Children of the Stones
From Wikipedia, the free encyclopedia
| Children of the Stones | |
|---|---|
 The Stones of Avebury (Milbury in the serial) |
|
| Genre | Fantasy |
| Created by | Jeremy Burnham Trevor Ray |
| Directed by | Peter Graham Scott |
| Starring | Iain Cuthbertson Gareth Thomas Freddie Jones John Woodnutt |
| Composer(s) | Sidney Sager |
| Country of origin |  United Kingdom |
| Language(s) | English |
| No. of series | 1 |
| No. of episodes | 7 |
| Production | |
| Executive producer(s) |
Patrick Dromgoole |
| Producer(s) | Peter Graham Scott |
| Location(s) | Milbury, a fictionalisation of Avebury, Wiltshire |
| Running time | 30 minutes |
| Broadcast | |
| Original channel | HTV West |
| Picture format | PAL (576i) |
| Original run | 10 January 1977 – 21 February 1977; repeated 21 July 1978 – 1 September 1978 |
| Chronology | |
| Related shows | The Third Eye |
| External links | |
| IMDb profile | |
| TV.com summary | |
Children of the Stones was a television drama for children produced by HTV in 1976 and broadcast on the United Kingdom's ITV network in January and February 1977. A novelization by the serial's writers, Jeremy Burnham and Trevor Ray also appeared in 1977. In the United States, it was carried on the Nickelodeon television channel in the early 1980s as part of the series The Third Eye.[1]
Contents |
[edit] Plot outline
The series followed the adventures of astrophysicist Adam Brake (played by Gareth Thomas of Blake's 7) and his young son Matthew after they arrive in the small village of Milbury, which is built in the midst of a megalithic stone circle.
Filmed at Avebury, Wiltshire, it was an unusually atmospheric production with sinister, discordant wailing voices heightening the tension. The series is frequently cited by those who remember it as one of the scariest things they've ever seen. Involving a temporal paradox and issues of individuality and community assimilation, the serial was also thematically challenging for its intended after-school audience, and could be described as a children's version of magical realism.
[edit] Episodes
- Into the Circle (TX: 10 January 1977)
- Circle of Fear (TX: 17 January 1977)
- Serpent in the Circle (TX: 24 January 1977)
- Narrowing Circle (TX: 31 January 1977)
- Charmed Circle (TX: 7 February 1977)
- Squaring the Circle (TX: 14 February 1977)
- Full Circle (TX: 21 February 1977)
Episodes were broadcast at 16:45 each week.
The series was repeated by ITV from 21 July 1978 – 1 September 1978, at 16:15. Since then the show has not been broadcast in its entireity on UK television, either terrestrial or satellite.
[edit] The Time Circle
One of the more complicated aspects of Children of the Stones is the concept of the “time circle” and the “psychic bubble”. The main premise of this idea is that the village within the stone circle exists in a time rift where the same actions are played out (with minor variations), over and over again, with the end result being that the power of the circle will eventually be released to the outside world. Whenever this is faulted, however, the time circle resets and the same events attempt again to unfold. However, since time is passing in the outside world in a normal way, that within the time circle must also progress matching the time period of the real world while still attempting to play out the events within.
Within Children of the Stones, there are four cycles of the time circle which are clearly described, although in reality there are likely to be a great number more.
[edit] The Original Circle
The original stone circle was built during Megalithic Great Britain and inhabited by a pagan folk led by a Druid priest. The village priest then witnessed the formation of a supernova and somehow deduced that a black hole had formed shortly thereafter. Using a variety of psychic powers, mixed with folk magic, the priest was able to harness the power of the stones (which were natural magnets) and focus negative energy, via a beam of light, through the centre of the circle towards the black hole. This energy, however, was drawn from the minds of the inhabitants within the circle, turning them into creatures without will and totally under the control of the Druid Priest.
When a pair of travellers entered the village, the Druid Priest attempted to brainwash them, as well, through the beam of light towards the black hole. The travellers outwitted the priest, however, and tricked him into thinking they had been brainwashed when the beam of light had not yet appeared. When the two travellers entered the circle of those who had already been taken in by the priest, the circle of control was broken. The beam of light then appeared, much to the priest’s horror, destroying his altar and turning the inhabitants of the circle to stone. The two travellers barely managed to escape the same fate, and were only able to survive by hiding in a rock cave towards the edge of the stone circle, known as the sanctuary.
The events of the original circle were later put down into the form of a painting, which eventually made its way to become a key point of another cycle of the time circle.
[edit] The Barber-Surgeon
One of the less explored manifestations of the Time Circle was the story of the Barber-Surgeon. The Barber-Surgeon was an inhabitant of the village of Milbury, which had been built upon the original site of the stone circle. The events of the first circle began to unfold again in Milbury. How and why is never made clear. The Barber-Surgeon, however, seeing what was taking place was able to protect himself by use of a mystic amulet. The amulet was palm sized and inscribed with a winged serpent.
The Barber-Surgeon was apparently a threat to whoever had restarted the events of the First Circle and, through means unknown, he was mysteriously crushed under a falling “sarsen stone”, also engraved with a serpent like the amulet the Barber-Surgeon had carried. The amulet was crushed, along with the Barber-Surgeon; however his bones were later removed and the stone that killed him re-erected within the circle. Whoever had caused the Barber-Surgeon to die, most likely another priest-like figure attempting to brainwash the village through use of the magic beam towards the black hole, did not succeed and the time circle again reset itself into the modern age.
Dai the poacher's life, death and activities are markedly similar to those of the Barber-Surgeon, suggesting a possible identity or link between the two characters.
[edit] Children of the Stones
The Time Circle again took another loop in the 1970s when a famous astronomer, Rafael Hendrick, uncovered an ancient Dog Latin text speaking of the original Druid Priest who had seen a supernova explode in ancient times. Hendrick was able to discover the location of the supernova (a discovery which made him famous) and further learn that the supernova was now a black hole in the constellation of Ursa Major, the great bear.
Hendrick then traveled to Milbury, the site of the stone circle in which the Druid Priest had years before conducted his attempt at brainwashing the circle’s inhabitants. Through means unexplained, Hendrick learned the power of the circle and how to harness the negative energy of the Milbury villagers into the beam of light towards the black hole. Through complex astronomical calculations, he determined exactly when he could form the energy beam and began brainwashing the villagers into becoming “Happy Ones”.
The one challenge to Hendrick was a poacher named Dai; however, Dai suffered a mysterious death in the same location as the Barber-Surgeon had years earlier. Dai’s body was also apparently mysteriously replaced with a fallen stone carved with a serpent, but then both the stone and the body vanished. After Dai was killed, a broken amulet was found whose pieces matched exactly the broken amulet of the Barber-Surgeon.
With nothing to stop Hendrick, the villages were brainwashed by the beam of light, one by one, until only a visiting professor and his son remained. Professor Brake’s son, Matthew, was apparently psychic and also had come across a painting a year before depicted the scene of the first circle. By the time Hendrick was seeking to brainwash Brake and his son, both had figured out that Milbury was replaying the events of the first circle and attempted to find a way to escape.
By setting Hendrick’s digital timekeeping system ahead five minutes, Professor Brake and Matthew were able to trick Hendrick into thinking they had been brainwashed by the beam of energy and, when they entered the circle of “Happy Ones”, the power of control was broken. Hendrick then was exposed to the beam of light himself, and turned into an image of the ancient Druid priest. The villagers then turned to stone as Professor Brake and Matthew escaped to the Sanctuary, just as the ancient travellers had done in the original circle. When Brake and Matthew awoke the next morning, the village had changed back to normal (with only minor variations), and displayed no sign that Hendrick or his plan had ever even existed. Upon leaving, Matthew commented that he wondered if the Time Circle had reset and would the events he had just witnessed happen again.
[edit] Joshua Litton
No sooner had Professor Brake and Matthew departed the village than a well dressed man in an expensive motor car drives into Milbury. The man looks, oddly enough, identical to Rafael Hendrick. The man drives to Hendrick’s old house where he meets with Link, Hendrick’s former butler and also henchman in the last round of the Time Circle to Hendrick’s evil plan.
The gentleman introduces himself as Joshua Litton, former chairman at Cambridge University who has come to Milbury from London. He comments on what a nice place it will be to retire and comments that he will be very happy there. The implication is clear that the Time Circle has reset and the events of the stone circle have begun again.
[edit] Significant mistakes
- A plot error occurs at the start of the series, when Professor Brake arrives in Milbury to find that a moving company has delivered several boxes of scientific equipment. The moving company departed the village after dropping off the shipment, before Professor Brake arrived. At the end of the series, however, it is revealed that anyone entering the Circle of Stones was trapped within a "time bubble", from which they could not leave. The moving company, however, was able to depart the village without any problem. However, one way to explain this is that the "time trap" may only apply to those who establish residence in Milbury and are therefore cursed.
- Matthew's clothing changes frequently when he is running outside in several scenes, even though the scenes are supposed to be continuous.
- In the trivia section contained on the DVD, it incorrectly asserts that the phrase "happy day" is repeatedly woven into Sidney Sager's score. Copies of the score reveal that the repeated word is "Hadave", which is an Icelandic word chosen for its phonetic resemblance to "happy day" and because Icelandic as a language has been unusually resistant to change, supporting the theme of timelessness.
[edit] Cast
- Hendrick: Iain Cuthbertson
- Adam: Gareth Thomas
- Dai: Freddie Jones
- Link: John Woodnutt
- Margaret: Veronica Strong
- Mrs Crabtree: Ruth Dunning
- Matthew: Peter Demin
- Sandra: Katharine Levy
- Kevin: Darren Hatch
- Jimmo: Gary Lock
- Dr Lyle: Richard Mathews
- Miss Clegg: June Barrie
- Browning: Hubert Tucker
[edit] Crew
- Written by: Jeremy Burnham and Trevor Ray
- Technical advisor: Dr. Peter Williams
- Film cameras: Bob Edwards, Brian Morgan
- Film sound: Mike Davey, John Cross
- Film editor: Adrian Brenard
- Designer: Ken Jones
- Music composed by: Sidney Sager
- Executive Producer: Patrick Dromgoole
- Produced and Directed by: Peter Graham Scott
[edit] DVD release
Children of the Stones is available on DVD (Region 0, plays in all DVD players) from Second Sight, UK.
The series was praised by comedian Stewart Lee in the 2007 BBC Four series Charlie Brooker's Screenwipe. Lee commented on depictions of teenagers on television in different decades, contrasting Children of the Stones with Channel 4's modern drama Skins, highlighting how Children of the Stones was still relevant to a modern audience.
