Bound (film)

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Bound

Movie poster
Directed by Wachowski Brothers
Produced by Stuart Boros
Andrew Lazar
Written by Wachowski Brothers
Starring Gina Gershon
Jennifer Tilly
Joe Pantoliano
Music by Don Davis
Cinematography Bill Pope
Editing by Zach Staenberg
Distributed by Gramercy Pictures
Release date(s) August 31, 1996 (Venice Film Festival)
September 7, 1996
(Toronto Film Festival)
October 4, 1996 (USA)
February 28, 1997 (UK)
March 20, 1997 (Australia)
August 21, 1997 (New Zealand)
Running time 108 mins.
Country United States
Language English
Budget $6,000,000[1]
Gross revenue $3,802,260 (USA sub-total)
Allmovie profile
IMDb profile

Bound is a 1996 neo-noir crime thriller film directed by the Wachowski Brothers. It is about a woman (Jennifer Tilly) who longs to escape her relationship with her mafioso boyfriend (Joe Pantoliano). When she meets the alluring ex-con (Gina Gershon) hired to renovate the next-door apartment, the two women begin an affair and hatch a scheme to steal $2 million of Mafia money.

Bound was the first film directed by the Wachowskis, and they took inspiration from Billy Wilder to tell a noir story filled with sex and violence. Financed by Dino De Laurentiis, the film was made on a tight budget with the help of frugal crewmembers including cinematographer Bill Pope. The directors initially struggled to cast the lesbian characters of Violet and Corky before securing Tilly and Gershon. To choreograph the sex scenes, the directors employed sex educator Susie Bright, who was an extra in the film.

Bound received positive reviews from film critics who praised the humor and style of the directors as well as the realistic portrayal of a lesbian relationship in a mainstream film. Detractors of the film criticized the excessive violence and superficiality of the plot. It won several festival awards during 1996 and 1997.

Contents

[edit] Plot

Corky (Gershon), a lesbian ex-con who has just finished a five year jail sentence, arrives at an apartment building to start work as a plumber and decorator. On the way up to the apartment she encounters the couple that live next-door, Violet (Tilly) and Caesar (Pantoliano). Shortly after Corky starts work, Violet asks Corky to help her retrieve an earring from her sink. Corky extracts the earring and Violet gives her a beer in return. Violet admits she lost the earring on purpose, and begins to seduce Corky. They are interrupted by the arrival of Caesar. When Corky leaves, Violet follows her and apologizes for not finishing what she started. They go to Corky's apartment and have sex. The next morning, Violet tells Corky that Caesar is a money launderer for the mafia and they have been together for five years (a sentence similar to Corky's).

In Caesar and Violet's apartment, Caesar and some others start beating and torturing a man called Shelly (Barry Kivel), who has been skimming money from the business. Violet tells Corky that she wants to make a new life for herself, but that she needs Corky's help. She knows that Caesar will find the missing money, about $2 million, and count it in the apartment, giving them the opportunity to steal it. Corky is unsure whether or not to trust Violet.

Later, Caesar returns to the apartment with a bag of bloody money. Shelly is dead, shot by Johnnie (Christopher Meloni), the son of Mafia boss Gino Marzonne (Richard C. Sarafian). Caesar proceeds to wash and iron the bloody money, hanging it up to dry.

Corky and Violet plan to steal money from the Mafia.
Corky and Violet plan to steal money from the Mafia.

At Corky's place, she and Violet make plans. Violet explains that Caesar and Johnnie hate each other, and that Gino and Johnnie will be coming to pick up the money from Caesar. The plan is as follows: When Caesar has finished counting the money, Violet will get him a drink to relax him. Corky will be next-door, waiting until she hears Caesar start running the shower. Violet will drop the bottle of Scotch that is for Gino and tell Caesar that she is going to get some more. As she leaves the apartment, she will let Corky in, who will then steal the money from its briefcase. Violet will then come back with the Scotch and tell Caesar that she just saw Johnnie leaving, but that Gino was not with him. Caesar will check the money, find it's gone and assume Johnnie has taken it. He will have to run.

Everything goes as planned until Caesar discovers that the money has gone. He realizes that if he runs, Gino will know he took the money. He decides he has to get the money back from Johnnie. Panicking, Violet threatens to leave. Caesar pulls out his gun and forces her to stay, thinking that maybe she and Johnnie are in it together.

Corky waits next door with the money while Gino and Johnnie arrive. Caesar pulls a gun out and tells Gino that Johnnie stole the money. He ends up killing them both. He tells Violet that they are going to have to find the money, get rid of the bodies and pretend they never turned up.

Unable to find the money at Johnnie's apartment, Caesar telephones Micky (John P. Ryan), a Mafia friend, telling him that Gino has yet to arrive. Caesar discovers that it was Corky and Violet who stole the money. He ties them up and demands to know where it is, threatening to torture them. When Micky arrives to see what is going on, Caesar tells him Gino was in a car accident and Micky leaves for the hospital. Corky tells Caesar where she has hidden the money. He goes next-door to find it and Violet escapes. She makes a phone call to Micky, telling him that Caesar stole the money, then pulls a gun on Caesar, telling him that Micky is on his way and that he should run while he can. Caesar tells Violet that he knows she will not shoot him, but she does, and kills him.

Later, Micky, who believes Violet, tells her that he will find Caesar, that there is no need to get the police involved. She thanks him and tells him that she has to make a new life. She drives off with Corky who remarks that there is no difference between them.

[edit] Background and production

[edit] Conception

Film producer Joel Silver has said that after working as scriptwriters on Assassins, the Wachowski Brothers made Bound as an "audition piece" to prove that they knew what to do on a movie set.[1] They had the idea to write a story about how one might see a woman on the street and make assumptions about her sexuality, but how those assumptions might be wrong.[2] They wanted to play with stereotypes and while making a film that was entertaining and that contained sex and violence, because those are the kinds of films that they like to watch.[1][2] Seeing film noir as a genre within which they could tell a contained story and twist conventions, they describe Billy Wilder as a big influence.[2]

When executives at some studios read the script, they told the Wachowskis that if they changed the character of Corky to that of a man, they would be interested. The brothers declined, saying "that movie's been made a million times, so we're really not interested in it."[3] Dino De Laurentiis, the executive producer on Assassins, offered to finance Bound and his company produced it, giving them "free rein" over the story.[4] The film's budget was $6,000,000.[1]

[edit] Casting

The Wachowski brothers struggled to cast the roles of Violet and Corky, seemingly because of the lesbian content of the film. Few actresses were interested.[3] The part of Violet was expected to go to Linda Hamilton, and Jennifer Tilly read for the part of Corky. She loved the role and was looking forward to playing a character very different from previous parts in her career.[5] When the part of Violet became available, and Gina Gershon came in to read for Corky, Tilly agreed that Gershon would make a better Corky.[6] She realized that she identified with the character of Violet, a woman "underestimated by all the men around her" who has to "play the game".[5][7] She describes it as the best role she had ever had.[5] Gina Gershon suggested Joe Pantoliano to the Wachowski Brothers for the part of Caesar. His first lead role in a film, he describes it as his favorite.[8]

[edit] Filming

Bound was shot in thirty-eight days in Santa Monica, California.[3][4] The Wachowski's original director of photography resigned on the grounds that he could not do the film with the limited budget he had available, nor did he know anyone he believed could. The brothers subsequently hired cinematographer Bill Pope, who knew " a bunch of cheap guys".[9] Pope became heavily involved in creating the visual noir style of the film. He and the Wachowskis drew from their love of comics and were influenced by Frank Miller's neo-noir Sin City series in particular.[1] Pope's sound counterpart was sound director Dane Davis. One of his ideas was to give Corky a cat-like quality by making a "swishing" sound every time she walks past the camera in the scene where she and Violet plan the theft.[4]

The Wachowskis asked Joe Pantoliano to watch John Huston's The Treasure of the Sierra Madre and to focus on Humphrey Bogart's character in order to prepare the paranoia of Caesar.[4] Gershon's influences for her role were James Dean, Marlon Brando and Clint Eastwood.[4] Both Gershon and Tilly were nervous about filming the sex scenes and prepared by drinking tequila.[7]

Very little improvisation took place during the filming due to the directors' extensive planning and clear vision for the film.[4] Not everything went as expected, however, as the physical exchanges in the script caused some injuries. Barry Kivel, whose character Shelly was violently beaten in Caesar's bathroom, received a head injury from his head being banged against the toilet. In the scenes between Corky and Caesar near the end of the film, Gina Gershon hit her hand so hard when she knocked a gun from Joe Pantoliano's hand that she required stitches.[4]

[edit] Sex scenes

The sex scenes were choreographed by feminist writer and sex educator Susie Bright. The Wachowski brothers were fans of Bright and sent her a copy of the script with a letter asking her to be an extra in the film. When she read the script she loved it, particularly as it was about women enjoying having sex and not apologizing for it. Disappointed that they never described exactly what was happening in the sex scenes, she asked if she could be a sex consultant for the film and they agreed.[4] The main sex scene set in Corky's apartment was filmed in one long shot. The Wachowski Brothers believed that this would look more realistic than several shots edited together.[4] Although it should have been a closed set, there were actually many people present, moving the walls of the set in order to allow full movement of the camera around the actors.[4]

Bright appeared as Jessie, the woman Corky tries to talk to in the bar. Comedienne Margaret Smith played Jessie's girlfriend and the extras in the bar scene were Bright's friends — "real life San Francisco dykes".[4]

[edit] Themes

The Wachowski brothers describe several themes present in Bound. They say that the film is about "the boxes people make of their lives", that it is not only gay people who "live in closets". They wanted to define all of Bound's characters by the "sort of trap that they were making out of their lives".[3] Violet is trapped in her life with Caesar, and in the first scene, Corky is literally inside Violet's closet, bound by Caesar.[4] This scene is echoed later in the film when Violet says "I had this image of you inside of me..."[4] This theme of being trapped is exacerbated by the claustrophobic feeling created by the fact that most of the film takes place in Corky's apartment, Violet and Casear's apartment, or the apartment next door where Corky is working.[4]

Susie Bright described some of the specifically lesbian themes of the film. One is the concept of the hand as a sex organ, highlighted by lingering camera shots of Corky and Violet's hands.[4] Another is the repeated use of water as a symbolic motif to represent women, present for example when Corky is retrieving Violet's earring from the sink.[4] Bright describes it as a movie that is "wet" (feminine) as opposed to "hard" (masculine).[4] She says the scene where Corky and Violet have their first conversation is full of "lesbian signs". She highlights the fact that Violet, away from Caesar, is wearing jeans and able to be less overtly feminine. Jennifer Tilly says that whenever Violet is talking to men, her voice becomes high-pitched and "girly" — making her seem vulnerable and ensuring she is taken care of. Joe Pantoliano agrees, saying that the result is that "everyone in the film wants to be with Violet".[4] When she is with Corky, Violet can drop the act and talk at a more natural pitch. According to Bright, the more subtle lesbian themes of the film were noticed and appreciated at the LGBT film festival screenings.[4]

[edit] Cast

  • Jennifer Tilly as Violet, Mafia moll, who wants to get out of "the business".
  • Gina Gershon as Corky, ex-con working on the apartment next-door to Violet and Caesar.
  • Joe Pantoliano as Caesar, Violet's boyfriend and money-launderer for the Mafia.
  • John P. Ryan as Micky Malnato, Caesar's Mafia friend.
  • Christopher Meloni as Johnnie Marzzone, son of Gino and Caesar's rival.
  • Richard C. Sarafian as Gino Marzzone, Mafia boss who tries to make peace between his son and Caesar.
  • Mary Mara as Sue, the bartender of the gay bar that Corky visits.
  • Susie Bright as Jesse, a girl in a bar who Corky tries to pick up.
  • Margaret Smith as Woman Cop, Jesse's girlfriend who recognizes Corky as an ex-con.
  • Barry Kivel as Shelly, Caesar's associate who steals mafia money and is killed by Johnnie.
  • Peter Spellos as Lou, Mickey's Mafia associate.
  • Ivan Kane as Cop #1, called to Violet and Caesar's apartment after gunshots are heard when Caesar kills Gino and Johnnie. Gino convinces them the shots were on his turned-up television.
  • Kevin Michael Richardson as Cop #2
  • Gene Borkan as Roy, Gino's driver.

[edit] Rating and distribution

Bound was rated by the Motion Picture Association of America as R for "strong sexuality, violence and language." To achieve that rating, the directors had to cut part of the first sex scene between Corky and Violet.[4] They were most concerned with the images of what Larry Wachowski called "hand-sex".[10] It was rated R in Australia, R18 in New Zealand and 18 in the United Kingdom. In Canada it was rated as R in Manitoba and Ontario, 18 in Nova Scotia and 16+ in Quebec.

The film premiered on August 31, 1996 at the Venice Film Festival and in September went on to play at the Toronto Film Festival. It opened in US theaters on October 4 1996 distributed by Gramercy Pictures, showing in 261 theaters.[11] It closed after three weeks. It opened in the United Kingdom on February 28, 1997.[12]

Bound was released on Region 1 DVD on November 12, 1997 by Republic Pictures. It featured the original theatrical trailer and an audio commentary by the directors and stars.[13] It was released on Region 2 DVD on August 25, 2003 by Pathé Distribution featuring original theatrical trailers, audio commentary by the directors and stars, cast and crew biographies and a production featurette.[14] Its Region 4 DVD release came on August 14, 2006 distributed by Reel and featuring an audio commentary.[15]

[edit] Reception

[edit] Box Office

Bound grossed $3,802,260 in the United States. In its opening weekend, showing at 261 theaters, it earned $900,902 which was 23.7% of its total gross.[11] According to Box Office Mojo, it ranked at 161 for all films released in the US in 1996 and 74 for R-rated films released that year. As of June 2007, its all time ranking for LGBT-related films is 54.[11]

[edit] Critics

Rotten Tomatoes gave it a "fresh" rating of 91% based on 32 reviews, and Metacritic gave it a score of 61% based on 19 reviews.[16][17] The Wachowski brothers were widely acclaimed by critics for their debut which was described as clever, sophisticated and stylish.[18][19][20] Roger Ebert said that their skillful film making showed virtuosity and confidence.[21] Marjorie Baumgarten writing for The Austin Chronicle called it an impressive debut saying that the Wachowskis have "style to burn".[22] James Kendrick called it a darkly comical and stunning film, saying it signalled the arrival of the Wachowskis on the film scene.[23] Detractors of the film included Todd McCarthy for Variety, who said that the directors had no sense of humor and lacked depth, that the film was pretentious, superficial and heavy-handed.[24]

On the release of Bound, the Wachowskis were compared by many to the Coen Brothers.[23][25] Rita Kempley for The Washington Post went so far as to call them "Coen Brothers clones".[18] In particular, similarities were drawn between Bound and the Coen Brothers' first film, 1984 neo-noir Blood Simple.[26][27] Bryant Frazer for Deep Focus called it an "obvious precursor".[28] Critics noted resemblances to the films of Quentin Tarantino and Alfred Hitchcock.[29][23][30]

The violence in the film was condemned by some critics and praised by others.
The violence in the film was condemned by some critics and praised by others.

Janet Maslin for The New York Times said that the grisly violence in Bound would likely limit its audience and Ebert said that its shocking violence would offend some audiences.[21][25] Some critics said that the violent behavior of the characters had no moral justification. Rita Kempley for The Washington Post called it "well-nigh unwatchable cruelty for its own sake".[18] McCarthy, who called the central relationship between the two women unbelievable and unsympathetic, said "just because Violet and Corky fall for each other doesn't mean they somehow fall into a privileged state of grace in which vile behavior can be forgiven."[24] Other critics were less concerned, calling the violence "comically excessive" and "Tarantino-like".[20][29]

Bound was praised for being perhaps the first mainstream film to have a LGBT relationship at its heart without homosexuality being central to the plot.[30][31] Despite the presence of "unapologetically gay" lead character of Corky, it is not considered a "lesbian movie".[32][26] Emanuel Levy said that this is a weakness, that mainstream films with broadening storylines "do not necessarily represent a positive development in the making of gay and lesbian films" and that Bound has "little, if anything, to do with lesbian cinema".[20] Jonathan Rosenbaum for the Chicago Reader called it a "welcome change" to have a lesbian couple as the main characters in a mainstream film.[33] Sarah Warn for AfterEllen.com called Corky "the closest thing to a realistic and sympathetic butch lesbian we've seen in a mainstream movie".[31] Barry Walters for the San Francisco Chronicle praised the film for showing gay characters that have an active sex life.[34] The sex scenes, described as explicit and steamy, were admired for being tasteful, discreet and realistic.[32][34] Warn called them "some of the best lesbian sex scenes to date in a mainstream movie".[31]

The three lead actors were complimented for their performances. Ebert said that Gershon and Tilly were electric together, and Frazer said that he would have liked to have seen more of their love story.[21][28] Some critics however described their onscreen relationship as unbelievable and unsympathetic.[19][24] Gershon was seen to have made a comeback after her role in the less well received 1995 film Showgirls.[21] Tilly's performance was compared to her Academy Award-nominated part in Bullets Over Broadway.[27] Pantoliano was described as "a lot of fun" and having "trickiest scenes in the movie".[21][35]

[edit] Awards

Bound won the Grand Jury Award - Honorable Mention at the 1996 L.A. Outfest, and in the same year won an Honorable Mention at the Stockholm International Film Festival.[36][37] At the 1997 Fantasporto festival in Portugal, the Wachowski brothers were awarded the International Fantasy Film Award for best film, and Jennifer Tilly picked up the award for best actress.[38] Bound won the 1997 GLAAD Media Award for Outstanding (wide-release) Film.[17]

[edit] Music

Cover of the 1997 promotional release of the Bound score
Cover of the 1997 promotional release of the Bound score

The score, composed by Don Davis, was given a promotional release on November 25, 1997 on the Super Tracks Music Group but has never been released commercially.[39] The use of the Jew's harp by the character of Corky, was Gina Gershon's idea.[4] The directors were significantly limited by their budget when it came to choosing songs for the soundtrack. They had wanted to use "The Girl from Ipanema" and Frank Sinatra songs, but could not afford to.[4] The four songs used in the film were not included on the score release.[40]

[edit] Track listing

  1. "I Never Loved a Man (The Way I Love You)" (Ronny Shannon) performed by Aretha Franklin
  2. "Hallelujah, I Love Her So" (Ray Charles) performed by Ray Charles
  3. "Hopeless Faith" performed by The Hail Marys
  4. "She's a Lady" (Paul Anka) performed by Tom Jones

[edit] References

  1. ^ a b c d e Marx, Christy (2005). The Wachowski Brothers: Creators of the Matrix. The Rosen Publishing Group, 19-21. ISBN 1404202641. 
  2. ^ a b c Horowitz, Josh (2003-11-05). The Lost Wachowski Brothers Interview. MoviePoopShoot.com. Retrieved on 2007-06-10.
  3. ^ a b c d Whilk, Nat & Whitehead, Jayson (January 1998), Glory Bound: An interview with Larry and Andy Wachowski, <http://www.gadflyonline.com/archive-wachowski.html>. Retrieved on 5 June 2007 
  4. ^ a b c d e f g h i j k l m n o p q r s t u v Wachowski Brothers, Joe Pantoliano, Jennifer Tilly, Gina Gershon, Susie Bright. Director/Writers/actors Commentary (DVD). Gramercy Pictures.
  5. ^ a b c Vincent, Mal (1996-11-07), Tilly is no Shrinking Violet in "Bound", <http://scholar.lib.vt.edu/VA-news/VA-Pilot/issues/1996/vp961107/11070036.htm>. Retrieved on 5 June 2007 
  6. ^ Harkness, John (October 1996), Jennifer Tilly - Noir thriller brings versatile actor out of ingenue ghetto, <http://www.nowtoronto.com/issues/16/05/Ent/cover.html>. Retrieved on 11 July 2007 
  7. ^ a b Stagg Elliott, Victoria (March 1997), Bound to Please, <http://www.bound.ch/diva.htm>. Retrieved on 19 June 2007 
  8. ^ Morris, Clint. Joe Pantoliano: Exclusive Interview. WebWombat.com. Retrieved on 2007-06-05.
  9. ^ Lamm, Spencer. Bill Pope. The Matrix official site. Retrieved on 2007-06-05.
  10. ^ Merck, Mandy (2000). In Your Face: 9 Sexual Studies. NYU Press, 124-147. ISBN 0814756395. 
  11. ^ a b c Bound. BoxOfficeMojo.com. Retrieved on 2007-05-09.
  12. ^ Bound (1996). Cinema.com. Retrieved on 2007-08-22.
  13. ^ Bound. MovieWeb.com. Retrieved on 2007-07-11.
  14. ^ Bound (1997): DVD. Amazon.co.uk. Retrieved on 2007-08-22.
  15. ^ Bound. EzyDVD. Retrieved on 2007-08-22.
  16. ^ Bound. Rotten Tomatoes. Retrieved on 2007-05-09.
  17. ^ a b Bound. MetaCritic. Retrieved on 2007-05-09.
  18. ^ a b c Kempley, Rita (1996-10-04), “'Bound' for Gory”, The Washington Post, <http://www.washingtonpost.com/wp-srv/style/longterm/review96/boundkemp.htm>. Retrieved on 28 May 2007 
  19. ^ a b Schwarzbaum, Lisa (1996-10-11), “Girlie Movie”, Entertainment Weekly, <http://www.ew.com/ew/article/0,,294522,00.html>. Retrieved on 28 May 2007 
  20. ^ a b c Levy, Emanuel. Bound. EmanuelLevy.com. Retrieved on 2007-05-29.
  21. ^ a b c d e Ebert, Roger (1996-10-04), “Bound”, Chicago Sun-Times, <http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19961004/REVIEWS/610040302/1023>. Retrieved on 28 May 2007 
  22. ^ Baumgarten, Marjorie (1996-10-04), “Bound”, The Austin Chronicle, <http://www.austinchronicle.com/gyrobase/Calendar/Film?Film=oid%3a138033>. Retrieved on 28 May 2007 
  23. ^ a b c Kendrick, James. Bound. QNetwork. Retrieved on 2007-05-29.
  24. ^ a b c McCarthy, Todd (1996-01-26), “Bound”, Variety, <http://www.variety.com/index.asp?layout=review&reviewid=VE1117904897&CS=1>. Retrieved on 28 May 2007 
  25. ^ a b Maslin, Janet (1996-10-04), “Girl Meets Girl. Dumps Boy.”, The New York Times, <http://movies2.nytimes.com/mem/movies/review.html?_r=3&title1=BOUND%20%28MOVIE%29&reviewer=By%20JANET%20MASLIN&pdate=19961004&oref=slogin&oref=slogin>. Retrieved on 28 May 2007 
  26. ^ a b Newman, Kim, “Bound”, Empire Magazine, <http://www.empireonline.com/reviews/reviewcomplete.asp?FID=131896>. Retrieved on 28 May 2007 
  27. ^ a b Thomas, Kevin (1996-10-04), “Bound”, Los Angeles Times, <http://www.calendarlive.com/movies/reviews/cl-movie961028-45,0,1355383.story>. Retrieved on 28 May 2007 
  28. ^ a b Frazer, Bryant. Bound. Deep Focus. Retrieved on 2007-05-29.
  29. ^ a b Schickel, Richard (1996-10-07), “No Gag”, Time, <http://www.time.com/time/magazine/article/0,9171,985288,00.html>. Retrieved on 28 May 2007 
  30. ^ a b LaSalle, Mick (1996-10-04), “Darkly Witty 'Bound' a Taut Noir Caper”, San Francisco Chronicle, <http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/1996/10/04/DD42774.DTL>. Retrieved on 28 May 2007 
  31. ^ a b c Warn, Sarah (2003-06-06). Review of "Bound". AfterEllen.com. Retrieved on 2007-05-29.
  32. ^ a b Fowler, Jimmy (1996-10-03), “Dynamic duo”, Dallas Observer, <http://www.dallasobserver.com/1996-10-03/film/dynamic-duo/>. Retrieved on 28 May 2007 
  33. ^ Rosenbaum, Jonathan, “Bound”, Chicago Reader, <http://onfilm.chicagoreader.com/movies/capsules/13817_BOUND>. Retrieved on 28 May 2007 
  34. ^ a b Walters, Barry (1996-10-04), “Sexy, funny, fast-paced film is "Bound' to please”, San Francisco Chronicle, <http://www.sfgate.com/cgi-bin/article.cgi?f=/e/a/1996/10/04/WEEKEND7240.dtl>. Retrieved on 28 May 2007 
  35. ^ Null, Christopher. Bound. Filmcritic.com. Retrieved on 2007-05-29.
  36. ^ The Wachowski Brothers Biography. Tribute.ca. Retrieved on 2007-07-12.
  37. ^ 1996 Year's Winners. Stockholm International Film Festival. Retrieved on 2007-07-12.
  38. ^ Fantasporto Awards. www.caleida.pt. Retrieved on 2007-07-12.
  39. ^ Bound. FilmTracks.com. Retrieved on 2007-07-12.
  40. ^ Bound Soundtrack. SoundTrackInfo.com. Retrieved on 2007-07-12.

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