Christmas Eve (opera)
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| Operas by Nikolai Rimsky-Korsakov |
|---|
The Maid of Pskov (1872) |
Christmas Eve (Russian: Ночь перед Рождеством, Noch' pered Rozhdestvom), is an opera in four acts with music and libretto by Nikolai Rimsky-Korsakov. Composed between 1894 and 1895, Rimsky-Korsakov based his opera on a short story, "Christmas Eve", from Nikolay Gogol's Evenings on a Farm Near Dikanka.[1] The story had been used as the basis for an opera at least three times previously, including for Tchaikovsky's Vakula the Smith (1874).[2]
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[edit] Performance history
The premiere took place on 10 December 1895 in St. Petersburg.
[edit] Roles
| Role | Voice type | Premiere cast< St. Petersburg 10 December 1895 (Conductor: - ) |
|---|---|---|
| Tsaritsa | mezzo-soprano | Yevgeniya Mravina |
| Village-head | baritone | Vladimir Mayboroda |
| Chub, an elderly Cossack | bass | Mikhail Koryakin |
| Oksana, his daughter | soprano | Yevgeniya Mravina |
| Solokha, a widow, and by rumor, a witch | contralto | Mariya Kamenskaya |
| Vakula the smith, her son | tenor | Ivan Yershov |
| Panas, a crony of Chub | bass | |
| Deacon Osip Nikiforovich | tenor | Grigoriy Ugrinovich |
| Patsyuk, an old Zaporozhets, a sorcerer | bass | |
| Devil | tenor | Mitrofan Chuprīnnikov |
| Chorus, silent roles: Lasses, lads, Cossacks of Dikanka. Witches, wizards, evil and good spirits. The figures of Kolyada and Ovsen. The morning star (Venus) and other stars. Court gentlemen and ladies. Lackeys | ||
[edit] Synopsis
Time: 18th century
Place: The village of Dikanka, Ukraine; mid-air; a royal court
(Mariinsky Theatre, St. Petersburg, 1895)
[edit] Act 1
Tableau 1: Christmas Eve in the hamlet of Dikanka
The widow Solokha agrees to help the Devil steal the moon. The Devil is annoyed with Solokha's son Vakula, who painted an icon mocking him. The Devil decides to create a snowstorm to prevent Vakula from seeing his beloved Oksana. While the storm rages, Solokha rides up to the sky and steals the moon, while Oksana's father Chub and the Deacon are unable to find their way.
Tableau 2: Interior of Chub's house
Oksana is alone and lonely at home. She passes through several moods and the music follows her with gradually accelerating tempos. At one point, Vakula enters and watches her admiring herself. She teases him, and he says he loves her. Chub comes back out of the storm, and Vakula, not recognizing him, chases him out by striking him. Seeing what he has done, Oksana sends Vakula away in a miserable state. Young people from the village come around singing Ukrainian Christmas carols. Oksana realizes she still loves Vakula.
[edit] Act 2
Tableau 3: Solokha's house
Three men and the Devil wind up in three sacks at Solokha's hut after successively trying to seduce her, and Vakula winds up hauling the heavy sacks away.
Tableau 4: Vakula's smithy
Vakula puts down his sacks, except the one that contains the devil. Young men and women, including Oksana, arrive singing Kolyadki and having fun. Vakula, however, is bored and dejected. Oksana taunts Vakula one last time about the Tsaritsa's slippers. Vakula gives his farewell to the lads and to Oksana, exclaiming that he will perhaps meet them in another world. He leaves two bags which turn out to have the Deacon and Chub.
[edit] Act 3
Tableau 5: Inside Patsyuk's house
Patsyuk makes magic vareniki jump into his mouth. Vakula has come to request assistance from him. Patsyuk advises him that in order to obtain the help of the devil, he must go to the devil. Vakula puts down his sack, and the devil jumps out and tries to get his soul in exchange for Oksana. Vakula, however, grabs him by his neck, and climbs on his back. He forces the devil to fly him to St. Petersburg.
Tableau 6: Space. Moon and stars
We witness the charming "Games and Dances of the Stars". This is followed by the "Diabolical Kolyadka" in which Patsyuk, riding a mortar, and Solokha, on her broom, attempt to stop Vakula. He succeeds, however, in getting through, and the lights of St. Petersburg become visible through the clouds.
Tableau 7: A palace. A sumptuous room, brightly lit
The Devil puts down Vakula in the tsaritsa's court and disappears into the fireplace. Vakula joins a group of Zaporozhian Cossacks who are petitioning the tsaritsa. A chorus sings the tsaritsa's praises in a magnificent polonaise. The tsaritsa addresses the Cossacks. Vakula requests the tsaritsa's boots to the music of a minuet, and his wish is granted because its unusual and amusing nature. The Devil takes Vakula away as Russian and Cossack dances commence.
Tableau 8: Space. Night
Vakula returns home on the devil's back. We witness the procession of Kolyada (young girl in a carriage) and Ovsen (boy on a boar's back). On approaching Dikanka, we hear church bell's and a choir.
[edit] Act 4
Tableau 9: Christmas Day. Courtyard beside Chub's house
Oksana listens to some women exchanging gossip about Vakula, who is believed to have committed suicide. Alone, Oksana sings an aria expressing her regret that she had treated Vakula harshly, and wishing for his return. He appears with the boots, followed by Chub. Vakula asks Chub for Oksana's hand in marriage. Chub assents. Vakula and Oksana sing a duet. Other characters enter and ask Vakula about his disappearance.
Epilogue: In memory of Gogol
Vakula announces that he will relate his story to the beekeeper Panko the Gingerhead (i.e., Gogol), who will write a story of Christmas Eve. There is general rejoicing.
[edit] Principal arias and numbers
- Introduction
Act 1
Act 2
Act 3
- Scene 2
- Scene 3
- Polonaise with chorus
Act 4
[edit] Related works
- Tchaikovsky: The opera Vakula the Smith (1874)
- Tchaikovsky: The opera The Slippers (1885)
Christmas Eve, Vakula the Smith, and The Slippers, are all based on the same story by Gogol.
[edit] Selected recordings
Audio Recordings (Mainly studio recordings)
Source: www.operadis-opera-discography.org.uk
- 1948, Nikolai Golovanov (conductor), Moscow Radio Symphony Orchestra, Moscow Radio Chorus, Natalya Shpiller (Oksana), Lyudmila Ivanovna Legostayeva (Tsaritsa), Nina Kulagina (Solokha), Dmitriy Tarkhov (Vakula), Pavel Pontryagin (Devil), Sergey Migay (Village-Head), Sergey Krasovsky (Chub), Vsevolod Tyutyunnik (Panas), Aleksey Korolyov (Patsyuk), Sergey Streltsov (Sacristan)
- 1990, Mikail Yurovsky (conductor), Moscow Forum Theatre, Yurlev Academic Choir, Yekaterina Kudryavchenko (Oxana), Yelena Zaremba (Solokha), Vladimir Bogachov (Vakula), Stanislav Suleymanov (Chub), Maksim Mikhaylov (Panas), Vyacheslav Verestnikov (Village-Head), Vyacheslav Voynarovsky (Devil), Alexey Maslennikov (Sacristan), Boris Beyko (Patsyuk), Olga Tiruchnova (Tsaritsa)
[edit] Notes
- ^ Abraham, Gerald E.H., "Rimsky-Korsakov's Gogol Operas" (July 1931). Music & Letters, 12 (3): pp. 242-252.
- ^ Taruskin, Richard; L. Macy (editor) (2007). Christmas Eve [Noch’ pered rozhdestvom] (English). New Grove Dictionary of Opera / Grove Music Online. Retrieved on 2007-06-07.
[edit] Sources
- Abraham, Gerald (1936). "IX. Rimsky-Korsakov's Gogol Operas", Studies in Russian Music (in English). London: William Reeves / The New Temple Press, p.167-192.
- Noch' Pered Rozhdestvom / Christmas Eve (English). Opera Glass at Stanford University. Retrieved on 2007-06-09.
- Taruskin, Richard; L. Macy (editor) (2007). Christmas Eve [Noch’ pered rozhdestvom] (English). New Grove Dictionary of Opera / Grove Music Online. Retrieved on 2007-06-09.
