Film |
Category |
Nominee(s) |
Country |
Language(s) |
1931/32 |
A Nous la Liberté |
Art Direction |
Lazare Meerson |
France |
French |
1938 |
Grand Illusion
La Grande Illusion |
Outstanding Production |
Production company:
Réalisation d'art cinématographique |
France |
French
(some parts in German, English & Russian) |
1945 |
Marie-Louise |
Writing
(Original Screenplay) |
Richard Schweizer |
Switzerland |
German |
1946 |
Children of Paradise
Les Enfants du paradis |
Writing
(Original Screenplay) |
Jacques Prévert |
France |
French |
Open City
Roma città aperta |
Writing
(Screenplay) |
Sergio Amidei
Federico Fellini |
Italy |
Italian
(some parts in German) |
1947 |
A Cage of Nightingales
La Cage aux rossignols |
Writing
(Motion Picture Story) |
Georges Chaperot
René Wheeler |
France |
French |
Shoe-Shine
Sciuscià |
Writing
(Original Screenplay) |
Sergio Amidei
Adolfo Franci
C. G. Viola
Cesare Zavattini |
Italy |
Italian
(some parts in English) |
1949 |
The Bicycle Thief
Ladri di biciclette |
Writing
(Screenplay) |
Cesare Zavattini |
Italy |
Italian |
Paisan
Paisà |
Writing
(Story and Screenplay) |
Alfred Hayes
Federico Fellini
Sergio Amidei
Marcello Pagliero
Roberto Rossellini |
Italy |
Italian
(some parts in English, German & Sicilian) |
1950 |
Bitter Rice
Riso Amaro |
Writing
(Motion Picture Story) |
Giuseppe De Santis
Carlo Lizzani |
Italy |
Italian |
1951 |
La Ronde |
Art Direction
(Black-and-White) |
Jean d'Eaubonne |
France |
French |
Writing
(Screenplay) |
Max Ophüls
Jacques Natanson |
1952 |
Rashomon
羅生門 |
Art Direction
(Black-and-White) |
Art direction:
So Matsuyama
Set decoration:
H. Motsumoto |
Japan |
Japanese |
1954 |
Gate of Hell
Jigokumon
地獄門 |
Costume Design
(Color) |
Sanzo Wada |
Japan |
Japanese |
Bread, Love and Dreams
Pane, amore e fantasia |
Writing
(Motion Picture Story) |
Ettore Margadonna |
Italy |
Italian |
The Earrings of Madame de...
Madame de... |
Costume Design
(Black-and-White) |
Georges Annenkov
Rosine Delamare |
France |
French |
Forbidden Games
Jeux interdits |
Writing
(Motion Picture Story) |
François Boyer |
France |
French |
Le Plaisir |
Art Direction
(Black-and-White) |
Max Ophüls |
France |
French |
1955 |
Mr. Hulot's Holiday
Les Vacances de M. Hulot |
Writing
(Story and Screenplay) |
Jacques Tati
Henri Marquet |
France |
French |
The Sheep Has Five Legs
Le Mouton à cinq pattes |
Writing
(Motion Picture Story) |
Jean Marsan
Henri Troyat
Jacques Perret
Henri Verneuil
Raoul Ploquin |
France |
French |
Ugetsu
Ugetsu monogatari
雨月物語 |
Costume Design
(Black-and-White) |
Tadaoto Kainosho |
Japan |
Japanese |
1956 |
The Red Balloon
Le Ballon rouge |
Writing
(Screenplay — Original) |
Albert Lamorisse |
France |
French |
La Strada |
Writing
(Screenplay — Original) |
Federico Fellini
Tullio Pinelli |
Italy |
Italian |
The Magnificent Seven
Shichinin no samurai
七人の侍 |
Art Direction
(Black-and-White) |
So Matsuyama |
Japan |
Japanese |
Costume Design
(Black-and-White) |
Kohei Ezaki |
The Proud and the Beautiful
Les Orgueilleux |
Writing
(Motion Picture Story) |
Jean-Paul Sartre |
France |
French |
Umberto D. |
Writing
(Motion Picture Story) |
Cesare Zavattini |
Italy |
Italian |
1957 |
Vitelloni
I vitelloni |
Writing
(Story and Screenplay — written directly for the screen) |
Story and screenplay:
Federico Fellini
Ennio Flaiano
Story:
Tullio Pinelli |
Co-production:
Italy
France |
Italian |
1959 |
The 400 Blows
Les Quatre Cents Coups |
Writing
(Story and Screenplay — written directly for the screen) |
François Truffaut
Marcel Moussy |
France |
French
(some parts in English) |
Wild Strawberries
Smultronstället |
Writing
(Story and Screenplay — written directly for the screen) |
Ingmar Bergman |
Sweden |
Swedish
(some parts in Latin) |
1960 |
Hiroshima, Mon Amour |
Writing
(Story and Screenplay — written directly for the screen) |
Marguerite Duras |
Co-production:
France
Japan |
French
(some parts in Japanese & English) |
The Virgin Spring
Jungfrukällan |
Costume Design
(Black-and-White) |
Marik Vos |
Sweden |
Swedish
(some parts in German) |
1961 |
La Dolce Vita |
Costume Design
(Black-and-White) |
Piero Gherardi |
Italy |
Italian
(some parts in English, French & German) |
Art Direction
(Black-and-White) |
Piero Gherardi |
Directing |
Federico Fellini |
Writing
(Story and Screenplay — written directly for the screen) |
Federico Fellini
Tullio Pinelli
Ennio Flaiano
Brunello Rondi |
Two Women
La ciociara |
Actress |
Sophia Loren |
Co-production:
Italy
France |
Italian
(some parts in German) |
Ballad of a Soldier
Ballada o soldate
Баллада о солдате |
Writing
(Story and Screenplay — written directly for the screen) |
Valentin Yoshov
Grigori Chukhrai |
Soviet Union |
Russian |
General Della Rovere
Il generale Della Rovere |
Writing
(Story and Screenplay — written directly for the screen) |
Sergio Amidei
Diego Fabbri
Indro Montanelli |
Italy |
Italian
(some parts in German) |
Khovanshchina
Хованщина |
Music
(Scoring of a Musical Picture) |
Dmitri Shostakovich |
Soviet Union |
Russian |
Yojimbo
用心棒 |
Costume Design
(Black-and-White) |
Yoshiro Muraki |
Japan |
Japanese |
1962 |
Divorce — Italian Style
Divorzio all'italiana |
Writing
(Story and Screenplay — written directly for the screen) |
Ennio de Concini
Alfredo Giannetti
Pietro Germi |
Italy |
Italian |
Actor |
Marcello Mastroianni |
Directing |
Pietro Germi |
Last Year at Marienbad
L'Année dernière à Marienbad |
Writing
(Story and Screenplay — written directly for the screen) |
Alain Robbe-Grillet |
Co-production:
France
Italy |
French |
Through a Glass Darkly
Såsom i en spegel |
Writing
(Story and Screenplay — written directly for the screen) |
Ingmar Bergman |
Sweden |
Swedish |
1963 |
Federico Fellini's 8½
8½ |
Costume Design
(Black-and-White) |
Piero Gherardi |
Italy |
Italian
(some parts in English, French & German) |
Art Direction
(Black-and-White) |
Piero Gherardi |
Directing |
Federico Fellini |
Writing
(Story and Screenplay — written directly for the screen) |
Federico Fellini
Ennio Flaiano
Tullio Pinelli
Brunello Rondi |
The Four Days of Naples
Le quattro giornate di Napoli |
Writing
(Story and Screenplay — written directly for the screen) |
Story and screenplay:
Pasquale Festa Campanile
Massimo Franciosa
Nanni Loy
Story:
Vasco Pratolini
Screenplay:
Carlo Bernari |
Italy |
Italian |
Sundays and Cybele
Les Dimanches de Ville d'Avray |
Music
(Scoring of Music — adaptation or treatment) |
Maurice Jarre |
France |
French |
Writing
(Screenplay — based on material from another medium) |
Serge Bourguignon
Antoine Tudal |
1964 |
Marriage Italian Style
Matrimonio all'italiana |
Actress |
Sophia Loren |
Co-production:
France
Italy |
Italian |
The Organizer
I compagni |
Writing
(Story and Screenplay — written directly for the screen) |
Agenore Incrocci
Furio Scarpelli
Mario Monicelli |
Co-production:
France
Italy
Yugoslavia |
Italian |
That Man from Rio
L'Homme de Rio |
Writing
(Story and Screenplay — written directly for the screen) |
Jean-Paul Rappeneau
Ariane Mnouchkine
Daniel Boulanger
Philippe de Broca |
Co-production:
France
Italy |
French
(some parts in English & Portuguese) |
1965 |
Casanova '70 |
Writing
(Story and Screenplay — written directly for the screen) |
Agenore Incrocci
Furio Scarpelli
Mario Monicelli
Tonino Guerra
Giorgio Salvioni
Suso Cecchi d'Amico |
Co-production:
France
Italy |
Italian |
The Umbrellas of Cherbourg
Les Parapluies de Cherbourg |
Music
(Music Score — substantially original) |
Michel Legrand
Jacques Demy |
France |
French |
Music
(Scoring of Music — adaptation or treatment) |
Michel Legrand |
Music
(Song) |
"I Will Wait For You" |
Music:
Michel Legrand
Lyrics:
Jacques Demy
English Lyrics:
Norman Gimbel |
Writing
(Story and Screenplay — written directly for the screen) |
Jacques Demy |
Woman in the Dunes
Suna no onna
砂の女 |
Directing |
Hiroshi Teshigahara |
Japan |
Japanese |
1966 |
A Man and a Woman
Un homme et une femme |
Writing
(Story and Screenplay — written directly for the screen) |
Story and screenplay:
Claude Lelouch
Screenplay:
Pierre Uytterhoeven |
France |
French |
Actress |
Anouk Aimée |
Directing |
Claude Lelouch |
The Gospel According to St. Matthew
Il Vangelo secondo Matteo |
Art Direction
(Black-and-White) |
Luigi Scaccianoce |
Co-production:
France
Italy |
Italian |
Costume Design
(Black-and-White) |
Danilo Donati |
Music
(Scoring of Music — adaptation or treatment) |
Luis Enrique Bacalov |
Juliet of the Spirits
Giulietta degli spiriti |
Art Direction
(Color) |
Piero Gherardi |
Co-production:
France
Italy
West Germany |
Italian |
Costume Design
(Color) |
Piero Gherardi |
Mandragola
La Mandragola |
Costume Design
(Black-and-White) |
Danilo Donati |
Co-production:
France
Italy |
Italian |
The Shop on Main Street
Obchod na korze |
Actress |
Ida Kaminska |
Czechoslovakia |
Slovak
(some parts in German) |
1967 |
La Guerre Est Finie |
Writing
(Story and Screenplay — written directly for the screen) |
Jorge Semprún |
Co-production:
France
Sweden |
French
(some parts in Spanish) |
1968 |
The Battle of Algiers
La battaglia di Algeri |
Directing |
Gillo Pontecorvo |
Italy |
French
(some parts in Italian, English & Arabic) |
Writing
(Story and Screenplay — written directly for the screen) |
Franco Solinas
Gillo Pontecorvo |
War and Peace
Voyna i mir
Война и мир |
Art Direction |
Art direction:
Mikhail Bogdanov
Gennady Myasnikov
Set decoration:
G. Koshelev
V. Uvarov |
Soviet Union |
Russian |
The Young Girls of Rochefort
Les Demoiselles de Rochefort |
Music
(Score of a Musical Picture — original or adaptation) |
Music and adaptation score:
Michel Legrand
Lyrics:
Jacques Demy |
France |
French
(some parts in English) |
1969 |
Z |
Film Editing |
Françoise Bonnot |
Co-production:
France
Algeria |
French |
Directing |
Costa-Gavras |
Best Picture |
Producers:
Jacques Perrin
Hamed Rachedi |
Writing
(Screenplay — based on material from another medium) |
Jorge Semprún
Costa-Gavras |
1970 |
Fellini Satyricon |
Directing |
Federico Fellini |
Co-production:
France
Italy |
Italian
(some parts in Latin) |
My Night at Maud's [1]
Ma nuit chez Maud |
Writing
(Story and Screenplay — based on factual material or material not previously published or produced) |
Eric Rohmer |
France |
French |
Sunflower
I girasoli |
Music
(Original Score) |
Henry Mancini |
Co-production:
France
Italy |
Italian
(some parts in English) |
1971 |
The Conformist
Il conformista |
Writing
(Screenplay — based on material from another medium) |
Bernardo Bertolucci |
Co-production:
Italy
France |
Italian
(some parts in French & Latin) |
The Garden of the Finzi Continis
Il giardino dei Finzi-Contini |
Writing
(Screenplay — based on material from another medium) |
Ugo Pirro
Vittorio Bonicelli |
Italy |
Italian |
Investigation of a Citizen Above Suspicion
Indagine su un cittadino al di sopra di ogni sospetto |
Writing
(Story and Screenplay — based on factual material or material not previously published or produced) |
Elio Petri
Ugo Pirro |
Italy |
Italian |
Tchaikovsky
Чайковский |
Music
(Scoring: Adaptation and Original Song Score) |
Adaptation score:
Dimitri Tiomkin |
Soviet Union |
Russian |
1972 |
The Discreet Charm of the Bourgeoisie
Le Charme discret de la bourgeoisie |
Writing
(Story and Screenplay — based on factual material or material not previously published or produced) |
Story and screenplay:
Luis Buñuel
In collaboration with:
Jean-Claude Carrière |
France |
French
(some parts in Spanish) |
The Emigrants
Utvandrarna |
Actress |
Liv Ullmann |
Sweden |
Swedish |
Directing |
Jan Troell |
Best Picture |
Producer:
Bengt Forslund |
Writing
(Screenplay — based on material from another medium) |
Jan Troell
Bengt Forslund |
Murmur of the Heart
Le Souffle au cœur |
Writing
(Story and Screenplay — based on factual material or material not previously published or produced) |
Louis Malle |
France |
French |
1973 |
Cries and Whispers
Viskningar och rop |
Cinematography |
Sven Nykvist |
Sweden |
Swedish |
Costume Design |
Marik Vos |
Directing |
Ingmar Bergman |
Best Picture |
Producer:
Ingmar Bergman |
Writing
(Story and Screenplay — based on factual material or material not previously published or produced) |
Ingmar Bergman |
1974 |
Day for Night
La Nuit américaine |
Actress in a Supporting Role |
Valentina Cortese |
Co-production:
France
Italy |
French
(some parts in English) |
Directing |
François Truffaut |
Writing
(Original Screenplay) |
François Truffaut
Jean-Louis Richard
Suzanne Schiffman |
1975 |
Amarcord |
Directing |
Federico Fellini |
Italy |
Italian
(some parts in Greek) |
Writing
(Original Screenplay) |
Federico Fellini
Tonino Guerra |
And Now My Love
Toute une vie |
Writing
(Original Screenplay) |
Claude Lelouch
Pierre Uytterhoeven |
Co-production:
France
Italy |
French
(some parts in English) |
The Magic Flute
Trollflöjten |
Costume Design |
Henny Noremark
Karin Erskine |
Sweden |
Swedish |
Scent of a Woman
Profumo di donna |
Writing
(Screenplay Adapted from Other Material) |
Ruggero Maccari
Dino Risi |
Italy |
Italian |
The Story of Adele H.
L'Histoire d'Adèle H. |
Actress |
Isabelle Adjani |
France |
French
(some parts in English) |
1976 |
Cousin, Cousine |
Actress in a Leading Role |
Marie-Christine Barrault |
France |
French |
Writing
(Screenplay Written Directly for the Screen — based on factual material or on story material not previously published or produced) |
Story and screenplay:
Jean-Charles Tacchella
Adaptation:
Daniele Thompson |
Face to Face
Ansikte mot ansikte |
Actress in a Leading Role |
Liv Ullmann |
Sweden |
Swedish |
Directing |
Ingmar Bergman |
Seven Beauties
Pasqualino Settebellezze |
Actor in a Leading Role |
Giancarlo Giannini |
Italy |
Italian |
Directing |
Lina Wertmüller |
Writing
(Screenplay Written Directly for the Screen — based on factual material or on story material not previously published or produced) |
Lina Wertmüller |
1977 |
A Special Day
Una giornata particolare |
Actor in a Leading Role |
Marcello Mastroianni |
Co-production:
Italy
Canada |
Italian |
That Obscure Object of Desire
Ese oscuro objeto del deseo |
Writing
(Screenplay — based on material from another medium) |
Luis Buñuel
Jean-Claude Carrière |
Spain |
French
(some parts in Spanish) |
1978 |
Autumn Sonata
Höstsonaten |
Actress in a Leading Role |
Ingrid Bergman |
Co-production:
Sweden
West Germany
United Kingdom |
Swedish
(some parts in English) |
Writing
(Screenplay Written Directly for the Screen) |
Ingmar Bergman |
1979 |
La Cage aux Folles |
Costume Design |
Piero Tosi
Ambra Danon |
France |
French |
Directing |
Edouard Molinaro |
Writing
(Screenplay Based on Material from Another Medium) |
Francis Veber
Edouard Molinaro
Marcello Danon
Jean Poiret |
1980 |
Kagemusha (The Shadow Warrior)
Kagemusha
影武者 |
Art Direction |
Yoshiro Muraki |
Japan |
Japanese |
Mon Oncle D'Amérique |
Writing
(Screenplay Written Directly for the Screen) |
Jean Gruault |
France |
French |
1982 |
Quest for Fire
La Guerre du feu |
Makeup |
Sarah Monzani
Michèle Burke |
Co-production:
France
Canada |
Special prehistoric languages created by Anthony Burgess (combined with body language and gestures created by Desmond Morris) [2] |
Das Boot |
Cinematography |
Jost Vacano |
West Germany |
German
(some parts in French & English) |
Directing |
Wolfgang Petersen |
Film Editing |
Hannes Nikel |
Sound |
Milan Bor
Trevor Pyke
Mike Le-Mare |
Sound Effects Editing |
Mike Le-Mare |
Writing
(Screenplay Based on Material from Another Medium) |
Wolfgang Petersen |
La Traviata |
Art Direction |
Art direction:
Franco Zeffirelli
Set decoration:
Gianni Quaranta |
Co-production:
Italy
France |
Italian |
Costume Design |
Piero Tosi |
1983 |
Fanny & Alexander
Fanny och Alexander |
Art Direction |
Anna Asp |
Co-production:
Sweden
France
West Germany |
Swedish
(some parts in German, Yiddish & English) |
Cinematography |
Sven Nykvist |
Costume Design |
Marik Vos |
Directing |
Ingmar Bergman |
Writing
(Screenplay Written Directly for the Screen) |
Ingmar Bergman |
The Return of Martin Guerre
Le Retour de Martin Guerre |
Costume Design |
Anne-Marie Marchand |
France |
French |
1985 |
Ran
乱 |
Costume Design |
Emi Wada |
Japan |
Japanese |
Art Direction |
Art direction:
Yoshiro Muraki
Shinobu Muraki |
Cinematography |
Takao Saito
Masaharu Ueda
Asakazu Nakai |
Directing |
Akira Kurosawa |
The Official Story
La historia oficial |
Writing
(Screenplay Written Directly for the Screen) |
Luis Puenzo
Aida Bortnik |
Argentina |
Spanish |
1986 |
Otello |
Costume Design |
Anna Anni
Maurizio Millenotti |
Italy |
Italian |
1987 |
Au Revoir Les Enfants (Goodbye, Children)
Au revoir les enfants |
Writing
(Screenplay Written Directly for the Screen) |
Louis Malle |
France |
French
(some parts in German & English) |
Dark Eyes
Oci ciornie |
Actor in a Leading Role |
Marcello Mastroianni |
Italy |
Italian
(some parts in Russian & French) |
My Life As a Dog
Mitt liv som hund |
Directing |
Lasse Hallström |
Sweden |
Swedish |
Writing
(Screenplay Based on Material from Another Medium) |
Lasse Hallström
Reidar Jönsson
Brasse Brännström
Per Berglund |
1988 |
Pelle the Conqueror
Pelle Erobreren (da)
Pelle erövraren (sv) |
Actor in a Leading Role |
Max von Sydow |
Co-production:
Denmark
Sweden |
Danish
(some parts in Swedish & Scanian) |