Behemoth (band)
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| Behemoth | |
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 Behemoth
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| Background information | |
| Origin | Gdańsk, Poland |
| Genre(s) | Black metal[1][2] (early) Blackened death metal (later) |
| Years active | 1991–present |
| Label(s) | Metal Blade Records, Nuclear Blast, Pagan Records, Avantgarde Music, Regain Records, Century Media Records |
| Website | www.behemoth.pl |
| Members | |
| Adam Darski Tomasz Wróblewski Zbigniew Robert Promiński Patryk Dominik Sztyber |
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| Former members | |
| Leszek "Les L.Kaos" Adam "Desecrator" Malinowski Rafał "Frost Browar" Brauer "Mafisto" "Orcus" Marcin Nowak Mateusz Maurycy "Havok" Śmierzchalski Adam Muraszko |
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Behemoth (pronunciation ) is a Polish death metal band. They are considered to have played an important role in establishing the Polish extreme metal underground, alongside bands such as Vader, Decapitated, Vesania and Hate.
Until the late 1990s, the band played traditional black metal with heathen lyrical content, but soon changed to that of occult and thelemic themes written by their lead vocalist Nergal and Krzysztof Azarewicz. The band has favoured pagan lyrics in the two latest albums, Demigod and The Apostasy. With the 1999 release of Satanica, the band showed their presence in the blackened death metal scene, while retaining their own signature style characterized by the drum work of Inferno, multi-layered vocals and Nile-style Middle-Eastern influences. Even though Behemoth has been labeled as death metal, black metal or thrash influenced, Nergal has mentioned that he doesn't like the band to be labeled.
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[edit] Band history
Behemoth was formed in 1991 as a trio, starting with raw and primitive black metal rehearsal tapes (Endless Damnation) and demos (The Return of the Northern Moon), the most significant of which was the second one—...From the Pagan Vastlands (1993)—showing the growing potential of the then teenage Nergal.
This tape was released by Polish label Pagan Records and later on by the American Wild Rags. Signing with a little-known black metal bands from mid-eastern Europe with enormous potential. Consequently, stepping forward, the band (as the three piece with Nergal, Baal, and Les) recorded their second album Grom.
Grom has been the most discussed release thus far, due to its many different influences and musical styles, using female vocals as well as acoustic guitars and synthesizers. At the same time, Behemoth finally got a chance to play live shows in its native country and finally tour around Europe, gaining stage experience as well as positive feedback from the audience. Two years later, the band recorded a third album, titled Pandemonic Incantations which was a "breakthrough moment" in Behemoth's short career. The reactions of their ever-increasing fanbase and metal media set a new standard for them. However, due to a lack of promotion, the album was not well-publicized. After another extensive tour, Behemoth signed a two-album deal with Italy's Avantgarde Music in the fall of 1998. The first result of this new collaboration was the successful album Satanica, on which the black metal sound had evolved into blackened death metal.
The label also secured two European tours for the band in support of Deicide and Satyricon respectively. During that period, Behemoth had to go through some line-up changes and problems with their ex-Polish label. The new members then were Novy (formerly known from Devilyn, now in Vader, Dies Irae) who handled the bass duties and Havok who became the band's guitarist. The new line-up resulted in Behemoth signing with Mystic, a Polish label. The next follow-up release to Satanica was Thelema.6. Massive guitar parts and precise drumming, with influences from different sources, showed that Behemoth were there to offer something really varied and innovative once again, complete with characteristic fierce brutality and speed. Arrangements and technical invention on individual compositions made the album an ultimate one for the blackened death metal genre.
Thelema.6 has been supported by the world-wide press and media, including having their album being officially released in Russia and Brazil for the first time. Continuing the support for Thelema.6, Behemoth appeared in several prestigious live events like Wacken Open Air, With Full Force, Inferno Metal Festival, Mystic Festival, and Mind Over Matter Autumn. They started first headlining tour alongside with Carpathian Forest and Khold, followed by festival tour in Poland (Thrash em All Fest. with Vader and Krisiun, among others).
In 2001, Behemoth focused on writing new material for a sixth studio album. Meantime, they completed their second headlining tour in Russia, Belarus and Ukraine. Having completed the recording of their new songs, Behemoth entered Hendrix Studio for the second time, with help of their friend and sound engineer Arkadiusz Malczewski, and produced Zos Kia Cultus (Here and Beyond). The result was impressive and overwhelming for their detractors who thought that the band couldn't reach newer heights following Thelema.6.
In February 2003, the band started their first tour in Norway, playing in cities as Bergen, Oslo and Stavanger. On March 11, 2003, the American premiere, scheduled by Century Media Records, headlined Behemoth's first appearance in the US continent. The tour started on the 9th of March at the New Jersey's Metalfest and continued with a decent amount of shows across America and Canada, with the company of Deicide, Revenge, Vehemence and Amon Amarth. Shortly after doing their first US tour the band was invited to join the Blackest of the Black Tour by Glenn Danzig. The already legendary festival included acts like Danzig, Superjoint Ritual, Nile, and Opeth. In the fall of 2003, Behemoth flew over to US to complete their third tour with Six Feet Under, Skinless and Black Dahlia Murder. The band did their Finnish debut appearance on the famous Tuska Festival with Ministry, Soulfly, among others. At that time, due to some line up difficulties, Nergal parted his ways with Havok and Novy, who decided to focus on activities with their own bands. Eventually, the band resumed touring in the UK and Europe.
In 2004, their seventh studio album, Demigod was released to good critical response. Recorded at the Hendrix Studios, the album debuted at number 15 on the national Polish album charts. Music videos for the songs "Conquer All" and "Slaves Shall Serve" were also shot.
In 2007, the band toured Europe alongside Napalm Death, Moonspell and Dew-Scented. Behemoth released their eighth studio album The Apostasy in July of that year. It was recorded at Radio Gdańsk studio in December, 2006. Shortly after the release of The Apostasy, the band was featured as one of Ozzfest 2007's second stage headliners, one of the four non-US bands playing that year.[3] In October/November 2007, they played their first US and Canadian headlining tour alongside Job For A Cowboy, Gojira, and Beneath The Massacre.[4] In October/November 2007 the band toured Europe alongside Canadian death metal combo Kataklysm and Belgium's Aborted. In February 2008 Behemoth toured Europe headlining over Suicide Silence. In April/May 2008 the band toured North America as part of "The Invaluable Darkness" tour alongside headliner Dimmu Borgir. Behemoth spent the summer playing a number of prominent festivals all over Europe.
Behemoth, along with the Deathstars and Avatar are the first metal acts to be confirmed for the Arvikafestivalen, set to take place July 3-5, 2008 in Arvika, Sweden.
[edit] Controversy
Behemoth may at some point become banned from playing in their native country, Poland. In July 2007 the All-Polish Committee for Defense Against Sects distributed a list of bands that allegedly promote Satanism and murder to many Polish officials. Critics of this policy primarily see this as a violation of free speech, with the most scathing criticism generally eminating from within the metal community. As of present, the list has not gone into effect, and Behemoth is still allowed to play in Poland freely, but the band provoked further controversy in February 2008 when an official complaint had been registered by the committee, which cited a bible-tearing incident on behalf of frontman Nergal at a concert in September 2007. [1] [2]
[edit] Band members
[edit] Current members
- Adam "Nergal" Darski - vocals, lead/rhythm guitar, acoustic guitar, synthesizer, programming (1991 - present)
- Tomasz "Orion" Wróblewski - bass guitar, backing vocals (2004 - present)
- Zbigniew Robert "Inferno" Promiński - drums, percussion (1997 - present)
- Patryk "Seth" Sztyber - lead & rhythm guitar, backing vocals (session/live)
[edit] Former members
- Adam "Desecrator" Malinowski - guitar, bass guitar (1992)
- Rafał "Frost / Browar" Brauer - bass guitar (1993)
- "Orcus" - bass guitar (1994 - 1995)
- Adam "Baal Ravenlock" Muraszko - drums (1991 - 1996)
- "Mafisto" - bass guitar (1998)
- Leszek "Les L.Kaos" Dziegielwski - guitar, bass guitar (1996 - 1997, 1999)
- Marcin "Novy" Nowak - bass guitar (2000 - 2003)
- Mateusz Maurycy "Havok" Śmierzchalski - guitar (2000 - 2003)
[edit] Discography
[edit] Albums
| Album Title |
Sventevith (Storming Near the Baltic)
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Grom
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Pandemonic Incantations
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Satanica
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Thelema.6
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Zos Kia Cultus (Here and Beyond)
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Chaotica-The Essence of the Underworld (Compilation)
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Demigod
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Demonica (Compilation)
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The Apostasy
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[edit] EPs
| Album Title |
And the Forests Dream Eternally
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Bewitching the Pomerania
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Antichristian Phenomenon
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Conjuration
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Slaves Shall Serve
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[edit] Demos
| Album Title |
Endless Damnation
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The Return of the Northern Moon
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...From the Pagan Vastlands
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[edit] DVDs
| Album Title |
Live Eschaton: The Art of Rebellion
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Crush.Fukk.Create: Requiem for Generation Armageddon
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[edit] Compilations
- Czarne Zastepy - A Tribute to Kat 1996 Contributing the song "Ostatni Tabor"
- Originators of the northern darkness - A tribute to Mayhem 2000 Contributing the song "Carnage"
- Tyrants from the abyss - A tribute to Morbid Angel 2002 Contributing the song "Day of suffering"
[edit] Music Videos
- Decade of Therion
- Christians to the Lions
- Antichristian Phenomenon
- As Above So Below
- Conquer All
- Slaves Shall Serve
- Prometherion
- At The Left Hand Ov God
[edit] References
- ^ Demigod review at Popmatters
- ^ The Apostasy review at JustPressPlay
- ^ Ozzfest
- ^ Radio Rebellion Tour
[edit] External links
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