Club Passim
From Wikipedia, the free encyclopedia
Club Passim is a folk music club in Cambridge, Massachusetts. It was opened by Joyce Kalina (now Chopra) and Paula Kelley in 1958[1], when it was known as Club 47 (based on its then address, 47 Mount Auburn Street in Cambridge; it moved to its present location on Palmer Street in 1963), and changed its name to simply Passim in 1969. "Passim" in the name is pronounced with the accent on the second syllable and as if that were "seem"; it derives from passim (usually pronounced differently), commonly found in footnotes. It adopted the present name in 1994; a combination of the earlier two names. At its inception, it was mainly a jazz and blues club, but soon branched out to include ethnic folk, then singer/songwriter folk.[2]
Artists who have performed there include Joan Baez, Bob Dylan, Tom Rush, Shawn Colvin, Suzanne Vega, Joni Mitchell and many others.
In the 1960s, the club (when known as Club 47) played a role in the rise of folk-rock music, when it began to book folk/rock bands whose music was unrelated to traditional folk, such as the Lovin' Spoonful.[3] The club's importance to the 1960s Cambridge folk scene is documented extensively in Von Schmidt's Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years[4]. Scott Alarik described Club 47 as being "the hangout of choice for the new folkies" during that time.[2]
Today there is a Passim School of Music and Culture for Kids program [5] During the day it is a restaurant (Veggie Planet) which also serves food during performances.
[edit] Musicians
In 1961, Bob Dylan was said to have played at the club between sets for free so that he could say he had played at Club 47.[6] Dylan: A Biography gives a detailed account of Dylan's first visit to Club 47, where he saw Carolyn Hester perform and performed between Hester's sets in the hopes of impressing club manager Paula Kelley.[7]
Bonnie Raitt chose to attend Radcliffe College in Cambridge in order to be near Club 47, though the club closed temporarily after her first year as a student (1967).[8]
Bill Staines mentions Club 47 in his autobiography, The Tour: he saw his first coffeehouse performance there in 1962, as a sophomore in high school, and described Club 47 during the 1960s as "one of the premiere folk venues in the country."[9]
During the 1960s, Joan Baez sang regularly at Club 47.[7]
Bruce Springsteen was refused a gig at Club Passim.[10]
[edit] References
- ^ Cohen, Ronald (2002). Rainbow Quest: The Folk Music Revival and American Society, 1940-1970. University of Massachusetts Press (Amherst)
- ^ a b Alarik, Scott. "From Club 47 to Club Passim", in Deep Community: Adventures in the Modern Folk Underground (2003). Black Wolf (Cambridge, Mass.)
- ^ Unterberger, Richie (2002). Turn! Turn! Turn: The '60s Folk-Rock Revolution. Backbeat (San Francisco).
- ^ Von Schmidt, Eric (1994). Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years, second edition. University of Massachusetts Press (Amherst)
- ^ Official Website
- ^ White, Timothy (2001). James Taylor: Long Ago and Far Away. Omnibus (London)
- ^ a b Spitz, Bob (1989). Dylan: A Biography. Norton (New York).
- ^ Gaar, Gillian G. (2002). She's a Rebel: The History of Women in Rock & Roll (second edition). Seal (New York)
- ^ Staines, Bill (2003). The Tour. Xlibris
- ^ Club Passim. (n.d.) "History of Club Passim." Retrieved on 2007-04-02.
