Astronomy Domine

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“Astronomy Domine”
Song by Pink Floyd
Album The Piper at the Gates of Dawn
Released August 5, 1967
Recorded April 11-13, 1967
Genre Space rock, psychedelic rock
Length 4:12
Label Columbia/EMI (UK) Capitol (US)
Writer Syd Barrett
Producer Norman Smith
The Piper at the Gates of Dawn track listing
Astronomy Domine
(1)
Lucifer Sam
(2)
Echoes: The Best of Pink Floyd track listing
Beginning of album "Astronomy Domine"
(1)
"See Emily Play"
(2)

"Astronomy Domine" is a song by British Psychedelic rock band Pink Floyd. The song, written and composed by original vocalist/guitarist Roger 'Syd' Barrett, was the first track featured on their debut album, The Piper at the Gates of Dawn (1967). The lead vocal was sung by Barrett and keyboard player Richard Wright.

"Domine" (meaning "Lord") in the title is correctly pronounced as it is in Latin ([ˈdɒmɪneɪ], rather than [dəʊˈmiːn] or [dəʊˈmaɪn]).

Contents

[edit] Composition

The song opens with the voice of their manager at the time Peter Jenner, reading the names of stars through a megaphone. The intention of this opening is to replicate the feeling of outer space, with Jenner's voice sounding like an astronaut's over an intercom. Barrett's Fender Esquire then seemingly emerges from the distance and grows louder. At 0:19 a rapid beeping sound appears, again reaffirming the feeling of distant space. At 0:26, Mason's distinctive drum fills emerge, followed closely by Barrett's sinister-sounding guitar (perhaps reminiscent of Duane Eddy) in a figure suggestive of the brass motif from "Mars, the Bringer of War" in Holst's The Planets. Wright's Farfisa organ is mixed into the background. Barrett's incantatory lyrics about space again support the cosmonautical theme in the song, mentioning planets Jupiter, Saturn, and Neptune as well as Uranian and Neptunian moons Oberon, Titania, and Triton. Barrett and Rick Wright provide lead vocals. Waters' repetitive bass line, Wright's Farfisa organ, and Barrett's kinetic slide guitar then dominate, followed by the voice of Peter Jenner again through a megaphone. The song finally ends with Barrett's lyrics coming back down to earth and with Wright's Arabian-sounding organ.

The song has an unusual chord progression: E, E-flat, G, A. The sound of this chord progression, in conjunction with the use of a Binson echo machine for the guitar, has a very distinctive psychedelic character. The track is the album's most "space rock" song, alongside the longer Interstellar Overdrive. The style of the song and its use of sound effects would influence the future work of Pink Floyd, and its influence can be felt on Ummagumma (1969) and even The Dark Side of the Moon (1973).

[edit] Alternative and live versions

It was a popular live piece, and regularly included in the set, appearing as the first track on the live side of the album Ummagumma in 1969. By this time, David Gilmour was singing the lead vocals together with Wright, the song had been extended to include the first verse twice, and the instrumental in the middle included a very quiet organ solo before getting louder again back to the last verse.

It was dropped from the live sets in mid-1971, but eventually reappeared as the first song in some sets on the band's 1994 tour. A version from a concert in Miami appears as the B-side on the band's Take It Back single, and a version from one of the London concerts appears on the live double CD P*U*L*S*E. Gilmour played the song at some of his appearances during his solo 2006 tour, again sharing the lead vocal with fellow Floyd member Rick Wright.

[edit] Cover versions

[edit] Personnel

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[edit] External links