Bildungsroman
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A Bildungsroman (IPA: [ˈbɪldʊŋs.roˌmaːn]; German: "novel of formation") is a novelistic genre that arose during the German Enlightenment. In the Bildungsroman, the author presents the psychological, moral and social shaping of the personality of the — generally, young — protagonist. The Bildungsroman is regarded by some as a variation on the concept of the monomyth. Such themes are now often also portrayed in films (epitomic examples of which are the Harry Potter, The Matrix and Star Wars series) and in animation.
[edit] Features
The Bildungsroman usually contains the following course:
- The protagonist grows from boy to man or girl to woman.
- The protagonist must have some reason to go on this journey. A loss or discontent must jar him or her at an early stage away from the home or family setting.
- The process of maturing is long, arduous, and gradual, consisting of repeated clashes between the needs or desires of the hero and the views and judgments enforced by an unbending social order. This bears some similarity to Sigmund Freud's concept of the pleasure principle versus the reality principle.
- Eventually, the spirit and values of the social order become manifest in the protagonist, who is then accommodated into society. The novel ends with an assessment by the protagonist of himself/herself and his/her new place in that society.
- The character is generally making a smooth movement away from conformity. Major conflict is self vs. society or individuality vs. conformity.
Within the genre, an Entwicklungsroman is a story of general growth rather than self-culture; an Erziehungsroman focuses on training and formal education; and a Künstlerroman is about the development of an artist and shows a growth of the self.
Many other genres, separate from the Bildungsroman genre, can include elements of the Bildungsroman as a prominent part of their story lines, while not in themselves fitting the criteria of the Bildungsroman. For example, a military story frequently shows a raw recruit receiving a baptism of fire and becoming a battle-hardened soldier. A high fantasy quest may also show a transformation from an adolescent protagonist into an adult aware of his/her powers or lineage. Neither of those genres or stories correspond exactly to the Bildungsroman, however.
[edit] Examples
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- The Adventures of Augie March, by Saul Bellow (1953)[citation needed]
- The Awakening, by Kate Chopin (1899)[citation needed]
- Beka Lamb, by Zee Edgell (1982)[citation needed]
- Beneath the Wheel, by Hermann Hesse (1906)[citation needed]
- Black Swan Green, by David Mitchell (2006)[citation needed]
- Bless Me, Ultima, by Rudolfo Anaya (1972)[citation needed]
- The Book of the New Sun, by Gene Wolfe (1980–83)[citation needed]
- Ceremony, by Leslie Marmon Silko (1977)[citation needed]
- The Chronicles of Prydain, by Lloyd Alexander (1964–73)[citation needed]
- Citizen of the Galaxy, by Robert A. Heinlein (1957)[citation needed]
- The Confusions of Young Törless, by Robert Musil (1906)[citation needed]
- David Copperfield, by Charles Dickens (1850)
- Demian, by Hermann Hesse (1919)[citation needed]
- The Diamond Age, by Neil Stephenson (1995)[citation needed]
- Emile: or, On Education, by Jean-Jacques Rousseau (1762)[citation needed]
- Emma, by Jane Austen (1816)
- Ender's Game, by Orson Scott Card (1985)[citation needed]
- The Famished Road, by Ben Okri (1991)[citation needed]
- The Favourite Game, by Leonard Cohen (1963)[citation needed]
- The Fortress of Solitude, by Jonathan Lethem (2003)[citation needed]
- Glamorama, by Bret Easton Ellis (1998)[citation needed]
- The Go-Between, by L. P. Hartley (1953)[citation needed]
- The God of Small Things, by Arundhati Roy (1997)[citation needed]
- Great Expectations, by Charles Dickens (1860–61)
- Green Henry, by Gottfried Keller (1855)[citation needed]
- The House on Mango Street, by Sandra Cisneros (1984)[citation needed]
- How Many Miles to Babylon?, by Jennifer Johnston (1974)[citation needed]
- In the Beginning, by Chaim Potok (1975)[citation needed]
- Invisible Man, by Ralph Ellison (1952)[citation needed]
- Jane Eyre, by Charlotte Brontë (1847)
- Jean-Christophe, by Romain Rolland (1904–12)[citation needed]
- The Life and Adventures of Nicholas Nickleby, by Charles Dickens (1839)[citation needed]
- The Line of Beauty, by Alan Hollinghurst (2004)[citation needed]
- Lives of Girls and Women, by Alice Munro (1971)[citation needed]
- Look Homeward, Angel, by Thomas Wolfe (1929)[citation needed]
- The Lovely Bones, by Alice Sebold (2002)[citation needed]
- Lucky Jim, by Kingsley Amis (1954)
- The Magic Mountain, by Thomas Mann (1924)
- Moll Flanders, by Daniel Defoe (1722)
- My Name is Asher Lev, by Chaim Potok (1972)[citation needed]
- Der Nachsommer, by Adalbert Stifter (1857)[citation needed]
- The Namesake, by Jhumpa Lahiri (2003)[citation needed]
- Netochka Nezvanova, by Fyodor Dostoyevsky (1849)
- Of Human Bondage, by Somerset Maugham (1915)[citation needed]
- Oranges Are Not the Only Fruit, by Jeanette Winterson (1985)[citation needed]
- Out of the Shelter, by David Lodge (1970)[citation needed]
- Peter Camenzind, by Hermann Hesse (1904)[citation needed]
- Pharaoh, by Bolesław Prus (1895)[1]
- A Portrait of the Artist as a Young Man, by James Joyce (1916)[citation needed]
- The Red and the Black, by Stendhal (1830)
- The Secret Life of Bees, by Sue Monk Kidd (2002)[citation needed]
- A Separate Peace, by John Knowles (1959)[citation needed]
- Siddhartha, by Hermann Hesse (1922)[citation needed]
- The Sorrow of Belgium, by Hugo Claus (1983)[citation needed]
- Special Topics in Calamity Physics, by Marisha Pessl (2006)[citation needed]
- Their Eyes Were Watching God, by Zora Neale Hurston (1937)
- This Side of Paradise, by F. Scott Fitzgerald (1920)[citation needed]
- The Time Traveler's Wife, by Audrey Niffenegger (2003)[citation needed]
- The Tin Drum, by Günter Grass (1959)[citation needed]
- Tom Jones, by Henry Fielding (1749)
- A Tree Grows in Brooklyn, by Betty Smith (1943)[citation needed]
- Der Vorleser (The Reader), by Bernhard Schlink (1995)[citation needed]
- The Wasp Factory, by Iain Banks (1984)[citation needed]
- What Maisie Knew, by Henry James (1897)[citation needed]
- Wilhelm Meister's Apprenticeship, by J.W. Goethe, the paragon of the genre (1795)
- Winesburg, Ohio, by Sherwood Anderson (1919)[citation needed]
- The World Made Straight, by Ron Rash (2006)[citation needed]
- Midnight's Children, by Salman Rushdie (1981)[2]
- The Moor's Last Sigh, by Salman Rushdie (1995)[3]
- Treasure Island, by Robert Louis Stevenson (1883)[citation needed]
- To Kill A Mockingbird by Harper Lee (1960)[citation needed]
[edit] See also
[edit] Notes
[edit] References
- Jeffers, Thomas L., Apprenticeships: The Bildungsroman from Goethe to Santayana (New York: Palgrave, 2005).
- Abrams, M.H. Glossary of Literary Terms - Eighth Edition (Boston: Thomson Wadsworth, 2005).
- Zygmunt Szweykowski, Twórczość Bolesława Prusa (The Art of Bolesław Prus), 2nd ed., Warsaw, Państwowy Instytut Wydawniczy, 1972.