Billy Apple

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American Supermarket Exhibition 1964. Billy Apple and fellow Pop artist Andy Warhol show their "products" during the show. From Life magazine (Nov. 20, 1964; pg. 140) Caption reads: "Billy Apple gazes over his $500 slice of painted bronze watermelon. Apple also painted A Apple in the background, on sale for $450." Andy Warhol holds his $350 box of Brillo.
American Supermarket Exhibition 1964. Billy Apple and fellow Pop artist Andy Warhol show their "products" during the show. From Life magazine (Nov. 20, 1964; pg. 140) Caption reads: "Billy Apple gazes over his $500 slice of painted bronze watermelon. Apple also painted A Apple in the background, on sale for $450." Andy Warhol holds his $350 box of Brillo.

Born Barrie Bates[1] in Auckland (New Zealand) in 1935, Billy Apple is an artist whose work is associated with the New York school of Pop Art in the 1960s and with the Conceptual Art movement in the 1970s. He collaborated with the likes of Andy Warhol and other pop artists. His work is part of the permanent collection of the Museum of New Zealand Te Papa Tongarewa (New Zealand), Auckland Art Gallery / Toi o Tamaki (New Zealand), the Christchurch Art Gallery / Te Puna o Waiwhetu (New Zealand) and the SMAK/Stedelijk Museum voor Actuele Kunst (Ghent, Belgium).


In 1959 he left New Zealand on a National Art Gallery scholarship. He studied at the Royal College of Art, London, from 1959 until 1962. In 1962 he changed his name to Billy Apple. He moved to New York in 1964.


A pivotal event was the 1964 exhibit "The American Supermarket", a show held in Paul Bianchini's Upper East Side gallery. The show was presented as a typical small supermarket environment, except that everything in it — the produce, canned goods, meat, posters on the wall, etc. — was created by six prominent pop artists of the time, including Billy Apple, Andy Warhol, Mary Inman, and Robert Watts. The exhibit was one of the first mass events that directly confronted the general public with both Pop Art and the perennial question of what is art.


He was one of the artists who pioneered the use of neon in art works.[2]


In 1969 he established Apple, one of the first alternative spaces in New York at 161 West Twenty-third Street in order, as he stated, "to provide an independent and experimental alternative space for the presentation of [his] own work and the work of others." Inititially the exhibition space was part of his own studio. During its four years he intermittingly exhibited his own work and work by other artists including Geoff Hendricks, Mac Adams, Davi Det Hompson, and Jerry Vis. The space was considered both an exhibition space and a forum for art and discourse.


In the 1970s, he returned to New Zealand twice, with support from the Queen Elizabeth II Arts Council, each time exhibiting in spaces throughout the country. He returned to New Zealand, permanently in 1990. Billy Apple currently lives in Auckland.


Rainbow 1965. Screenprint, Auckland Art Gallery

[edit] References

  1. ^ Tilman Osterwold, Pop Art, Taschen, 2003, p78. ISBN 3822820709
  2. ^ A Times Square of the Mind. TIME (March 18, 1966).

[edit] See also

[edit] External links

Works include Apples, 2 for 25c by Billy Apple, offset lithograph, aluminium and printed plastic on canvas, 1962-64