Born Again (Black Sabbath album)
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| Born Again | |||||
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| Studio album by Black Sabbath | |||||
| Released | August 7, 1983 | ||||
| Recorded | 1983 | ||||
| Genre | Heavy metal | ||||
| Length | 41:04 | ||||
| Label | Vertigo Warner Bros. (US/Canada) |
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| Producer | Black Sabbath | ||||
| Professional reviews | |||||
| Black Sabbath chronology | |||||
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Born Again is Black Sabbath's eleventh studio album, released in 1983.
It was panned by critics at the time of its release, but reached #4 in the UK charts as well as the top 40 in the U.S. and has gained a strong cult following among a number of fans.
Contents |
[edit] Album information
The album features the vocals of Ian Gillan, former singer for Deep Purple, who joined the band in 1983 to replace departed vocalist Ronnie James Dio. Original Black Sabbath drummer Bill Ward returned to the band as a replacement for Vinny Appice, who had left with Dio to form the band Dio, but quit the band right before the 1983 tour. Ex-Electric Light Orchestra drummer Bev Bevan was hired to replace Ward on tour.
[edit] Recording
The album was recorded during the summer of 1983 at The Manor Studio in Shipton-on-Cherwell, Oxfordshire, England. A major criticism of the album is its production, which Iommi and Gillan have both said is abysmal. Gillan went as far as blaming Butler, who co-produced the album, for the awful sound quality. Former Sabbath frontman Ozzy Osbourne said in a fall 1983 issue of Circus magazine (article: "Is Sabbath Turning Purple?"): "Born Again is the best thing I've heard from Sabbath since I left the band."[1]
In 2005, a collection of demo recordings of the album began circulating. It contained every song that made the final album, including a previously unreleased track called "The Fallen" as well as a complete and longer version of the song "Stonehenge". The album was of particular note because the general consensus among fans was that the production values on the demos were actually better than those on the final album, a somewhat unique phenomenon.[citation needed] Original versions of the bootleg were released at the wrong speed; subsequent versions have been restored to normal speed.
[edit] Song information
"Trashed" relates how Gillan crashed Ward's car during an alcohol-fuelled race around the grounds of the recording studio. Ian Gillan recounts:[1]
| “ | I did have a small mishap though; having clipped a pile of tyres on a previous lap, I ran over one of them on the next and was instantly flipped, skidding and spinning upside down at a high speed and for a great distance along the road, until I stopped eventually, inches short of the swimming pool. | ” |
"Digital Bitch" is rumoured to have been lyrically inspired by Sharon Arden, daughter of Black Sabbath manager Don Arden and later Ozzy Osbourne's wife. In the words of Ian Gillan:
| “ | I remember exactly who inspired this story, but the only thing I can reveal about her identity is that neither she, nor her father, had anything to do with computers.[2] | ” |
Gillan also explained the genesis of "Disturbing the Priest":
| “ | We were in loud playback mode, with the door open...When the track ended I was surprised to see a nervous vicar standing in the doorway. He explained how wonderful he thought the music was, but they were having choir practise in the adjacent village church and so would we mind closing the door…? I apologised immediately, we got hold of his schedule and never worked again during those times. The following evening I had a few beers with the vicar and signed some autographs for the choir. It was Geezer who came up with the title as we were laughing about the story some days later.[3] | ” |
[edit] Album cover
The album cover, which featured the image of an infant with horns and vampire fangs, was designed by Steve Joule. He also handwrote the lyrics that appear on the inner bag. The deliberately lurid design was submitted by Joule in a vain attempt to be rejected from this design commission, as he was also retained on a lucrative contract by Ozzy Osbourne's organisation for his sleeve designs. To Joule's horror and surprise, Tony Iommi and Geezer Butler approved the image for the album. Gillan and Ward were not present when the decision was made, though they later noted that they hated the finished cover. Gillan reportedly hated the cover so much, that he threw a box of 50 records out a window. Joule reports that he was drunk and high on speed when he drew the finalized designs for the album. The cover is hated by many fans, but also has a cult following[citation needed] (much as the album itself), most notably with Max Cavalera and Glen Benton both stating that it is their favorite album cover. [4] Chris Barnes of Six Feet Under also said he likes the artwork, stating; "It's really the birth of the Antichrist in a Pop Art way which is scary of sorts on a few different levels for me."[5]
[edit] Tour
There were many problems surrounding the tour for the album, including having little room on stage due to it being decorated with Stonehenge replicas.[6] In a 2005 interview, Geezer Butler states that it was an error in the dimensions (feet vs. meters) that resulted in stones that were three times bigger:[7]
| “ | It had nothing to do with me. In fact, I was the one who thought it was really corny. We had Sharon Osbourne’s dad, Don Arden, managing us. He came up with the idea of having the stage set be Stonehenge. He wrote the dimensions down and gave it to our tour manager. He wrote it down in meters but he meant to write it down in feet. The people who made it saw fifteen meters in stead of fifteen feet. It was 45 feet high and it wouldn’t fit on any stage anywhere so we just had to leave it the storage area. It cost a fortune to make but there was not a building on earth that you could fit it into. | ” |
Ian Gillan recounted in interview that Stonehenge was indeed Geezer's idea, and that when asked for details by set buildings Light and Sound Design, Geezer simply said: "Lifesize". Filling three containers, it was too big for any stage, so only a small part of it was used at a time, but still the band and crew had problems edging between the monoliths.
Photos of the Born Again tour show that at least some of the stones were present on stage.[8]
Early in the tour, there was also a dwarf that was dressed to look like the demon-infant from the album cover.[9] The dimension problems and use of dwarfs bear strong similarities to the infamous Stonehenge scene in the movie This Is Spinal Tap, which was released a year after Sabbath's tour. This is undoubtedly a coincidence, however, because the "Stonehenge scene" was already in a 20-minute early demo of the film from 1982.[10]
This same tour also saw Black Sabbath frequently cover the Deep Purple classic "Smoke on the Water", as Ian Gillan was formerly of Deep Purple. This is one of the few cover songs Black Sabbath have ever done at live shows and did not go down well with many Sabbath fans. Gillan says it was Iommi and Butler's idea: they say it was his.
The North American tour alone featured two Dio-era tracks, "Heaven And Hell" and, late in the tour, "Neon Knights", not as a swipe at Dio but because Gillan's voice better suited the Ozzy-era material. As a result, as well as a good helping from the new album, some fan favourites reappeared in the set.
Bill Ward was unable to play the Born Again tour because of personal problems. He explains:[11]
| “ | We did the Born Again album but I fell apart with the idea of touring. I got so much fear behind touring, I didn’t talk about the fear, I drank behind the fear instead and that was a big mistake. So, I blew the Born Again tour and Bev Bevan, who is a very, very, very nice man, a very good drummer, took over the drum chair on that one. | ” |
[edit] Miscellanea
- In the US and Canada, the album has never officially been released on Compact Disc by Warner Bros. Records. It is only available as an import.
- In 1993, American death metal band Cannibal Corpse covered the song "Zero the Hero" on the EP Hammer Smashed Face.
- "Zero the Hero" was also covered by the band Godflesh. It appears on Masters of Misery: The Earache Tribute to Black Sabbath.
- In 1994, Danzig guitarist John Christ told Guitar School that their song "Her Black Wings" compares a riff of "Zero the Hero".[12]
- In 2006, Ian Gillan re-recorded "Trashed" with Tony Iommi, Ian Paice and Roger Glover for his retrospective collection Gillan's Inn.
[edit] Track listing
All songs written by Tony Iommi, Ian Gillan, Geezer Butler and Bill Ward, except where noted.
[edit] Side one
- "Trashed" – 4:16
- "Stonehenge" – 1:58
- "Disturbing the Priest" – 5:49
- "The Dark" – 0:45
- "Zero the Hero" – 7:35
[edit] Side two
- "Digital Bitch" – 3:39
- "Born Again" – 6:34
- "Hot Line" (Iommi, Gillan, Butler) – 4:52
- "Keep It Warm" (Iommi, Gillan, Butler) – 5:36
[edit] Personnel
- Ian Gillan – vocals
- Tony Iommi – guitar
- Geezer Butler – bass guitar
- Bill Ward – drums
- Geoff Nicholls – keyboards
[edit] Release history
| Region | Date | Label |
|---|---|---|
| United Kingdom | August 7, 1983 | Vertigo Records |
| United States | 1983 | Warner Bros. Records |
| Canada | 1983 | Warner Bros. Records |
| United Kingdom | 1996 | Castle Communications |
| United Kingdom | 2004 | Sanctuary Records |
[edit] References
- ^ http://www.sabbathlive.com/tours/83BA/art/840229-Circus.pdf
- ^ Caramba!-Wordography
- ^ Caramba!-Wordography
- ^ Black Sabbath Online: Born Again
- ^ Six Feet Under Interview
- ^ Caramba!-Anecdotage
- ^ http://www.classicrockrevisited.com/Interviews05/geezerbutler.htm
- ^ Black Sabbath Photo Gallery: A shot of the Stonehenge set
- ^ Caramba!-Anecdotage
- ^ The A-Z of Spinal Tap | Extracts | Guardian Unlimited Books
- ^ Bill Ward: From Jazz to Black Sabbath Part 2-2
- ^ Look At This! :: MisfitsCentral.com
[edit] External links
- Gillan the Hero – Fan site with information on the album and subsequent tour.
