Belshazzar (Handel)
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| Oratorios by George Frideric Handel |
|---|
Il trionfo del Tempo e del Disinganno (1707) |
Belshazzar (HWV 61) is an oratorio by George Frideric Handel. The libretto was by Charles Jennens, and Handel abridged it considerably.[1] Jennens' libretto was based on the Biblical account of the fall of Babylon at the hands of Cyrus and the subsequent freeing of the Jewish nation, as found in the Book of Daniel.
Handel composed Belshazzar in the late Summer of 1744 concurrently with Hercules, during a time that Winton Dean calls "the peak of Handel's creative life"[2]. The work premiered the following Lenten season on 27 March 1745 at the King's Theatre in London.[1] The work fell into neglect after Handel's death, with revivals of the work occurring in the United Kingdom in 1847, 1848 and 1873.[3]
Contents |
[edit] Dramatis Personae
- Belshazzar, King of Babylon (tenor)
- Nitocris, Mother of Belshazzar (soprano)
- Cyrus, Prince of Persia (alto)
- Daniel, a Jewish Prophet (alto)
- Gobrias, an Assyrian Nobleman, revolted to Cyrus (bass)
- Arioch, a Babylonian Lord (tenor)
- Messenger (bass)
- Chorus of Wise Men
- Chorus of Jews
- Chorus of Babylonians
- Chorus of Medes & Persians
[edit] List of Numbers in Belshazzar"
[edit] Act I
1. Overture
[edit] Act I, Scene 1
2. Accompagnato, Nitocris: “Vain, fluctuating state of human empire!”
3. Air, Nitocris: “Thou, God most high, and Thou alone”
4. Recitative, Nitocris and Daniel: “The fate of Babylon, I fear, is nigh.”
5. Air, Daniel: “Lament not thus, O Queen, in vain!”
[edit] Act I, Scene 2
6. Chorus of Babylonians: “Behold, by Persia's hero made”
7. Recitative, Gobrias and Cyrus: “Well may they laugh, from meagre famine safe”
8. Accompagnato, Gobrias: “Oh, memory!”
9. Air, Gobrias: “Oppress'd with never-ceasing grief”
10. Air, Cyrus: “Dry those unavailing tears”
11. Recitative, Cyrus: “Be comforted: safe though the tyrant seem”
12. Accompagnato, Cyrus: “Methought, as on the bank of deep Euphrates”
13. Recitative, Cyrus and Gobrias: “Now tell me, Gobrias, does not this Euphrates”
14. Air, Gobrias: “Behold the monstrous human beast”
15. Recitative, Cyrus: “Can you then think it strange, if drown'd in wine”
16. Air, Cyrus: “Great God, who, yet but darkly known”
17. Recitative, Cyrus: “My friends, be confident, and boldly enter”
18. Chorus of Persians: “All empires upon God depend”
[edit] Act I, Scene 3
19. Air, Daniel: “O sacred oracles of truth”
20. Accompagnato, Daniel: “Rejoice, my countrymen! The time draws near”
21. Air, Daniel: "Thus saith the Lord to Cyrus, his anointed”
22. Chorus of Jews: “Sing, O ye Heav'ns, for the Lord hath done it!”
[edit] Act I, Scene 4
23. Air, Belshazzar: “Let festal joy triumphant reign”
24. Recitative, Belshazzar and Nitocris: “For you my friends, the nobles of my court”
25. Air, Nitocris: “The leafy honours of the field”
26. Recitative, Belshazzar and Nitocris: “It is the custom, I may say, the law”
27. Chorus of Jews: “Recall, O king, thy rash command!”
28. Recitative, Nitocris and Belshazzar: “They tell you true; nor can you be to learn”
29. Duet, Nitocris and Belshazzar: “O dearer than my life, forbear!”
30. Chorus of Jews: “By slow degrees the wrath of God to its meridian height ascends;”
[edit] Act II
[edit] Act II, Scene 1
31. Chorus of Persians: “See, from his post Euphrates flies”
32. Recitative, Cyrus: “You see, my friends, a path into the city”
33. Air, Cyrus: “Amaz'd to find the foe so near”
34. Chorus of Persians: “To arms, to arms, no more delay!”
[edit] Act II, Scene 2
35. Chorus of Babylonians: “Ye tutelar gods of our empire, look down”
36. Air, Belshazzar: “Let the deep bowl thy praise confess”
37. Accompagnato, Belshazzar and Babylonians: “Where is the God of Judah's boasted pow'r?”
38. Recitative, Belshazzar: “Call all my Wise Men, Sorcerers, Chaldeans”
39. Symphony (Enter Wise Men of Babylon)
40. Recitative, Belshazzar and Wise Men: “Ye sages, welcome always to your king”
41. Chorus of Babylonians: “Oh, misery! Oh terror, hopeless grief!”
42. Recitative, Nitocris and Belshazzar: “O king, live for ever!”
43. Air, Daniel: “No, to thyself thy trifles be”
44. Accompagnato, Daniel: “Yet, to obey His dread command”
45. Recitative, Nitocris: “Oh, sentence too severe, and yet too sure”
46. Air, Nitocris: “Regard, O son, my flowing tears”
[edit] Act II, Scene 3
47. Air, Cyrus: “O God of truth, O faithful guide”
48. Recitative, Cyrus: “You, Gobrias, lead directly to the palace”
49. Chorus of Persians: “O glorious prince, thrice happy they”
[edit] Act III
[edit] Act III, Scene 1
50. Air, Nitocris: “Alternate hopes and fears distract my mind”
51. Recitative, Nitocris and Daniel: “Fain would I hope. It cannot surely be.”
52. Air, Daniel: “Can the black AEthiop change his skin”
53. Recitative, Nitocris, Arioch, and Messanger: “My hopes revive, here Arioch comes!”
54. Chorus of Jews: “Bel boweth down, Nebo stoopeth!”
[edit] Act III, Scene 2
55. Air, Belshazzar: “I thank thee, Sesach! Thy sweet pow'r”
56. A Martial Symphony (during which a battle is supposed, in which Belshazzar and his attendants are slain)
[edit] Act III, Scene 3
57. Air, Gobrias: “To pow'r immortal my first thanks are due”
58. Recitative, Cyrus: “Be it thy care, good Gobrias, to find out”
59. Air, Cyrus: “Destructive war, thy limits know”
60. Duet, Nitocris and Cyrus: “Great victor, at your feet I bow”
61. Recitative, Cyrus and Daniel: “Say, venerable prophet, is there aught”
62. Soli & Chorus: “Tell it out among the heathen”
63. Accompagnato, Cyrus: “Yes, I will rebuild thy city, God of Israel!”
64. Soli & Chorus: I will magnify Thee, O God my king!
[edit] External links
- Belshazzar libretto on Wikisource.
- Program notes on Belshazzar
- Synopsis of Belshazzar
- Entire libretto
- Score (E-book) of Belshazzar (ed. Friedrich Chrysander, Leipzig 1864)
[edit] References
- ^ a b G.F. Handel, "Belshazzar", ed. Friedrich Chrysander. Leipzig: 1864. Reprint by Kalmus Miniature Scores. Melville, NY: Belwin Mills.
- ^ Dean, Winton. Handel's Dramatic Oratorios and Masques. London: Oxford University Press, 1959. pp. 435
- ^ Macfarren, G.A., "Handel's Belshazzar" (1 June 1873). The Musical Times and Singing Class Circular, 16 (364): p. 115.
