Talk:Ashlee Simpson-Wentz/to do

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FAC comments that are unresolved

• This article has horrible POV - the fact that Ashleeturfing isn't even mentioned in the article is telling of who edits this on usual basis. The whole article reeks of PR editing, especially considering that most of her fame comes from her being an awful singer and all the incidents surrounding that.
• In the interests of being fair, the lead has swung too far the other way. In my best attempt to be neutral I think it is clear that while the criticisms are strong and common, it is also clear she is very successful and her music sells well. If the lead has two sentences clearly stating the negative criticism (well done I think), it could now use one mentioning how succesful. Instead of chart topping, which sounds promotional, just mention her albums have sold very well and she had her own show on MTV that did well (try to specify how well). Try to keep it short too. One sentence should really do it, two could easily overdo it. After that is fixed, I'll probably go neutral. I don't think the article is great, no offense, but I don't think I could motivate myself to find specific issues. Maybe that's just my bias against pop culture topics in general, so sorry, but neutral won't hurt the article. Autobiography has the opposite problem, in that the only non positive mention is that reviews where mixed. Some mention of the negative publicity/criticism that came from the promotion of the album should be mentioned in the lead. Again, probably only one additional sentence. Sorry for combining the advice, but they're related and it saves an edit. (Taxman)
• Writing is not up to featured standard, and needs work for flow and style. Description of future events is not encyclopaedic. (Exploding Boy)
• I'm still very much dissatisfied about the criticism section being weaselly, as many assertions we make there are not being backed up by the references, which only make one or two broad generalisations. The Orange Bowl incident has some speculation that is not referenced (i.e. backlash against MTV-isation of the halftime show). Overall, the article is starting to look a lot better than it used to be, but I'm not ready to support just yet. A lot of the sentences don't flow well (although there are slightly fewer of them than before), and their phrasing often sounds similar to what you'd find in a fan magazine. (Johnleemk)
• Regarding Paris, at least she is notable for "famous for being famous" and for being in the tabloids on her own right for her wild antics. Further, the article clearly addresses what is notable about Paris. In this case, it is "famous for being a sister of someone famous" and "famous for screwing up the incredible opportunities presented to her after having years of professional training and the world's best media exposure." The article does not come close to addressing this and is much more suited to a fan site (Noitall)
• But the article is compromised, in my eyes, by the "Controversial incidents" section, which reeks of spin. That was the reason I disliked the article back then; not so much the excessive detail, which is hilarious, but the spin, which makes it hard to trust either the article or the person writing it. A lesser criticism is that the article says nothing about the process of manufacturing Ashlee. I have a rough idea how people such as this transition from being competent singers and the sisters of famous people into actual pop stars, with a contract and a product and songs, but this article skips the process entirely.(Ashly Pomeroy)
• This article seems shallow to me. On reading this I get no impression of how she fits into the history of American popular music. I'm not even sure what genre of music she performs, other than "pop" or "pop rock." The closest thing to this is the single dismissive statement by a critic that her music is a "mundane melange of Avril-ish brat pop and Sheryl Crow cod rock." Which artists have influenced her? Whom does she acknowledge as her musical mentors? Whom are the artists she has influenced? There is a great deal about her life and career, very little about her music. For that matter, there is very little about her voice. We are told that Mariah Carey sings in a whistle register, but all we learn about Simpson's voice is that on occasion it has been damaged by acid reflux. The whole article reads like something from People magazine (which is high praise, of a sort). A hundred years from now, people reading this article would have some idea of what kind of celebrity she was, but very little idea of what kind of singer she was. (Dpbsmith)