Boris Tishchenko
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Boris Ivanovich Tishchenko (Russian: Бори́с Ива́нович Ти́щенко, born March 23, 1939, Leningrad) is a Russian and Soviet composer and pianist.
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[edit] Life
Tishchenko studied at the Leningrad Musical College from 1954 to 1957. There he learnt composition under Galina Ustvolskaya and piano under Mikhelis. Then from 1957 to 1963 he studied composition with Vadim Salmanov, Victor Voloshinov and Orest Evlakhov, and piano with L. Logovinski at the Leningrad Conservatory. He took a postgraduate course with the composer Dmitri Shostakovich from 1962 to 1965.
He has taught at the Leningrad Conservatory since 1965. He became a professor there in 1986.
Tishchenko actively assisted in the secret delivery of the manuscript of Shostakovich's memoirs to the West. Later, however, he raised his voice in dispute against the authenticity of the Testimony published by Solomon Volkov in 1979.
In March 2006 he was announced as the first laureate of the 'Epokha Shostakovicha' prize instituted for the centennial of Shostakovich's birth.
[edit] Music
His output includes more than seven symphonies, two violin concertos, two cello concertos, a piano concerto, five string quartets, two cello sonatas, ten piano sonatas, a requiem, chamber and vocal works, the opera "The Stolen Sun", the operetta "A Cockroach", three ballets "Tvelve", "Fly-bee" and "Yaroslavna" (The Eclipse), and incidental music for theatre and film.
Tishchenko's music style and composer's manner shows him to be a typical representative of Leningrad composers' school. He was very much influenced by music of his teachers Dmitri Shostakovich and Galina Ustvolskaya turning these influences in his own way. He tried to use some experimental and modernist ideas like twelve-tone or aleatoric techniques, but was much more attached to the native traditions of his homeland. He demonstrated a kind of originality, scoring his Second Cello Concerto for 48 cellos, 12 double-basses and percussion (1969). Ten years later, however, he re-orchestrated for the more practical combination.
He was honored by Shostakovich's orchestration of his First Cello Concerto, and repayed his master by the orchestration, editing and transcription of a few scores by Shostakovich. Tishchenko's "Requiem", to the forbidden poem by Anna Akhmatova, written in the period of political stagnation in 1966, was a courageous cultural gesture.
[edit] Works
[edit] Stage
- The Twelve, ballet in four acts (1963)
- Fly-Bee, ballet in one act (1968)
- The Stolen Sun, opera in one act (1968) (libretto by Mikhail Bialik, Z. Korogodsky and B. Tishchenko, after the tale by Korney Chukovsky)
- A Cockroach, musical comedy in one act (1968) (libretto by Z. Korogodsky, after the tale by Korney Chukovsky)
- Yaroslavna (The Eclipse), ballet in three acts (1974)
[edit] Orchestral
- Symphonies
- Praeludium e Fugue, for string orchestra (1957)
- A French Symphony (1958, rev. 1993)
- Danaide, symphonic poem (1963)
- Octaves (1963)
- Palekh (1965)
- Sinfonia Robusta (1970)
- The Siege Chronicles, a symphony for full orchestra (1984)
- Concerto Alla Marcia, for sixteen soloists (1989)
- A Pushkin Symphony (1998)
[edit] Concertante
- Piano Concerto (1962)
- Violin Concerto No. 1 (1958, rev. 1964)
- Violin Concerto No. 2 (1981)
- Cello Concerto No. 1, for solo cello, 17 wind instruments, percussion, and harmonium (1963) (Also orchestrated by Dmitri Shostakovich in 1969)
- Cello Concerto No. 2, for solo cello, 48 cellos, 12 double-basses, and percussion (1969, rearranged for orchestra in 1979)
- Concerto for Flute, Piano and String Orchestra (1972)
- Harp Concerto (1977)
[edit] Piano
- Piano Sonatas
- Suite for Piano No. 1 (1957)
- A Muleteer, fable for piano (1958)
- Three Riddles for Piano (1960)
- Eight Portraits for Piano Duet (1996)
[edit] Instrumental
- Sonata for Solo Violin No. 1 (1957)
- Sonata for Solo Violin No. 2 (1975)
- Sonata for Solo Cello No. 1 (1960)
- Sonata for Solo Cello No. 2 (1979)
- Twelve Inventions for Organ (1964)
- Capriccio for Violin and Piano (1965)
- Two Pieces for Percussion (1970)
- Twelve Portraits for Organ (1992)
- Fantasy for Violin and Piano (1994)
- Sonata for Recorder (five instruments) and Organ (1999)
- Four Pieces for Tuba (1985)
[edit] Chamber
- Praeludium e Fugue, for string quartet (1957)
- String Quartets
- Northern Exercises, suite for ensemble (1968)
- Piano Quintet (1985)
- The Dog's Heart, novels for chamber ensemble (after Mikhail Bulgakov, 1988)
- Concerto for Clarinet and Piano Trio (1990)
[edit] Vocal Orchestral
- Lenin is Alive, cantata after Vladimir Mayakovsky for mixed chorus with orchestra (1959)
- Suzdal, suite for soprano, tenor and chamber-orchestra (1964)
- Requiem, after Anna Akhmatova for soprano, tenor and symphony orchestra (1966)
- Hard Frost, aria for mezzo-soprano and orchestra (1974)
- Beatrice, choral-symphonic cycle after Dante's "Divine Comedy"(1997)
[edit] Vocal
- A White Stork, vocal cycle for medium voice and piano (1958)
- Yuaffu, four choruses for chorus a cappella (1959)
- Energy, fugue for chorus a cappella (1959)
- The Wedding Song for female chorus (1959)
- Sad Songs, vocal cycle for soprano and piano (1962)
- Three Songs to Verses by Marina Tsvetayeva for medium voice and piano (1970)
- Five Songs to Verses by O. Driz for medium voice and piano (1974)
- The Will for soprano, harp and organ (1986)
- To My Brother for soprano, flute and harp (1986)
- The Garden of Music, cantata for soprano, mezzo-soprano, baritone and piano trio (1987)
- The Chelom Wise Men, a vocal-instrumental quartet for violin, soprano, bass and piano (1991)
- The Devildraft, cycle for medium voice and piano (1995)
