Black Girl (film)
From Wikipedia, the free encyclopedia
| La Noire de... | |
|---|---|
 DVD Cover |
|
| Directed by | Ousmane Sembène |
| Produced by | André Zwoboda |
| Written by | Ousmane Sembène |
| Starring | Mbissine Thérèse Diop, Anne-Marie Jelinek and Robert Fontaine |
| Cinematography | Christian Lacoste |
| Editing by | André Gaudier |
| Distributed by | New Yorker Video |
| Running time | 65 min |
| Country |  France /  Senegal |
| Language | French |
| IMDb profile | |
La Noire de..., also known as Black Girl (The original French title is literally translated as The Black Girl of...) is a 1966 film directed by Ousmane Sembène. The film is often considered the first Sub-Saharan African film by an African filmmaker to receive international attention.[1]
The film is based on Sembène's own writing. Though he previously directed two shorts: Borom Sarret and Niaye, Black Girl was his first feature-length film.[2] In Movies as Politics, Jonathan Rosenbaum makes a case for Senegal writer-director Ousmane Sembene's La Noire de... as the symbolic genesis of sub-Saharan African filmmaking, at least to the extent that the authorship belonged to a born and bred African.[3]
Contents |
[edit] Plot
The film centers on Diouana (Mbissine Thérèse Diop), a young Senegalese woman who moves from Dakar, Senegal, to Antibes, France, to work for a rich French couple (Anne-Marie Jelinek and Robert Fontaine). In France, Diouana hopes to continue her former job as nanny, and looks forward to a cosmopolitan lifestyle. However, upon arrival in Antibes, the couple begins to treat Diouana more harshly and she is forced to work in the capacity of a servant. Diouana becomes increasingly aware of her constrained and alienated situation.
[edit] Themes
This film addresses the effects of colonialism, racism and post-colonial identity in Africa and Europe. These themes are highlighted through the recurring appearance of an African mask, which is given to her employers by Diouana on her first day of work at the house in Dakar. The mask is hung on the wall in the French couple's Senegalese apartment, along with other pieces of African art. The mask also travels with Diouana to France, where it hangs alone on the wall.
[edit] Awards
- 1966, Prix Jean Vigo for best feature film
[edit] References
- ^ Weiler, A. H. "2 From Senegal:Feature and Short Are at the New Yorker" New York Times, January 13, 1969[1]
- ^ Nowell-Smith, Geoffrey (1996). The Oxford History of World Cinema. ISBN 0-19-874242-8.
- ^ Rosenbaum, Jonathan (1997). Movies as Politics. Berkeley, Calif: University of California Press, 284. ISBN 0520206150.
