Image:Cage-music-of-changes-4-tudor.ogg

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Cage-music-of-changes-4-tudor.ogg (Ogg Vorbis sound file, length 14s, 74kbps)

[edit] Summary

  • Composer: John Cage (1912–1992)
  • Performer(s): David Tudor
  • Recorded at WDR Köln, Funkhaus Wallrafplatz, Saal 2 on November 25, 1956.
  • Track 4 of "John Cage - Music of Changes", Hat (now) ART 133, 2001.
  • Title of excerpt: page 67 (Book IV) of Music of Changes, first 13 seconds.
  • Encoding: 13 seconds (less than 10% of the track), OGG Vorbis quality setting 1 (low).

[edit] Licensing

This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because:

  • it illustrates an educational article that includes a historical and critical examination of the excerpt;
  • it is a sample of about 13 seconds from a much longer recording, and could not be used as a substitute for the original commercial recording; and
  • it is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.

I believe that this use of the excerpt is in good faith, and that its inclusion enhances rather than reduces the commercial value of the recording from which it was drawn; however, if the owner of the copyright wishes to challenge my use, I will be happy to remove it promptly, with apology.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeDimensionsUserComment
current12:17, 3 June 200814s (123 KB)Jashiin (Talk | contribs) (== Summary == * Composer: John Cage (1912–1992) * Performer(s): David Tudor * Recorded at WDR Köln, Funkhaus Wallrafplatz, Saal 2 on November 25, 1956. * Track 4 of "John Cage - Music of Changes", Hat (now) ART 133, 2001. * Title of excerpt: page 67 (Book IV) of ''Music of Changes'', first 13 seconds. * Encoding: 13 seconds (less than 10% of the track), OGG Vorbis quality setting 1 (low). == Licensing == {{Non-free audio sample}} This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because: *it illustrates an educational article that includes a historical and critical examination of the excerpt; *it is a sample of about 13 seconds from a much longer recording, and could not be used as a substitute for the original commercial recording; and *it is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value. I believe that this use of the excerpt is in good faith, and that its inclusion enhances rather than reduces the commercial value of the recording from which it was drawn; however, if the owner of the copyright wishes to challenge my use, I will be happy to remove it promptly, with apology.)

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