Charles Cottet

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Charles Cottet

Émile-René Ménard's Portrait de Cottet (1896)
Birth name Charles Cottet
Born 1863
Le Puy-en-Velay
Died 1925
Paris
Nationality French
Field Painting
Movement Post-Impressionism
Works Au pays de la mer. Douleur, 190809
Petit village au pied de la falaise, 1905;
Montagne, 190010
1908–09 Au pays de la mer. Douleur also called Les victimes de la mer, the Musée d’Orsay.
190809 Au pays de la mer. Douleur also called Les victimes de la mer, the Musée d’Orsay.
1903 Femmes de Plougastel au Pardon de Sainte-Anne-La-Palud.
1903 Femmes de Plougastel au Pardon de Sainte-Anne-La-Palud.
1892 Rayons du soir
1892 Rayons du soir

Charles Cottet (18631925), French painter, was born at Le Puy-en-Velay and died in Paris. A famed post-impressionist, Cottet is known for his dark, evocative painting of rural Brittany and seascapes. He led a school of painters known as the Bande noire or Nubians group (for the somber palette they used, in contrast to the brighter post-impressionist paintings), and was friends with such artists as Auguste Rodin.

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[edit] Biography

Cottet studied at the École des Beaux-Arts, and under Puvis de Chavannes and Roll, while also attending the Académie Julian (where fellow students formed Les Nabis school of painting, with which he was later associated). He travelled and painted in Egypt, Italy, and on Lake Geneva, but he made his name with his sombre and gloomy, firmly designed, severe and impressive scenes of life on the Brittany coast.

Cottet exhibited at the Salon of 1889, but on a trip to Brittany in 1886 he had found his true calling. For the next twenty years he painted scenes of rural and harbor life, portraying a culture Parisians still found exotic. He is especially noted for his dark seascapes of Breton harbors at dawn, and evocative scenes from the lives of Breton fishermen.

He was close friends with Charles Maurin, and his group included the painter Félix-Émile-Jean Vallotton. Cottet has often been associated with the picturesque seaside symbolism of the Pont-Aven School, though Vallotton famously painted Cottet as a leader of Les Nabis, beside Pierre Bonnard, Edouard Vuillard, and Ker-Xavier Roussel, in his Five Painters (1902-3; The Winterthur Kunstmuseum). Cottet was more explicitly the leader of his own small movement, the Bande noire of the 1890s, which included Lucien Simon and André Dauchez, all influnced by the realism and dark colours of Courbet.

[edit] Better Known Works

Cottet's paintings can be found in museums in France, the Pushkin Museum in St. Petersburg, the National Gallery of Art in Washington D.C., the Musée d’Orsay in Paris. and at the Hermitage.

  • 190809 Au pays de la mer. Douleur also called Les victimes de la mer, the Musée d’Orsay.
  • 1905, Petit village au pied de la falaise, Musée Malraux, Le Havre
  • 190010, Montagne, Musée Malraux, Le Havre
  • 1896 View of Venice from the Sea, the Hermitage, St. Petersburg.
  • 1896 Seascape with Distant View of Venice, the Hermitage, St. Petersburg.

[edit] Also

  • 1896 Émile-René Ménard's Portrait de Cottet is at the Musée d'Orsay.

[edit] References

[edit] External links

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