Bengali in Platforms

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“Bengali in Platforms”
“Bengali in Platforms” cover
Song by Morrissey
Album Viva Hate
Released March 22, 1988
Recorded Winter 1987
Genre Rock
Length 3:55
Label HMV
Writer Morrissey/Street
Producer Stephen Street
Viva Hate track listing
  1. "Alsatian Cousin"
  2. "Little Man, What Now?"
  3. "Everyday Is Like Sunday"
  4. "Bengali In Platforms"
  5. "Angel, Angel Down We Got Together"
  6. "Late Night, Maudlin Street"
  7. "Suedehead"
  8. "Break Up the Family"
  9. "The Ordinary Boys"
  10. "I Don't Mind If You Forget Me"
  11. "Dial A Cliche"
  12. "Margaret On The Guillotine"

"Bengali In Platforms" is a Morrissey song from his debut album Viva Hate. It refers to a Bengali boy who is living in the UK, and trying, but failing, to fit in. Some people believe that it is actually an allegory for the early life of Morrissey, who was the son of Irish immigrants.

This song was included as evidence of Morrissey's oft-discussed, purported racism. The lines most often referred to are:

"Bengali, Bengali / Oh, shelve your Western plans / And understand / That life is hard enough when you belong here"

Writes the author of the "It May All End Tomorrow" Morrissey fan website:

"As [Smiths biographer] Rogan says, with its tone of condescension 'politely mocking', it's hard to justify these lyrics as anything other than incredibly badly thought out. Easily offensive, two justifications are that it was purposefully done to incite the critics (although as the individual Morrissey was always so closely aligned with his lyrics, it's hard to see this) and Rogan's point that the definite setting of the song is in the 1970s. At no point is it made clear that the singer is in any way sympathetic with the lyrics - it's fair enough to say that the only endorsement of the lyrics is that Morrissey wrote them." [1]

In a 1988 interview with Shaun Phillips for Sounds Magazine, Morrissey justified the lyrics by saying: "If you went to live in Yugoslavia tomorrow, you would find you didn't really belong there."

Nancy Sinatra has named this one of her favourite Morrissey songs and has asked to record a cover version, a request Morrissey has not agreed to despite their friendship.