Cinq-Mars (Gounod)
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Operas by Charles Gounod |
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Sapho (1851, rev. 1884) |
Cinq-Mars is an opera in four acts by Charles Gounod to a libretto by Paul Poirson & Louis Gallet loosely adapted from Alfred de Vigny's historical novel. It was first performed at the Opéra-Comique on April 5, 1877.
The plot faithfully follows the external events of failed revolt of the French nobility against Richelieu's consolidation of power, but supplies a secret love affair between Cinq-Mars and a princess. Whereas de Vigny's character yearned to become her social equal, the opera's hero enters politics only on learning of a planned marriage between Marie and the king of Poland. After the conspiracy is discovered, she is given a chance to save him by agreeing to the match, but her sacrifice is in vain: before their escape plans can be put into effect, the hour of execution is suddenly moved forward.
The work work's reception was luke warm: "If [it] adds nothing to the glory of Gounod, neither does it diminish it." [1] Some critics seized on the straddling of the genres of grand opéra and opéra comique; a second edition (Léon Grus, n.d.) contains recitatives for the very few spoken scenes as well as an act III cantabile for de Thou written for the La Scala production.
[edit] Roles
Role | Voice type | Premiere Cast, April 5, 1877 (Conductor: Léon Carvalho) |
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Le Marquis de Cinq-Mars | tenor | Dereims |
Le Conseiller de Thou | baritone | Stéphanne |
Père Joseph, an emissary of Cardinal Richelieu | bass | Giraudet |
Le Vicompte de Fontrailles | baritone | Barré |
Le Roi (Louis XIII of France) | bass | Maris |
Chancellor | bass | Bernard |
De Montmort | tenor | Lefèvre |
De Montrésor | bass | Teste |
De Brienne | baritone | Collin |
De Monglat | tenor | Chenevière |
De Château-Giron | baritone | Villars |
Eustache, a spy | bass | Davoust |
Princesse Marie de Gonzague | soprano | Chevrier |
Marion Delorme | soprano | Frank-Duvernoy |
Ninon de l'Enclos | soprano | Périer |
[edit] References
- ^ La Comedie no. 18; cited in Steven Huebner: The Operas of Gounod, p.92