Budai

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Maitreya in Budai form with disciples, as depicted at Feilai Feng grottos, near Lingyin Temple in China
Maitreya in Budai form with disciples, as depicted at Feilai Feng grottos, near Lingyin Temple in China

Budai (Chinese: 布袋; pinyin: bùdài) or Budai Luohan, pronounced Hotei in Japanese, also known as the Laughing Buddha, is an interpretation of the Bodhisattva Maitreya, the predicted Buddha to succeed Gautama Buddha in the future.

He has become incorporated into Buddhist, Taoist and Shinto culture and is based on an eccentric Chinese Zen (Chán) monk who lived in the time of the Liang Dynasty. His image graces many temples, restaurants, amulets, and businesses. Budai has become a deity of contentment and abundance, when adopted by religious Taoists and Buddhists. In Japan, Hotei persists in folklore as one of the Seven Lucky Gods (Shichi Fukujin). He is almost always shown smiling or laughing, hence his nickname in Chinese, the "Laughing Buddha" (Chinese: 笑佛).

Contents

[edit] History

[edit] As Angida Arhat

Budai as depicted in a print by Utagawa Kuniyoshi. Note the sack in his hand.
Budai as depicted in a print by Utagawa Kuniyoshi. Note the sack in his hand.

Budai derives from the time of Sakyamuni Buddha, where there was a monk named Angida, whose name also meant calico bag.[1] Angida was one of the original eighteen Arhats of Buddhism. According to legend, Angida was a talented Indian snake catcher whose aim was to catch venomous snakes to prevent them from biting passers-by. Angida would also remove the snake's venomous fangs and release them. Due to his kindness, he was able to attain bodhi. Both Budai and Angida have similar resemblances, as they both are rotund, seen laughing and carrying a bag, However, in Chinese art, Angida is portrayed as Budai, so it may be unclear whether the imagery between the two are similar in any way

[edit] As a Chinese Buddhist monk

In the Chinese tradition, Budai was a monk who lived during the Later Liang Dynasty (907 - 923 AD) of China. He was a native of Fenghua, and his Buddhist name was Qieci (Chinese: 契此; pinyin: Qiècǐ; literally "Promise this"). He was considered a man of good and loving character. Apart from his character, his identification with the Maitreya Bodhisattva (the future Buddha) is also attributed to a Buddhist hymn (Chinese: 偈语; pinyin: Jiéyǔ) he uttered before his death:

彌勒真彌勒,化身千百億,時時示時人,時人自不識
Maitreya, the true Maitreya
has billions of incarnations.
Often he is shown to people at the time;
other times they do not recognize him.

[edit] Description

Statue of Budai in the familiar likeness of the Chinese tradition. In this picture, he is facing the main entrance, which is traditional for Chinese Buddhist temples.
Statue of Budai in the familiar likeness of the Chinese tradition. In this picture, he is facing the main entrance, which is traditional for Chinese Buddhist temples.

Budai is almost always represented as carrying a cloth or linen sack, which never empties, and is filled with many precious items, including rice plants (indicating wealth), sweets for children, food, small mammals, and the woes of the world. Sometimes it can be filled with children, as they are seen as some of those precious items of this world. His duty is patron of the weak, the poor and children. In some Japanese representations, Budai may be found sitting on a cart drawn by boys, or wielding a fan called an ōgi (said to be a "wish giving" fan -- in the distant past, this type of fan was used by the aristocracy to indicate to vassals that their requests would be granted).

In Chinese Buddhist temples of the Chán sect, Budai's statue is traditionally placed in the front part of the entrance hall. He is depicted in the familiar likeness of the above described Laughing Buddha; a stout, smiling or laughing shaved man in robes with a largely exposed pot belly stomach symbolic for happiness, good luck, and plenitude. The stomach is also considered the seat of the soul in Chinese mythology and so the large stomach can be taken as an allegory for Budai's open heartedness.

Some sculptures have small children at his feet. Another item that is usually seen with the Budai figure, is a begging bowl; to represent his Buddhist nature. All of these images display Budai as a wandering monk who goes around and takes the sadness from people of this world. Because he represents prosperity and happiness, statuettes are often found in homes and businesses in China and Japan.

[edit] Faiths that revere Budai

[edit] Zen Buddhism

Statue of Budai in Beipu, Taiwan
Statue of Budai in Beipu, Taiwan

The primary story that concerns Budai in Zen (Chán) is a short kōan. In it, Budai is said to travel giving candy to poor children, only asking a penny from Zen monks or lay practitioners he meets. One day a monk walks up to him and asks, "What is the meaning of Zen?" Budai drops his bag. "How does one realize Zen?" he continued. Budai then took up his bag and continued on his way.

[edit] I Kuan Tao

Statues of Budai form a central part of shrines in the I Kuan Tao. He is usually referred to by his Sanskrit name, Maitreya, and is taken to represent many important teachings and messages, including contentment, generosity, wisdom and open kindheartedness. He is predicted to succeed Gautama Buddha, as the next Buddha. He helps people realize the essence within, which connects with all beings. and he fosters the realization of tolerance, generosity and contentment; thus, he helps to bring heaven to earth.

[edit] Phra Sangkadchai/ Phra Sangkachai

Phra Sangkachai
Phra Sangkachai

In Thailand Budai is sometimes confused with another similar monk widely respected in Thailand, Phra Sangkadchai or Sangkachai (Thai: พระสังกัจจายน์). Phra Sangkadchai, a Thai spelling of Mahakaccayanathera (Thai: มหากัจจายนเถระ), was a Buddhist Arhat (in Sanskrit) or Arahant (in Pali) during the time of the Lord Buddha. Lord Buddha praised Phra Sangkadchai for his excellence in explaining sophisticated dharma (or dhamma) in an easily and correctly understandable manner. Phra Sangkadchai also composed the Madhupinadika Sutra.

One tale relates that he was so handsome that once even a man wanted him for a wife. To avoid a similar situation, Phra Sangkadchai decided to transform himself into a fat monk. Another tale says he was so attractive that angels and men often compared him with the Buddha. He considered this inappropriate, so disguised himself in an unpleasantly fat body.

Budai, Wat Don Phra Chao, Yasothon, Thailand
Budai, Wat Don Phra Chao, Yasothon, Thailand

Although both Budai and Phra Sangkadchai may be found in both Thai and Chinese temples, Phra Sangkadchai is found more often in Thai temples, and Budai in Chinese temples. Two points to distinguish them from one another are:

1. Phra Sangkadchai has a trace of hair on his head (looking similar to the Buddha's) while Budai is clearly bald.
2. Phra Sangkadchai wears the robes in Theravadin Buddhist fashion with the robes folded across one shoulder, leaving the other uncovered. Budai wears the robes in Chinese style, covering both arms but leaving the front part of the upper body uncovered.

[edit] Folklore

Temple shrine in Taroko Gorge, Taiwan
Temple shrine in Taroko Gorge, Taiwan

One belief surrounding the figure of Budai in popular folklore is that if a person is to rub his belly, it brings forth wealth, good luck, and prosperity. This belief however does not form part of any Buddhist doctrine, but more of a pseudo-Chinese practice. He is often admired for his happiness, plenitude, and wisdom of contentment.

[edit] See also

[edit] External links

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[edit] References