Berat County

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The County of Berat (Albanian: Qarku i Beratit) is one of the 12 counties of Albania. It consists of the districts Berat, Kuçovë, and Skrapar and its capital is Berat.

Berat lies on the right bank of the river Osum, a short distance from the point where it is joined by the Molisht river. It is remarkable Ottoman town, with a wealth of beautiful buildings of the highest architectural and historical interest. The pine forests above the city, on the slopes of the towering Tomori mountains, provide a backdrop of appropriate grandeur. The Osumi river has cut a 915-metre deep gorge through the limestone rock on the west side of the valley to form a precipitous natural fortress, around which the town was built on several river terraces.

According to legend, the Tomorr mountain was originally a giant, who fought with another giant, called Shpirag over a young woman. They killed each other and the girl drowned in her tears, which then became the Osum river.

Mount Shpirag, named after the second giant, is on the left bank of the gorge, above the district of Gorica. Berati is known to Albanians as 'The City of a Thousand Windows' a similar epithet to that sometimes applied to Gjirokastra, The City of Two Thousand Steps, and has a mixture of Orthodox, Muslim and Vlach inhabitants. It was proclaimed a 'Museum City' by the dictator Enver Hoxha in June 1961, and is a UNESCO World Heritage City.

Alone among the counties of Albania, Berat neither borders the sea nor another country. It borders the following counties:

[edit] History

During the second century B.C. the town was called Antipatrea. it was a strategic fortress of the Illyrian Dasaretes tribe. In the ninth century the town was captured by the Bulgarians, who held it until the eleventh century and renamed it, Beligrad (White City), from which the name Berat is derived. During the thirteenth century, it fell to Michael Angelus Comnenus, the despot of Epirus; in 1345 to the Serbs; and in 1450 to the Turks. After the Ottoman conquest it fell into decline, and at the end of the sixteenth century had only 710 houses.

The city began to revive in the seventeenth century, especially after an earthquake in 1851, becoming a craft centre, noted particularly for its artistic wood carving. In 1809, it was seized by Ali Pasha Tepelena. The town is composed of three parts: Gorica, on the far side of the river; Mangalem, on the fortress side of the river; and the residential quarter within the fortress (known as Kalaja). The houses on the fortress side which date from the seventeenth century, have typically two storeys, with the upper storey slightly overhanging and rich wood carving within. With their wide facades and large windows, they seem to be built almost on top of one another. The hills and the mountain slopes around Berat, are planted with fig trees olive trees and other fruits.


[edit] Attractions

The Fortress, is built on a rocky hill on the left bank of the river Osum and is accessible only from the south. After being burned down by the Romans in 200 B.C. the walls were strengthened in the fifth century under Byzantine Emperor Theodosius II, and were rebuilt during the 6th century under the Emperor Justinian and again in the 13th century under the Despot of Epirus, Michael Angelus Comnenus, cousin of the Byzantine Emperor. The main entrance, on the north side, is defended by a fortified courtyard and there are three smaller entrances. The fortress of Berat in its present state, even though considerably damaged, remains a magnificent sight. The surface that it encompasses made it possible to house a considerable portion of the cities inhabitants. The buildings inside the fortress were built during the 13th century and because of their characteristic architecture are preserved as cultural monuments. The population of the fortress was Christian, and it had about 20 churches (most built during the 13th century) and only one mosque, for the use of the Turkish garrison, (of which there survives only a few ruins and the base of the minaret). The churches of the fortress were damaged through years and only some have remained.

The Church of St. Mary of Vllaherna dating from the 13th century, has 16th century mural paintings by Nikolla, son of the Albania's most famous medieval painter, Onufri. In a small tree - planted square, on a hillside inside the walls of the fortress, stands the fourteenth century Church of the Holy Trinity. It is built in the form of a Greek cross and has Byzantine murals. Outside the ramparts is the Church of St. Michael (Shen Mehill), Built in the thirteenth century. This church is reached by a steep but perfectly safe path. Near the entrance, after a guardhouse, is the little Church of St. Theodore (Shen Todher), which have wall paintings by Onufri himself. The most interesting is the cathedral of St. Nicholas, which has been well restored and is now a museum dedicated to Onufri. Onufri was the greatest of the 16th century painters in Albania. Not only was he a master of the techniques of fresco and icons, but he was the first to introduce a new colour in painting, pink, which the French called "Onufri's Red". In addition, Onufri introduced a certain realism and a degree of individuality in facial expression.

The first inscription recording Onufri's name was found in 1951, in the Shelqan church. The Kastoria church has a date 23 July 1547 and a reference to Onufri's origin : Une jam Onufri, dhe vij nga qyteti i shkelqyer i Beratit (I am Onufri, and come from the town of Berat). Onufri's style in painting was inherited by his son, Nikolla (Nicholas), though not so successful as his father. In Onufri's museum are to be found works of Onufri, his son, Nikolla and other painters'. There are also numbers of icons and some fine examples of religious silversmith's work (sacred vessels, icon casings, covers of Gospel books, etc). Berat Gospels, which date from the forth century, are copies (the originals are preserved in the National Archives in Tirana). The church itself has a magnificent iconostasis of carved wood, with two very fine icons of Christ and the Virgin Mary. The bishop's throne and the pulpit are also of considerable quality. Near the street running down from the fortress is the Bachelors' Mosque (Xhami e Beqareve), built in 1827. This has a handsome portico and an interesting external decoration of flowers, plants, houses, etc. The 'Bachelors' were the young shop-assistants (in practice generally unmarried), whom the merchants in Berat used as their own private militia. The Sultan's Mosque (Xhamia e Mbretit), the oldest in the town built in the reign of Bayazid II (1481 - 1512), is notable for its fine ceiling.

The Leaden Mosque (Xhamia e Plumbit), built in 1555 and so called from the covering of its cupola. This mosque is the centre of the town. The Tekke of the Helveti (Teqe e Helvetive), of 1790, with a handsome porch and a carved and gilded ceiling. Near of tekke was the grave of Shabbatai Zvi, a Turkish Jew living in Berat who in the 1660 declared himself to be the Messiah and began a movement that led to hundreds of thousands of impoverished European Jews trying to follow him in an attempted emigration to the Holy Land. The Ottoman authorities put him on trial for disrupting the Imperial Peace and imprisoned for a time in Costantinopole. He was forced to convert to Islam and exiled back to Albania . After his death his tomb was taken over as a Bektashi shrine and remained that until 1967


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