Bargello (needlework)
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Bargello is a type of needlepoint embroidery which consists of upright flat stitches. The name originates from a series of chairs found in the Bargello palace in Florence which had a flame stitch pattern.
Traditionally it was executed in wool on canvas. Embroidery done this way is remarkably durable, it is well suited for use on pillows, upholstery and even carpets, but not for clothing. In most traditional pieces all stitches are vertical with stitches going over two or more threads.
Traditional designs are very colourful, and use many hues of one colour, which produces intricate shading effects. The patterns are naturally geometric, but could also resemble very stylised flowers or fruits. Bargello is considered particularly challenging, as it requires very precise counting of squares for the mathematical pattern connected with the various motifs to accurately execute designs.
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[edit] Alternate Names
A number of alternative names are used by different scholars. These include:
- Florentine Work - After the fact that the Bargello Museum is in Florence.
- Hungarian Point (punto unghero) - In Italian, the Bargello is known as 'Hungarian Point' (Williams 1967: 5, Petschek 1997), indicating that the Florentines believed the technique originated in Hungary. Unfortunately, English embroidery vocabulary also includes the Hungarian Point, a diamond shaped stitch, so few English language books use this term to refer to Bargello.
- Flame Stitch (fiamma) - A type of Bargello motif in which zig-zag or flames are created. The chairs in the Bargello museum do use flame stitch motifs, but curved motifs are also common (see below), and these curved Bargello motifs would normally not be 'flame stitch', but would be called Bargello.
Because of the potential for confusion, most books written in English refer to the technique simply as "Bargello" (Williams 1969, Kaestner 1972, Petscheck 1997).
[edit] History
As with many traditional crafts, the origins of Bargello are not well documented. Although early examples are from the Bargello Museum in Florence, there does exist documentation that a Hungarian connection is involved.
For one thing the Bargello Museum inventory identifies the chairs in its inventory as "17th century with backs and seats done in punto unghero (Hungarian Point)." (Williams, 1967:5). In the 18th century, Queen Maria Teresa of Hungary stitched Bargello and her work has been preserved in the Hungarian National Museum
Petschek (1997:7) also cites additional "legends" of Hungarian noblewomen practicing the craft including a Hungarian princess marrying into the de Medici family and a princess Jadwiga (Hedwig) of Hungary who married into the Jagiełło dynasty of Poland.
It is unknown if those were distinct developments or if they influenced each other. Both tend to be colorful, and use many hues of one color, which produces intricate shading effects. The patterns are naturally geometric, but often resemble very stylized flowers or fruits.
[edit] Bargello Technique
Bargello refers not just a stitching technique, but motifs created by the change of colors in the stitches. This section describes the vertical stitch and how it is combined with color and ‘stepping’ to create different motifs.
[edit] Vertical Stiches
Most agree that traditional Bargello pieces incorporate a series of all vertical stitches (vs. diagonal stitches). The basic unit is usually a vertical stitch of four threads, but other heights are possible.
Some Bargello pieces use only one height of stitch, but even the earliest pieces (such as chairs in the Bargello museum) combined different heights of stitches.
[edit] Stepping
Bargello patterns are formed when vertical stitches are stepped or offset vertically, usually by two threads (i.e. halfway down a unit of four threads). The patterns in the steps combined with color changes determines how the overall pattern will emerge.
[edit] Flame (Sharp) vs. Curved Motifs
If vertical stitches are stepped down quickly, the design forms sharp points or zig-zags. This type of Bargello motif is often known as "flame stitch." Flame stitch can be found on the Bargello Museum chairs.
If steps are gradual, then the design will appear to be curved. Traditional curved bargello motifs include medallions and ribbons.
[edit] Example Bargello Motifs
There are many identified motifs possible (Williams 1967), but some common ones include:
[edit] Flame Zig Zag (Sharp)
Stitches step sharply across the design.
 Example of a flame stitch motif. Image created and licensed by Elizabeth Pyatt. |
[edit] Diamonds (Sharp)
Stiches step sharply across the designs and color changes cause diamonds to appear.
 Example of diamond motif formed with Bargello stitches. Image created and licensed by Elizabeth Pyatt. |
[edit] Ribbons (Curved)
Stitches are gradually stepped in different colors.
 Example Bargello Ribbon design. Image created and licensed by Elizabeth Pyatt. |
[edit] Medallions (Curved)
Stitches are gradually stepped and color changes causes spheres or medallions to appear.
 Example Bargello Medallion design. Image created and licensed by Elizabeth Pyatt. |
[edit] Modern Day Bargello
Since the revival of Bargello in the 1960s, the technique has evolved into different directions. Although traditional Bargello is still stitched, modern designers have expanded the repertoire of design possibilities.
[edit] Four Way and Eight Way Bargello
Traditional Bargello is executed with just a vertical stitch in one direction, but Dorothy Kaestner (1972) created a style of Bargello called four way Bargello in which the canvas is divided into diagonally into quarters and the same motif is worked in horizontal stitches in two opposite areas and vertical stitches in the other two areas. The resulting design frequently resembles a kaleidoscope effect.
Kaestner describes the origin of the technique as follows:
- My first piece of four-way Bargello was started approximately ten years ago [in the early 1960s]. I placed a mirror on a Bargello design in a way that showed me how it would look if I mitered [turned] a corner. This intrigued me so much, I graphed a design starting in the center and mitering all four corners.
Some examples include
This concept has been expanded eight-way Bargello, or Bargello stitches in eight directions (horizontal stitches, vertical stitches and diagonal stitches) by designers including Susan Kerndt
- Kaleidoscope [4] (Eight Way Bargello by Susan Kerndt)
- Ice Crystals [5] (Eight Way Bargello by Susan Kerndt)
[edit] Bargello Band Samplers
Designers of band samplers may include a band of a Bargello motif among other sampler stitches. Unlike traditional Bargello, these bands are stitched with the same stranded cotton, silk or linen embroidery thread used in band samplers.
- Laura's Sampler (American Needlepoint Guild) [6] - First horizontal band is a Bargello motif
- Lavendar Hearts by Thea Dueck [7] - bottom band is a Bargello motif
[edit] Bargello Quilts
In addition to Bargello embroidery, there are now Bargello quilts in which the patterns used in Bargello embroidery are constructed with strips of fabric of the same height, but different widths.
- Ann S. Lainhart [8]
[edit] References
- Kaestner, Dorothy (1972) Four Way Bargello Scribners.
- Petschek, Joyce (1997) Beautiful Bargello Trafalgar Square.
- Williams, Elsa S. (1967) Bargello: Florentine Canvas Work Van Nostrand Reinhold.
[edit] External links
- Is Bargello Period? [9] - A detailed analysis and possible evolution of Bargello, with historical examples and photographs
![[2]](http://www.aphids.com/stan/needlework/4way1.jpg){kind=link}
![[3]](http://www.aphids.com/stan/needlework/4way3.jpg){kind=link}