Superman: Birthright
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The plot summary in this article is too long or detailed compared to the rest of the article. Please edit the article to focus on discussing the work rather than merely reiterating the plot. |
| Superman: Birthright | |
 Cover from Superman: Birthright #1 Art by Leinil Francis Yu. |
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| Publisher | DC Comics |
|---|---|
| Schedule | Monthly |
| Format | Limited series |
| Publication date | September 2003 - September 2004 |
| Number of issues | 12 |
| Main character(s) | Superman |
| Creative team | |
| Writer(s) | Mark Waid |
| Artist(s) | Leinil Francis Yu |
| Collected editions | |
| (hardcover) | ISBN 1401202519 |
| (softcover) | ISBN |
Superman: Birthright is a twelve-issue comic book limited series published by DC Comics in 2003 and 2004, written by Mark Waid and drawn by Leinil Francis Yu.
Originally, this series was to be Superman's new origin story, updating it for more modern readers. However, after the events of Infinite Crisis, both this series and 1986's The Man of Steel miniseries, by John Byrne, have been removed from continuity in favor of a new origin story that has yet to be told.[1] A portion of the new origin appeared in Action Comics #850, which showed Kal-El being born mere hours before going into his ship and being sent to Earth. The story mostly follows Superman's early years, including meeting Lois Lane and his first confrontation with Lex Luthor in Metropolis. In the series, Luthor combines kryptonite with advanced technology to discover the history of Krypton, then uses that knowledge to fake an alien invasion and cause the populace to fear Superman. The series was collected in a hardcover (ISBN 1-4012-0251-9) with trade paperback edition released September 2005.
Contents |
[edit] Plot
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The plot summary in this article or section is too long or detailed compared to the rest of the article. Please edit the article to focus on discussing the work rather than merely reiterating the plot. |
The story begins with a retelling of the destruction of planet Krypton. Jor-El laments the fact that his world accomplished "miracles no one will remember" while he is busy preparing infant Kal-El's voyage. Kal-El's shuttle pod fires into space moments before the planet's destruction. Jor-El and wife Lara regret that they will never know if Kal-El survives the journey.
Time winds forward to present day West Africa, where an ethnic conflict between the fictional Ghuri and Turaaba clans is claiming lives (this conflict is very reminiscent of the Hutu and Tutsi wars in Rwanda). Clark Kent, a freelance reporter in his twenties, arrives to cover the conflict, and to meet with the Ghuri representative and activist, Kobe Asuru. Later, Clark interviews the Turaaba representative Mr. Kebile who dislikes Kobe and opposes Ghuri rights. While protecting Kobe's sister Abana from a thrown bomb, he hears a commotion and speeds back to the rally where Kobe has already been stabbed. Enraged, Clark grabs the fleeing assassin and throws him into a wall, demanding to know who hired him. The terrified killer raises his arm -- pointing directly at Rep. Kebile, who is incidentally surrounded by media. Kebile is besieged with questions and is later forced to resign. Clark holds Kobe in his arms and watches him die.
Clark returns to Smallville, determined to learn more about his alien heritage. He tells his mother Martha that he wants to unearth his spaceship. He and Martha use the data tablet that came with Clark from Krypton to examine holographic records of Kryptonian history. Clark realizes the S insignia had great significance on Krypton and seemed to symbolize the Kryptonian's hope for a better tomorrow. He refuses to wear a mask while taking flight. Martha's solution is that only Clark's human half requires a disguise. She dresses him in professional, nerdy attire that stands apart from his usual look and gives him prescription glasses to wear. She promises they will refract light so no one will notice his startling blue eyes (which would otherwise give him away). Clark learns to slouch and act nervous and clumsy, to distance his civilian identity from tall, self-assertive Superman.
He travels to Metropolis to apply for a position at the Daily Planet. When he arrives, he finds automated anti-terrorist helicopters criss-crossing the sky, and a citizenry wary of the world around them. Upon reaching the Planet building, he sees the publisher, Mr. Galloway, berating Jimmy Olsen for fetching him the wrong yogurt. Lois Lane appears and berates Galloway for humiliating Jimmy. When Galloway storms off, Clark introduces himself to Lois. Though she had been impressed with his work on West Africa, she is not impressed with him in person. Clark, on the other hand, is immediately smitten, despite her condescension. He finally meets Perry White for a one-on-one interview, but it does not go well. Moments later, a miniature robo-chopper hovering outside goes berserk and opens fire on the Daily Planet building. When no one is looking, Clark ducks out to change into his costume and flies off to repel the helicopters. When he rips a radio transmitter off one of the wrecked units, he uses his powers to trace the signal to the incomplete skyscraper in the distance: LexCorp.
Clark bursts into Lex Luthor's office, just as Luthor is speaking to someone via radio. He tells Luthor he saw the signals and knows he sabotaged the Army choppers. Luthor is amused that he thinks anyone could possibly convict him on such evidence and demands to know who designed the technology that allows him to fly. At that moment, LexCorp's armored security barges in, with Lois and Jimmy right behind them. When Lois asks what Lex's connection is to Metropolis' new hero, Lex pretends to endorse the caped figure, saying, "He is a friend to Lex Luthor." The next day, the Daily Planet webpage dubs the hero "SUPERMAN." Luthor is ready with a cover story: A disgruntled Army employee was behind the attacks. LexCorp has stepped in to produce the robotic helicopters now that the Army's model has been recalled. But the LexCorp connection is an unprecedented black mark on Luthor's sterling reputation; Perry decides that Clark has earned his shot.
Lois and Clark visit Luthor at the massive towers that form his corporate headquarters, which are still under construction. Luthor greets them both, but when Clark extends his hand as if they are old acquaintances, Luthor coldly dismisses it, claiming to have never met him. He presses a button on the console in his desk and the room transforms into a holographic theater. Luthor asserts that he is first and foremost an astrobiologist, and describes many lucrative LexCorp inventions that were designed solely on his theories of possible space life. He then pulls up images of Superman and makes an official statement; Superman is not of this Earth. When Clark asks for his proof, Luthor promises everything will be made clear, just before showing images of Superman on an autopsy table, being sawn open by scientists. A sickened Lois takes Clark by the hand and they leave Luthor alone in his holo-theater. Clark reports Luthor's findings to Perry, who orders he write it up. Clark protests, knowing that the revelation that Superman is an alien will drive people away and points out that they have no real proof. Perry insists, saying Luthor is the leading authority on this matter, which is proof enough.
When Superman now goes out to rescue those in need, people are too fearful to even go near him. Adding to his troubles, no one in the office regards Clark's existence. When the staff goes out to a bar to toast Lois, Clark is intentionally given the wrong address so his co-workers can ditch him. While sulking in an empty restaurant, Clark hears a commotion as a suspension bridge across town inexplicably blows up. Superman speeds off to reconnect the bridge cables, but another explosion rocks the bridge. In his office, Lex Luthor watches the disaster and triggers bombs along the support column, making it appear that Superman is the one tearing it down. As the finishing touch, a mechanical drone in the water aims kryptonite radiation at Superman, causing him to collapse.
Realizing he has made an enemy in Lex Luthor, Clark looks back on his childhood in Smallville when a young Lex arrived in town. Lex was a quiet genius, but his intelligence alienated him from everyone around him. Lex's parents were unloving and ruthlessly trained him to become the next Einstein. Clark muses that "they were underestimating him". Despite his contemptuous exterior, Lex warmed to Clark when he discovered they shared a common interest: astronomy. Unfortunately, Lex was so fundamentally disturbed that he started spending increasing amounts of time locked in his makeshift laboratory next to the Luthor mansion. During one of these periods of seclusion, Clark visited Lex, who allowed Clark inside to unveil his new invention, a sub-space communicator. Lex hoped that with a piece of meteor rock (kryptonite), he would finally be able to open a wormhole into visions from an alien civilization. While aware of the radiation emanating from the rock, Lex assured Clark that it was perfectly harmless. Clark, stricken with sudden pain, staggered back looking ghastly; he was experiencing his first bout of kryptonite poisoning. Lex misread Clark's expression and believed he had become afraid of him like everyone else. Dismissing him from the lab and commencing with his experiment, he managed to open a portal into events and times of the planet Krypton for a moment, but his generator overloaded and exploded, engulfing the house in flames. Lex, his hair burned off, staggered through the flames to uncover the piece of kryptonite that was integral to his machine. He neglected his father, who was buried beneath rubble and burning alive. In the present day, Lex remains bald but seems to have restored his eyebrows via transplant, rendering them black. He begins piecing together instruments to recreate his failed experiment from long ago in the bowels of the research facility, hoping to retrieve the alien visions he saw before. As expected, the kryptonite creates a wormhole and Luthor is greeted with a wealth of visions from the history of Krypton.
The next day the newspapers blare warnings of an upcoming alien invasion, showing photos of alien warships bearing the Superman insignia. At the Daily Planet, Clark hears that the footage has been analyzed by experts and has been confirmed to be un-doctored and 100% legitimate. Having seen footage from the data tablet that was in his spacecraft, Clark knows Luthor must have used similar methods to uncover these images. At the Colorado facility, while Luthor is discussing plans with Army officials over selling LexCorp technology to combat this new "threat", Superman barges in and confronts him. He allows everyone but Luthor to leave, and demands to know what Luthor is plotting. Luthor reveals the name of Project: Krypton. Superman demands to know what that means. Luthor, suddenly realizing that Superman knows little or nothing about his homeworld, laughs in his face. He tells him his planet and race are all gone. The entire room turns into a whirling tunnel of holographic images, all displaying the Kryptonian footage Luthor has been abusing. Once he has discredited and destroyed Superman, Lex is hopeful the lesser minds of Earth will turn to him as their savior. Superman speeds out of sight as Luthor's armored troops burst in to save him.
Metropolis is besieged by giant, monstrous-looking warships that bear Superman's logo on their face, including a giant mechanical spider. They begin killing indiscriminately. Troops empty out of the vehicles in Kryptonian garb, all bearing red capes and S-shields with their faces covered. Just as Superman is about to intervene, Luthor uses the spires of his skyscraper to project a city wide "web" of kryptonite radiation from which Superman cannot hide. When the city police start firing on the vulnerable Superman, he assumes his Clark guise and meets up with Lois, who comments on how sick he looks. Upon returning to the newsroom, which is in chaos, Perry yells at Clark for coming to the office without a story on this crisis. Stripped of his powers and faced with imminent dismissal, Clark leaves a notice of resignation on his desk. When Lois catches him leaving, she calls him a "spineless worm" and then storms off.
The "alien commander", a man dressed in armor, calls himself "Van-gar" and declares war on Earth. He proclaims that the S-shield will forever represent Krypton's rulership on Earth. Clark, his confidence restored by Lois' sermon, dons his costume and says "Like hell." Van-gar orders his men to open fire on a crowd of innocents. With Luthor's kryptonite-web still sapping his energy, Superman charges Van-gar's troops before they can fire. When Superman accuses him and his men of being actors, Van-gar beats downs the weakened hero and whispers to him they're not in it for the money. They know Luthor is right and that Superman will turn on those weaker than him. A giant mobile tank with a huge metal S-shield barrels toward more people. Superman tears the giant metal "S" off the tank and dives in front of a lone child just before he is hit by an energy blast, blocking it with the shield and saving the child. Jimmy Olsen captures a photo of Superman blocking the energy blast and broadcasts it to every news station in the world. Upon seeing the iconic footage of Superman shielding the child being broadcast, Luthor loses his temper. His private army mobilizes downstairs with advanced weaponry, ready to repel the invaders. Despite his general's pleas, Luthor orders him to hold. He then contacts Van-gar and tells him he has 60 seconds to break Superman's spine, and Van-gar obliges. Meanwhile, Lois sneaks back into the LexCorp building, which Luthor ordered abandoned. She sees Luthor giving orders to his men over his tele-screen and grabs his priceless shard of the kryptonite with the "S" engraving out of its energy core, disabling the entire machine. However she fails to notice Luthor, who emerges from the shadows behind her. With the kryptonite removed, most of the robots attacking Metropolis are revealed as holograms and vanish, along with the kryptonite web over the city. A horde of vengeful citizens assault the "Kryptonians" while Superman punches out Van-gar.
Back at LexCorp, Luthor grabs the kryptonite crystal from Lois's hands and demands she tell him how much she knows. When Lois tells him everyone will know about his hoax, Lex smacks her across the face and drags her by her neck, telling her his real intention was never to merely view old recordings of Krypton, but to establish contact. He drags Lois to a wall, where he uses a remote control to open out to a balcony. He reveals that he placed a kryptonite bomb inside the suit of every "Kryptonian" soldier and that they are primed to go off and take out Superman in the blast. However his men don't know about the bombs, since Luthor "sort of left that part out of the hiring brief." He then shoves Lois off the skyscraper balcony. Superman is still down below and grappling with Van-gar, whose armor suddenly starts glowing green. Superman soars up with Van-gar in his grip, ripping the bomb off moments before it explodes. In the instant before Lois hits the ground, Superman rushes up and catches her just in time.
Superman returns to Lexcorp, where Luthor is feverishly trying to reconnect with the static images to Krypton, this time to establish direct contact. Luthor begins requesting to be sent weapons before the machine overloads in his face, sending him flying back. Superman grabs him and tells him it's over. Luthor turns to him with kryptonite shards imbedded in his face and a look of hatred. He attacks Superman as the kryptonite radiating from the machine leaves him vulnerable once more. As the two battle, visions of the imminent destruction of Krypton swirl on the viewscreen; back on Krypton, many years in the past, one of the Kryptonians points to the sparring adversaries and says he can see them on his viewing screen, and he wonders if they are real. A desperate Luthor screams out "No! I am real!...We can save each other!" Superman refuses to let him carry through and throws him across the floor. Just then, Jor-El and Lara appear seconds after they have launched baby Kal-El and say goodbye to one another. An awestruck Superman realizes that is his name: Kal-El.
Luthor attacks Superman from behind, telling him he's doing him a favor, it's agony to be alone in the world. Superman tells Luthor he wasn’t always alone, he made his choice, and punches him several times across the jaw. A bloodied Luthor falls defeated as Superman runs up and calls out something into the void; but the transmission is cut off too soon, and Superman thinks his parents never heard what he was trying to tell them. In the aftermath, Luthor is scarred from the kryptonite shrapnel that sprayed in his face, and is facing indictment. Clark Kent writes the article that ruins Luthor's reputation, although Luthor has already assembled his lawyers and will probably beat the charges. "Van-gar" was actually the leader of a group of extremist survivalists. Clark and Lois resolve their differences, with Lois revealing she intercepted Clark' resignation letter, knowing he wouldn't quit. She says that people will know what the Superman symbol means from now on: it means hope.
During the last moments of Krypton, Jor-El and Lara look at a viewing screen with a static image crackling from it. A figure, barely visible and wearing the S-shield on his chest, says, "Mother...Father...I made it." Realizing that their efforts were successful, Jor-El and Lara kiss as the building collapses around them.
[edit] Changes in continuity
- In this series, Clark has the power to see the "aura" that surrounds all living things and fades away at the moment of death, something not shown in Man of Steel. Clark can literally "see" when a person or animal dies, an experience that he finds profoundly disturbing. Because of this, Clark refuses to take a life, making him a vegetarian. This was influenced by a passage in Elliot S! Maggin's novel Miracle Monday. This "Soul Vision" created controversy among some segments of fandom, and as of now its status in continuity has yet to be explored. It should be noted that Superman himself never refers to this aura as a soul in the series. However, in other comics he informs both Lex Luthor (in Lex Luthor: Man of Steel) and Superboy that he can see their souls.
- The Superman: Birthright miniseries reinstated several Silver Age elements of Superman, one of which is Kandor. After the mini-series was completed, its place in canon was shown in Superman (Vol. 2) #200. Superman was thrown out of time and saw both versions of his origin: Man of Steel and Birthright. Entering the Birthright he experienced temporary amnesia. Afterward, he discovered/remembered the new history:
The city had been shrunken and was kept in the Fortress of Solitude. When shrunken in Kandor, Superman again has no more powers in the Red Sun Krypton-like environment. The city is once again from Krypton (but populated by non-Kryptonian aliens as well as native Kryptonians). The citizens also recall Brainiac stealing their city from Krypton, and not the wizard Tolos. It was not explained how Tolos got a hold of the "bottle city" from Brainiac. It had been speculated and later confirmed by Geoff Johns that Brainiac encountered the wizard and he stole one of the bottle cities from Brainiac's collection. Apparently, a hundred years have passed in the city (while the world outside has aged normally). Because of this, Superman (or the ideal of him) had grown to god-like status and is worshiped in Kandor.
- Among alterations to Superman's power spectrum, Superman's enhanced vision was strengthened, capable of detecting X-Rays (hence his ability to see through walls), as well as "seeing" the transmissions and detection radii of satellites, enabling him to fly between and around their fields of vision to travel incognito. He has been able to see radio waves as early as the 1980s, as he traced his enemy the Toyman's radio broadcast in Alan Moore's "Whatever Happened to the Man of Tomorrow." This is primarily a case of showing how Superman deals with today's ever advancing communications technology.
- As in the Silver Age comics, Superman uses his eidetic memory combined with his super-speed to learn and comprehend vast amounts of knowledge.
- Franklin Stern, a character from the original continuity, is no longer publisher of the Daily Planet (at least not at the onset). That position belongs to Mr. Galloway, a rotund, obnoxious man who bares a striking resemblance to Dr. Eggman.
- Lex Luthor is stated several times during the story to be a leading astrobiologist. Previously, Luthor was a scientist with no specific specialty (pre-Crisis), then later an industrialist (post-Crisis). Birthright's Luthor is a combination of both, and though his knowledge as a general scientist is apparently unmatched (he is referred to as the smartest man in the world), Astrobiology is his particular forte.
- Lex Luthor is shown to have spent some time in Smallville, Superman's hometown. He attended high school with Clark Kent for at least a few months, befriending him in the process. This is a departure from the previous continuity, where he was born and raised in Metropolis' notorious Suicide Slum neighborhood. Though Birthright is no longer canon, it is known that Clark met Lex at some point early on before he became Superman, having been referenced in the 52 maxiseries (which was co-written by Birthright author Mark Waid). Also, Luthor now admits to being from Smallville, while in Birthright he refused to admit he had ever been to the town and had erased all evidence of his being there.
[edit] Removal
According to monthly Superman writer Kurt Busiek, the origin of Superman in the post-Infinite Crisis New Earth continuity has yet to be established, meaning that both this series and Man of Steel have been removed from current DC Comics continuity.[2] This is the second major Superman origin "revamp", the first Superman origin retelling is the The Man of Steel by John Byrne which ran in 1986. There is currently a third in development.
[edit] New Earth
Action Comics issue #850 presents the latest revision of Superman's origin, containing many subtle retcons to Birthright. The new timeline is specifically indicated to supersede Birthright and Man of Steel in a panel which shows a progression of three successive versions of Superman viewed by Kara Zor-El and the Legion of Super-Heroes in the 31st century.
Written collaboratively by Busiek, Fabian Nicieza and Geoff Johns, the new version includes details such as Krypto's presence on (the real) Krypton, Jor-El's frustrations with the Council of Krypton refusing to evacuate the planet, Clark's awareness of his adopted status from a young age, having interactions with Lex Luthor when they were younger, Clark not being the direct cause of Lex's baldness, his wearing glasses as far back as his early teens in Smallville. The new version also supports retcons in the portrayal and aesthetic design of Jor-El, now similar to Marlon Brando's portrayal of the role, and Krypton, as featured in the ongoing Richard Donner co-authored arcs of Action Comics (essentially rendering Krypton closer in style to his and Bryan Singer's shared film continuity) as well as the fitting in with the retcon introduced in The Lightning Saga that Clark was a member of the Legion of Super-Heroes as a teenager and retains possession of a Legion flight ring.
[edit] References
[edit] External links
- Discussion of Birthright's implications for continuity (by Neal Bailey)
- DC Comics: 30 Essential Graphic Novels (featuring Birthright)
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