Calendar Leaves
From Wikipedia, the free encyclopedia
This article or section may contain original research or unverified claims. Please improve the article by adding references. See the talk page for details. (October 2007) |
Calendar Leaves | |
---|---|
Directed by | Martin Dudzik |
Produced by | Anthony Bortolussi |
Written by | Michael Serebriakov (story) Martin Dudzik (screenplay) |
Narrated by | Martin Dudzik |
Starring | Brad Giglio Tyler Kranz Naomi Inglis |
Cinematography | Martin Dudzik |
Editing by | Martin Dudzik |
Release date(s) | May 24, 2005 |
Running time | 17 mins |
Country | Canada |
Language | English |
IMDb profile |
Calendar Leaves(2005) is a short, Coquitlam shot, drama produced by Dudzik Films and based on Michael Serebriakov's short story of the same name.
Coming off of the success of his last movie, Joe's Package, a comedy in the tradition of The Cat Came Back, director Martin Dudzik was looking for a drama to direct. Through an aide, he had received the plot synopsis of Serebriakov's "Calendar Leaves". Serebriakov had written it in the previous year, in response to a cruel practical joke he had witnessed. A month later, on the patio of a Starbucks on Vancouver's East side, the contract that brought Calendar Leaves to life was signed.
Contents |
[edit] Plot
Set in an ordinary Canadian town, it follows Parker Jones (Brad Giglio), a formerly troubled youth, on a morning when he is running late for school. Arriving, he seeks out his girlfriend, Macy, but she is also a no-show that day. When he asks if his friends Steven (Tyler Kranz) and Josie (Naomi Inglis) have seen her, both disavow any knowledge of such a person. Her locker is no longer hers, and when he calls her house, he is told that she does not live there. Confused and distraught, Parker must now grapple with himself to answer the burning question: "Was she real?".
[edit] Production
Calendar Leaves was shot in Coquitlam, in the usual speedy Martin Dudzik manner in five days. Port Moody Secondary School was used for the interior shots. For the day of interior shooting, short story author Michael Serebriakov was invited on set. When asked about his impressions, he remarked with good humour: "I never knew a single fart could delay an entire movie production almost fifteen minutes."
For the opening scene, the crew spent the morning painstakingly recreating a bus stop. Because of Dudzik's love for close shots, no part of the replica bus stop made it into the final cut.
Tyler Kranz was intitally slated to be the boom operator, but the actor cast to play Steven fell sick just before production. Many consider Kranz's performance the best of the movie.
During one day of production, the set was visited by a dreary notorious Vancouver rain. Although soaking the crew, it provided for some of the more memorable scenes of the movie.
According to Dudzik, Kranz turned out to be a sub-par narrator, so he took over personally. To get the "narratory" voice, he ate copious amounts of ice cream before recording his lines.
As a joke, newbies were told the movie would star Ed Harris, because of Peter Nicholas Smith's uncanny resemblance to the actor.
[edit] Deviations from the short story
Naturally, while writing the screenplay, Dudzik was forced to make some changes from the original Serebriakov version. Firstly the short story started in a relatively light mood, turning dark by the end. The movie holds an ominous sombre tone throughout - in tune with Dudzik's vision of the drama he was looking for.
What is in the short story a subtelty, Parker's suciadal history is obvious in the movie, since his cut wrists are shown in the opening scene.
Some of the foreshadowing hidden in the lines of the short story was cut in the screenplay, leaving the ending to be confusing for some, including a Toronto film critic.
[edit] Recognition
After premiering at the Pacific Cinematheque on Burrard Street in Downtown Vancouver, Calendar Leaves went on to several film festivals. It has received several awards, including for Best Film at the 2005 Young Cuts Film Festival in Toronto and the 2006 B.C. Student Film Festival. It is so far arguably the most crictically recognized film from Dudzik Films.