Beata Sabina Straas

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Beata Straas
Born	Beata Sabina Straas unknown year Sweden
Died	1773 Sweden
Other name(s)	Madame Åberg
Spouse(s)	Andreas Åberg

Beata Sabina Straas (or Strass) (year of birth unknown, died 1773), known also as Madame Åberg following her marriage, was the first professional native actress in Sweden and a member of the first pioneer troupe in the first Swedish national theatre of 1737.

[edit] Life and career

When the first national theatre was founded in the old premises at Bollhuset, Stockholm in 1737, and where only foreign theatre troupes had previously performed, there were only native male actors in the original troupe, and so the theatre advertised for women to play the female parts before its formal premiere. In Sweden, unlike some other countries, there was never any real opposition against women performing on the stage; it was considered natural to have women perform the female parts in the plays, and on 25 May 1737, two women were hired to perform the female parts. One was deemed not suitable, but the other was Straas. Straas is reported to have been hired on May 25, 1737, and she was not only the first actress to originate from Sweden, but also the first actor regardless of gender from this troupe whose name is mentioned in the documents. In June 1737, two other women, known only as "Miss Wijkman" and "Miss Lund" were hired. Wijkman and Lund are not mentioned after 1739.

Her birth year and parents is unknown; her brother is listed as a servant in the royal court in 1729, and she herself worked as a ladies' maid for, first, the lady-in-waiting Josepha Pflueg, and then, later, Countess Rindsmaul, a background which was useful to her as an actress; she knew how to act in so-called grande dame- and noblewoman roles.

Straas played the female main part of Lotta Enterfelt opposite Johan Palmberg and Birger Hildon in the famous play Den Svenska Sprätthöken by Carl Gyllenborg (known as the first original Swedish language comedy), at the official premiere of the national theatre in Bollhuset. This was the first time a Swedish troupe had performed in the Stockholm theatre since the student troupe of 1691, and they were considered to be the first professional native Swedish speaking theatre troupe.

Count Tessin gave the judgement that Straas had a gracious forwardness, dressed well, had beautiful feet and conducted herself better than the German actresses, but worse than the French ones - he adds that she had a natural talent and that her debut had been very successfull.

Among her other parts were the leading role of Melinda in Den otacksamme, Ramborg in Den afvundsjuke (a performance with the first ballet of Swedish dancers) in 1738, and Brynhilda in 1739.

Straas married the court servant Andreas Åberg in 1737. In 1739, she and her husband applied for permission to run a coffee house, and she retired from the stage to do this. In 1744, both she and her husband were re-employed on the staff of the Royal court. It is not confirmed, though, whether the court servant Jonas Åberg (who became the father of the famous Inga Åberg), whas their son – Åberg was a very common name among the staff of the court.

Though her career was, in reality, short, she played an important part in her country's theatre history, participating in several of its most important events. She is remembered as the first professional native actress in Sweden perform on a public stage;, although others before her, whos names are unknown, may have worked earlier in a travelling theatre troupe. However, she was the first to perform on an 'official' stage, and the first one to achieve widespread fame.