August Bournonville
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| August Bournonville | |
 Bournonville, 1841
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| Born | Antoine Auguste Bournonville August 21, 1805 Copenhagen, Denmark |
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| Died | November 30, 1879 Copenhagen, Denmark |
| Burial place | Assistens Cemetery, Copenhagen, Denmark |
| Residence | Fredensborg, Denmark |
| Nationality | Danish |
| Occupation | Ballet Master Choreographer |
| Known for | Bournonville School |
| Religious beliefs | Christianity |
| Spouse | Helene Frederikke Haakansson |
| Children | Vilhelmine Mathilde Edmond Therese Charlotte Augusta |
| Parents | Antoine Bournonville Lovisa Sundberg |
August Bournonville (21 August 1805—30 November 1879) was a Danish ballet master and choreographer. August was the son of Antoine Bournonville, a dancer and choreographer trained under the French choreographer, Jean Georges Noverre, and the nephew of Julie Alix de la Fay, nee Bournonville, of the Royal Swedish Ballet.
August was born in Copenhagen, Denmark, where his father had settled. He studied under the Italian choreographer Vincenzo Galeotti at the Royal Danish Ballet, Copenhagen, and in Paris, France, under French dancer Auguste Vestris. He initiated a unique style in ballet known as the Bournonville School.
Following studies in Paris as a young man, August became solo dancer at the Royal Ballet in Copenhagen. From 1830 to 1877 he was choreographer for the Royal Danish Ballet, for which he created more than 50 ballets admired for their exuberance, lightness, and beauty. He created a style which, although influenced from the Paris ballet, is entirely his own. As a choreographer, he created a number of ballets with varied settings that range from Denmark to Italy, Russia to South America. A limited number of these works have survived.
Bournonville's work became known outside Denmark only after WWII. Since 1950, The Royal Ballet has several times made prolonged tours abroad, not the least to the United States, where they have performed his ballets.
Bournonville's best-known ballets are La Sylphide (1836), Napoli (1842), Le Conservatoire (1849), The Kermesse in Bruges (1851) and A Folk Tale (1854).
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[edit] Early years
Born in Copenhagen August 12, 1805, August Bournonville was the son of the French ballet master, Antoine Bournonville, who had settled in Denmark, and Lovisa Sundberg, a Swede. At the age of eight years, August entered the Royal Ballet School at the Court Theatre in Christiansborg Castle under the tutelage of his father and Vincenzo Galeotti, ballet master and principal choreographer of the Royal Danish Ballet from 1775 to 1816.[1]
On October 2, 1813, August made his first stage appearance in a small part as the son of a Viking king in Galeotti's Lagertha, the first ballet on a Nordic theme. Less than a year later, he received his first personal applause for dancing a Hungarian solo at the Court Theatre. In addition to dance, August was a voracious reader, learned French at home, played the violin, sang in a boy soprano voice, and studied declamation with the actors Michael Rosing, Lindgreen, and Frydensdahl. His many talents were brought together on the Queen's birthday, October 29, 1817, when as a twelve year old he played the role of Adonia to royal acclaim in a music-drama, Solomon's Judgment and sang a romance, "The Mother with Her Drooping Wings".
[edit] Paris
In 1820, Antoine Bournonville received a grant from his sovereign to briefly study ballet in Paris. August accompanied his father to Paris, and, although he studied solely with his father during the Paris sojourn, he was exposed to the latest trends in ballet and watched the illustrious teachers, Gardel and Vestris in action. Upon returning to Denmark, August became a member of the Royal Theatre, dancing in repertory that was less interesting to him after his exposure to Paris ballet.
In the spring of 1824, August returned to Paris for final studies and examination preparations at the Paris Opera. The expected fifteen month sojourn would stretch to five years, during which time Danish ballet would approach near-disastrous decline. In Paris, August met his father's old friend, Louis Nivelon, in Paris who provided him with friendship, meals, and entree into society. August hoped the master Gardel would accept him but Gardel's studio was no longer in existence and he was directed to Auguste Vestris for training in his weakest areas — "balance, pirouettes, and arms." Vestris accepted Bournonville. August wrote his father:
| “ | I am extremely satisfied with my Mr. Vestris and what is more, he is very pleased with my zeal, diligence, and my instant willingness. He is very exact about the lessons and comes to class three times a week at eight in the morning and three times a week at nine and remains until eleven. I get up every morning at six and always arrive one half hour before the lesson so that I am absolutely prepared when Vestris arrives. He has taken me in friendship and cultivated my talent with extreme care, he rigorously points out my faults but treats me with consideration. | ” |
Bournonville danced from 1820 to 1828 with the noted dancer Marie Taglioni and the Paris Opera Ballet.
[edit] Death
Bournonville stopped teaching adult classes in the spring of 1877. On returning from church on November 30, 1879, he was stricken and taken to a hospital. August Bournonville was interred in the Assistens Kirkegård in the Nørrebro section of Copenhagen.
[edit] Legacy
Bournonville's work remains an important link with earlier traditions. He resisted many of the excesses of the romantic era ballets in his work. He is noted for his egalitarian choreography, which gave equal emphasis to both male and female roles, at a time when European ballet emphasized the ballerina. Many of his contemporaries explored the extremes of human emotion, while Bournonville, using enthusiastic footwork and fluid phrases in his work, portrayed a more balanced human nature.
[edit] References
- ^ Terry, Walter. The King's Ballet Master: A Biography of Denmark's August Bournonville. New York: Dodd, Mead, & Company, 1979. ISBN 0-396-07722-6
[edit] External links
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