd/m²), L*u*v*, kelvins, etc. With standard versions of software you can't see these numbers, except for luminance and temperature in some cases.
Note that all those features (except tripod-holder, which is a piece of hardware) are implemented in software.
[edit] See also
[edit] References
- ^ Hsien-Che Lee (2005). Introduction to color imaging science. Cambridge University Press.
[edit] External links
- monitorsetup.com Free website for checking the monitor calibration and the color management capabilities of web browsers
