Café Flesh
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Café Flesh | |
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DVD cover. |
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Directed by | Rinse Dream Mark S. Esposito (uncredited) |
Produced by | F.X. Pope Stephen Sayadian |
Written by | Rinse Dream Herbert W. Day |
Music by | Mitchell Froom |
Cinematography | F.X. Pope |
Editing by | Sidney Katz |
Distributed by | VCA Pictures |
Running time | 80 min. |
Country | USA |
Language | English |
Allmovie profile | |
IMDb profile |
Café Flesh is a 1982 post-apocalyptic cult pornographic science fiction film co-directed by Stephen Sayadian (under the pseudonym "Rinse Dream") and an uncredited Mark S. Esposito and co-written by Sayadian and Jerry Stahl (credited as "Herbert W. Day"). Music was composed and produced by noted music producer Mitchell Froom (and later appeared in his album, Key of Cool).[1]
Two sequels, Cafe Flesh 2 and Cafe Flesh 3, were released in 1997 and 2003, without the participation of the original creators. The sequels were written and directed by Antonio Passolini, and did not have the same degree of popularity and cult appeal as the first film.
Two versions of the film were released: a hardcore version, and a softcore version. The softcore version was shown in mainstream cinemas.
[edit] History
By the early 1970s, the pornographic film industry had gained popularity, through the success of films such as Behind the Green Door and Deep Throat. During this period, there were many attempts to create artistic pornography, including The Devil in Miss Jones. There were also non-pornographic films with hardcore sex, such as I Am Curious (Yellow) and In the Realm of the Senses. By the early 1980s, home video technology shifted the porn industry, and pornography theaters were becoming less successful.[2]
In 1982, Café Flesh, which mixed sex, satire, and avant-garde theater, was released. The film was created and co-written by Stephen Sayadian, under the name "Rinse Dream",[3] and journalist Jerry Stahl, under the name "Herbert W. Day".[4] Sayadin and Stahl made the film in two separate parts, using the non-pornographic elements of the film to attract financiers.[2] The film became a success at midnight showings. An R-rated cut of the film was shown in mainstream theaters.[2]
Two actors involved in this film went on to notable work in mainstream productions. Pia Snow changed her name to Michelle Bauer and became a prolific B-movie actress.[5][6][7] Richard Belzer, a noted comedian at the time who later became know for his roles in Homicide: Life on the Street and Law & Order: Special Victims Unit, appears as an audience member.[8]
[edit] References
- ^ "Succinct Bits of Melody in Search of a Film Score", by Jon Pareles, December 17, 2005, New York Times, 2005-12-17. Retrieved 2007-09-25.
- ^ a b c Peary, Danny (1988). Cult Movies 3. New York: Simon & Schuster Inc., Pages 52-56. ISBN 0-671-64810-1.
- ^ "The Next Best Thing To Being There", by Robert Rossney, Wired 3.05, May 1995. Retrieved 2007-09-25.
- ^ "Alfspotting", by Kim Morgan, Willamette Week, 1998-09-30. Retrieved 2007-09-25.
- ^ "Cafe Flesh (1982)" film review by Alan Jones, BBC Radio Times. Retrieved 2007-09-25.
- ^ Michelle Bauer Internet Movie Database listing, accessed June 24, 2007
- ^ Michelle Bauer Atomic Cinema profile, accessed June 24, 2007
- ^ Peary, Cult Movies 3, plus Philadelphia Weekly repertory film review, accessed June 24, 2007.
[edit] External links
- Café Flesh at the Internet Movie Database
- Review of the film
- "Cafe Flesh" by Molly Case, SexyFandom, November 12, 2004.