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[edit] Man Strength
[edit] Matt X Kill You
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[edit] Oscar Abreu
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Oscar Abreu was born in 1978 in San Juan de La Maguana in the Dominican Republic. Abreu began to study art at the age of nine in 1987 with the renowned Dominican sculptor José Nicolás Jimenez, at the Fine Arts School in San Juan de La Maguana. In 1989, Abreu’s family moved to Madrid, Spain where he continued his studies at the Muños Art Studios in Alcala de Henares.
Abreu moved to Chicago in 1994 at the age of 16. While attending Wells High School, he simultaneously attended after-school art courses at the Marwen Foundation and at the Saturday program of the School of The Art Institute of Chicago. It was at this time that Abreu began to develop his highly distinctive style of painting; what he calls “psycho-expressionism.” His work includes abstract-figurative painting, sculpture, and illustration. At age 18, Oscar had his first solo show in 1996 at the Riverside Art Center. From 1997 to 1999, Abreu continued to exhibit in Chicago and the Dominican Republic.
From 2000 to 2004, Abreu was involved in various cultural and publishing projects in Santo Domingo in the Dominican Republic. In early 2006, Abreu opened Abreu Art Center in Santo Domingo. The art center, dedicated to the exhibition, promotion, and investigation of the visual arts, showcases local talent.
Abreu currently resides in New York, a biography of Oscar Abreu, written by the renowned Dominican critic Abil Peralta Agüero, is scheduled to be released in the fall of this year. Abreu’s work explores human vulnerability and the events that mankind are naturally destined to live through. When expressing an emotion or ideas, he refers to his own personal experiences. His work is concerned with the psychological effects of traumatic events and how these effects create different personality traits within an individual. He is not afraid to explore the personal motivations, emotions, and psychology of his own behaviors. “When I suffer life’s blows and shocks, I am more prolific as an artist. I understand that it is a matter of my pure need to purge the demons within me, to release and to interpret my vulnerability and my capacity to rationalize life’s different circumstances. Through my work I liberate myself,” says Abreu.
[edit] Sources
Artforo 03:19, 13 November 2006 (UTC)
Declined. We cannot accept unsourced suggestions or sources that are not reliable per the verifiability policy. Please provide reputable, third-party sources with your suggestions. Third party sources are needed both to establish the verifiability of the submission as well as its notability. VivioFateFan (Talk, Sandbox) 02:20, 26 December 2007 (UTC)
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[edit] Oscar Abreu
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Oscar Abreu was born in 1978 in San Juan de La Maguana in the Dominican Republic. Abreu began to study art at the age of nine in 1987 with the renowned Dominican sculptor José Nicolás Jimenez, at the Fine Arts School in San Juan de La Maguana. In 1989, Abreu’s family moved to Madrid, Spain where he continued his studies at the Muños Art Studios in Alcala de Henares.
Abreu moved to Chicago in 1994 at the age of 16. While attending Wells High School, he simultaneously attended after-school art courses at the Marwen Foundation and at the Saturday program of the School of The Art Institute of Chicago. It was at this time that Abreu began to develop his highly distinctive style of painting; what he calls “psycho-expressionism.” His work includes abstract-figurative painting, sculpture, and illustration. At age 18, Oscar had his first solo show in 1996 at the Riverside Art Center. From 1997 to 1999, Abreu continued to exhibit in Chicago and the Dominican Republic.
From 2000 to 2004, Abreu was involved in various cultural and publishing projects in Santo Domingo in the Dominican Republic. In early 2006, Abreu opened Abreu Art Center in Santo Domingo. The art center, dedicated to the exhibition, promotion, and investigation of the visual arts, showcases local talent.
Abreu currently resides in New York, a biography of Oscar Abreu, written by the renowned Dominican critic Abil Peralta Agüero, is scheduled to be released in the fall of this year. Abreu’s work explores human vulnerability and the events that mankind are naturally destined to live through. When expressing an emotion or ideas, he refers to his own personal experiences. His work is concerned with the psychological effects of traumatic events and how these effects create different personality traits within an individual. He is not afraid to explore the personal motivations, emotions, and psychology of his own behaviors. “When I suffer life’s blows and shocks, I am more prolific as an artist. I understand that it is a matter of my pure need to purge the demons within me, to release and to interpret my vulnerability and my capacity to rationalize life’s different circumstances. Through my work I liberate myself,” says Abreu.
[edit] Sources
Artforo 03:25, 13 November 2006 (UTC)
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[edit] Rolling Stone Magazine's: 100 Greatest Guitarist of All Time
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[edit] Percy Peaks
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[edit] TheIndianTechie
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[edit] Brent lakewood
[edit] Millie Wong
[edit] Mike McIntee
[edit] A great musician
[edit] Project Twenty1 Film Festival
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[edit] Luvafair
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[edit] Patricio Izurieta Mora-Bowen
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[edit] Harrisville-Cedar Run Nature Trail
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[edit] Gordon Grahame
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Gordon Hill Grahame born 1889 is best remembered for his capacity as a novelist. He was cousin to Kenneth Grahame, author of 'The Wind and the Willows'.
After beginning his childhood in Toronto, Grahame moved with his parents and sisters to Brooklyn, New York. In 1901 Grahame return to Canada to attend Trinity College School in Port Hope. Grahame spent three months, in 1904, in St. Louis as a result of President Theodore Roosevelt appointing his father, Laurance Grahame, Secretary - Treasurer to the National Commission of the Louisiana Purchase Exposition held at the St. Louis World's Fair. Shortly after, Grahame's father was appointed Commissioner of the Interior in Puerto Rico, prompting them to relocate to San Juan for four years. There, Gordon landed a job as a civil engineer, a profession that would take him to the Domican Republic where he became a mercenary in the 1910 civil war. Later that year Gordon returned to Canada, joining his parents in Lakefield, Ontario.
In the several years that followed, Gordon became interested in physical fitness and accomplished feats such as completing a 160 mile walk from Lakefied to Brantford, Ontario in four days, circumventing Lake Ontario on foot, paddling a sixteen foot canoe from Cobourg, Ontario to Charlotte, New York, during which he claims to have crossed Lake Ontario at its widest point in twenty-four hours. He also records in his autobiography, that in 1912 he hiked from Lakefield to New York City in seventeen days surviving soley on fruits and vegetables he purchased along the way. In the years prior World War I, Gordon was a junior master at the Lakefield Preparatory School.
Gordon Grahame was sent off to war in 1914. On the battefields of France, he suffered a head trauma during combat.
In the years that followed the war Grahame worked mainly in advertising and became a writer. His more noted works include 'Larry' and 'The Bond Triumphant'. Grahame also authored his autobiograhpy entitled 'Short Days Ago'. He died in the early 1970's.
[edit] Sources
Book (Autobiography): Grahame, Gordon Hill. Short Days Ago, Macmillin of Canada, Toronto, 1972. Printed in Canada by the Hunter Rose Company for The Macmillan Company of Canada Limited. &0 Bond Street, Toronto 2.
http://www.library.ubc.ca/edlib/egoffbib/1922.html http://www.geocities.com/canlit2002/grahamegh.html Watters, Reginald Eyre. A Checklist of Canadian Literature and Background Material, 1682-1960. (2nd Revised Ed.) Toronto: University of Toronto Press, 1972. http://lis.wwu.edu:2082/search/aGrahame,+George./agrahame+george/1,-1,0,E/2browse
Antdog 07:29, 13 November 2006 (UTC)
Declined. This suggestion doesn't sufficiently explain the importance or significance of the subject. See the speedy deletion criteria A7 and/or guidelines on biographies. Please provide more information on why the person or group is worthy of inclusion in an encyclopedia, and cite reliable, published third-party sources, so that the information in the article is verifiable. Thank you. VivioFateFan (Talk, Sandbox) 02:25, 26 December 2007 (UTC)
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[edit] Tim Timmons
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[edit] Shopping malls by category - Saudi Arabia
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LeMall-Riyadh
Situated north of Riyadh, on the northern ring road intersection with King Abdul Aziz road, exit 5. It consists of two floors, and divided into a hyper market with a total area of 11,000 square meters, a kids’ zone with a total area of 5,000 square meters and restaurant area with a total area of 4,000 square meters, and retail shops on an area of 15,400 square meters. Also, an adjoining piece of land has been acquired on the east side of the mall for the purpose of a planned expansion in 2006 which raises the total retail area to more than 52,000 square meters, becoming the second largest mall in Riyadh with a total area of 71,000 square meters. Have fun shopping at LeMall
Central Park Mall-Jeddah
The mall is the central element in the project, occupying an area of 131,280 square meters which makes it one of the largest shopping malls in the kingdom.
It includes a hypermarket, the largest entertainment city in Jeddah, restaurants, coffee shops, multi activity retail shops, international brand stores, car parks that can accommodate 3,800 cars, and many other activities. Undoubtedly, ease of exiting and entrance are key success factors for any mall, in addition to the accessibility from anywhere in the city. The mall is surrounded with investment and commercial lots, spanning the Crown Prince Road and Prince Majed Road, totaling to 147,000 square meters in area and is dedicated to multiple activities that complete the whole project.
[edit] Sources
www.inmaia.com
Bibrahim 08:15, 13 November 2006 (UTC)
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[edit] Brindisi Rosso
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Brindisi Rosso is a DOC (Denominazione di Origine Controllata) wine from the Southern Italian province of Brindisi, in the region of Puglia (Apulia).
The official appellation was granted on 11/22/1979 with presidential decree (published in Gazzetta Ufficiale, April 23, 1980), under request from Pasquale Medico and Sons and other producers.
In recent years the production of this variety of wine has declined considerably (up to 50%), due to the uprooting of vines as a result incentives from the EU, which favored other products.
The Brindisi region has a very old tradition for wine making, due to the fact that Brindisi was the Roman gateway to the East and thus provided its own wine to Rome along with salt and olive oil imported from the Mediterranean provinces.
[edit] Production
Brindisi Rosso is produced in small quantities and exported all over the world.
Brindisi Rosso is made mainly from dark Negroamaro grapes (at least 70%) and Malvasia nera di Brindisi; it can also contain smaller quantities of Sussumaniello, Montepulciano and Sangiovese.
[edit] Characteristics
Brindisi Rosso wine appears intense ruby red, with light orange tones when aged; the taste is intense, dry, harmonious, with a lightly bitter aftertaste, velvety e justly tannic.
Minimum alcohol percentage by volume to qualify for the appellation is 12%. The best vintages, however, contain between 13 and 14% ABV. The best recent vintages are 2000 and 2003. The "Riserva" title for Brindisi Rosso can only be granted after three years of aging.
[edit] Production Volume
(In hundreds of liters)
* Brindisi (1990/91) 1333,65
* Brindisi (1991/92) 690,27
* Brindisi (1992/93) 3011,78
* Brindisi (1993/94) 4277,77
* Brindisi (1994/95) 1855,0
* Brindisi (1995/96) 4559,8
* Brindisi (1996/97) 8339,76
[edit] Sources
http://it.wikipedia.org/wiki/Brindisi_rosso http://www.enotime.it/zoom/default_body.aspx?ID=1695
Ildominante 08:55, 13 November 2006 (UTC)
- Article created. Thank you for your contribution to Wikipedia! --Elkman - (Elkspeak) 17:22, 13 November 2006 (UTC)
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[edit] The Atomoton
[edit] alex swan
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[edit] Earthen floors
[edit] Wellingborough rugby football club
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[edit] Bratz: The Movie
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[edit] Kegunk
[edit] Allosteric Enzyme
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[edit] Jan van der Vaart
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Jan van der Vaart was born in 1931 in The Hague (the Netherlands) and belongs to the new generation of Ceramists after the Second World War.
One of his more famous concepts are the 'Tulip Vases' which were a common Dutch fenomenon in the 16th century.
Jan van der Vaart was the head teacher for the Ceramics department of the Gerrit Rietveld Academy of Fine Arts Amsterdam for 20 years and influanced a large generation of contemporary Cermists such as Geert Lap, Wietske van Leeuwen, Anita Manshanden, Wouter Dam, Irene Vonck, Barbara Nanning, Mieke Blits, Alberdien Rullmann and Esther Stasse.
[edit] Sources
Musea with work in their collection:
Het Princessehof, Leeuwarden, the Netherlands.
Museum Boymans van Beuningen, Rotterdam, the Netherlands.
Stedelijk Museum Amsterdam, Amsterdam, the Netherlands.
Stedelijk Museum Arnhem, Arnhem, the Netherlands.
Groninger Museum, Groningen, the Netherlands.
Frans Hals Museum, Haarlem, the Netherlands.
Haags Gemeentemuseum, the Hague, the Netherlands.
Stedelijk Museum Schiedam, Schiedam, the Netherlands.
Centraal Museum Utrecht, Utrecht, the Netherlands.
Instituut Collection the Netherlands.
Victoria & Albert Museum, London, United Kingdom.
Museum of Modern Art, New York, United States of America.
Books:
Jan van der Vaart | Keramiek (Veen/Reflex, 1991, ISBN: 90 6322 161 4)
Jan van der Vaart (Book: Ceramics Museum 'Het Princessehof', Leeuwarden NL, 1997)
Websites:
Design WS [1]
Galery Carla Koch [2]
85.144.4.88 15:30, 13 November 2006 (UTC)
Declined. We cannot accept unsourced suggestions or sources that are not reliable per the verifiability policy. Please provide reputable, third-party sources with your suggestions. Third party sources are needed both to establish the verifiability of the submission as well as its notability. VivioFateFan (Talk, Sandbox) 06:26, 26 December 2007 (UTC)
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[edit] Artman Systems Incorporated
[edit] Jeremiah George Dellas
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[edit] JSHL (Joe Stoble Hockey League)
[edit] Cory Morgan
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[edit] Bucky Pizzarelli
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[edit] Southern Center for International Studies
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[edit] arzanehfarzaneh
[edit] Kenneth Mathieson Dalglish AKA King Kenny
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Bill Shankly rarely made mistakes. Yet when a fair-haired, 15-year-old schoolboy arrived at Anfield for a trial, he let a player who later was to turn Liverpool into a double-winning team slip through his fingers.
It was August, 1966. England had just won the World Cup and Shankly was cementing the dynasty that was to make Liverpool one of the most successful sides in British football history.
The youngster played one game, for the B team against Southport Reserves in the Lancashire League. Liverpool won 1-0, but the kid went home and heard nothing.
A few years later when Shankly saw the lad play he was furious, blaming others at the club for the astonishing miss. It was to be 11 years after that trial that the player joined Liverpool, but by then he was an established international and he cost Shankly's successor, Bob Paisley, a British record of £440,000.
The boy was Kenneth Mathieson Dalglish.
Dalglish grew up supporting Glasgow Rangers. Though born in Dalmarnock in the East End of Glasgow on March 4, 1951, he was brought up in the docklands of Govan, just a stone's thow from Ibrox.
He first made his mark at Milton Bank primary school - in goal! But by the time he was capped as an under-15 Scottish Schoolboy he had switched to right-half, scoring twice on his debut in a 4-3 victory over Northern Ireland Schoolboys.
His next schoolboy international appearance was in a 1-1 draw against England. The People newspaper covered the game, singling him out for praise as "a brilliant ball-player."
There was never any doubt that he was going to be a professional footballer. The question was for whom?
He wanted to join his idols at Rangers, but the call never came. He had another trial at West Ham, but that came to nothing, too. And so it was that Dalglish, the Protestant son of an engineer, found himself playing for the Catholic Glasgow Celtic.
His signing, on a provisional contract in July 1967, was not without amusement. Jock Stein, the legendary Celtic manager, had sent his assistant Sean Fallon to see Dalglish and his parents at their home.
Fallon drove there and left his wife Myra and their three children outside in the car while he went in, saying he wouldn't be long. It was three hours before Fallon emerged with Dalglish's signature and his wife was less than pleased. It wasn't just that the kids were hungry and restless after being couped up. It was the couple's wedding anniversary.
Dalglish was farmed out to a Celtic nursery side, Cumbernauld United, and he also worked as an apprentice joiner. By the following year he had turned professional and was a regular member of a Celtic reserve team so good it was known as the Quality Street Gang.
It took Dalglish three years to establish himself in the first team. At that time Celtic were not only top dogs in Glasgow, they had become the first British team to win the European Cup, beating the mighty Inter Milan.
Stein took a great interest in the lad, recognising his potentially outstanding talent. Eventually he gave him his chance in a benefit match. The result was Celtic 7 Kilmarnock 2. Nothing unusual about that in Scottish football - except that Dalglish scored six!
But 1971 was also the year that Dalglish witnessed the first of three tragedies which, ultimately, were to leave such a mark that he quit the game. It was the "Old Firm" match at Ibrox. Dalglish was not playing but was at the ground with the Celtic team.
Stairway 13 at the old stadium collapsed and 66 fans were killed.
By 1972-73 Dalglish, now playing up front, was Celtic's leading marksman with a seasonal tally of 41 goals in all competitions. And that Dalglish trademark of shielding the ball with his back to the goal had emerged.
Such was Dalglish's skill at holding on to the ball that, years later, the former Arsenal and Republic of Ireland defender David O'Leary would describe trying to rob him of possession as "impossible."
"He crouches over the ball, legs spread and elbows poking out," said O'Leary. "Whatever angle you come in from, you're liable to find his backside in your face."
Dalglish was made Celtic captain in 1975-76, but it was a miserable year. Stein was badly hurt in a car crash and missed most of the season. Celtic failed to win a trophy for the first time in 12 years.
The next season Stein was back and Celtic did the Cup and League double. Dalglish, however, had made up his mind to leave. Celtic had won the European Cup before he had arrived at the club and Dalglish wanted the chance not just to savour European football, but to be where there was a real chance of success.
"I had to know if I could make it somewhere else," he explained. "I did not want to go through the rest of my life wondering what might have been without putting myself to the test."
He had been a full Scotland international for six years, making his debut as a substitute in the 1-0 victory over Belgium in November 1971. He went to the 1974 World Cup in West Germany, but did not play well. Scotland were eliminated at the group stage, even though they were undefeated.
That spring of 1977 he had scored in Scotland's 2-1 victory over England at Wembley when the Tartan fans invaded the pitch and tore down the goalposts.
Dalglish had enjoyed an enviable run at Celtic. Five Scottish Championships, four Scottish Cup-winners' medals, one Scottish League Cup-winners' medal and a tally of 167 goals. But it wasn't enough for him. He was ambitious and needed a new challenge.
Liverpool had just won the European Cup, beating Borussia Moenchengladbach 3-1 in Rome. But their biggest star, Kevin Keegan, was leaving to play for Hamburg.
Dalglish was chosen to replace him, Bob Paisley making good that Anfield mistake of losing him as a boy. But the Kop wasn't so sure. To them, Keegan was a God. What's more, Dalglish was handed the No.7 shirt - Keegan's strip.
Dalglish immediately silenced the doubters, scoring after just seven minutes on his league debut away at Middlesbrough. For good measure, he also scored on his Anfield debut against Newcastle.
And when Liverpool met Hamburg in the European Super Cup, Dalglish totally exorcised the ghost of his predecessor, running the game as Keegan and his new team-mates were tormented with a 6-0 defeat.
That first season was a triumph for Dalglish. He scored 30 goals, including the only goal of the game as Liverpool retained the European Cup against Bruges at Wembley.
Dalglish had left Scotland looking for European glory and had found it inside one year.
Was Dalglish better than Keegan? Former Liverpool veteran Tommy Smith, who played with them both, has no doubts. "Dalglish WAS the better player," he said. "His talent was heaven-sent."
And Paisley said simply: "Of all the players I have played alongside, managed and coached in more than 40 years at Anfield, he is the most talented."
What Dalglish understood better than most was space. He could hold the ball, sometimes so long that it seemed the moment had gone, then he would see that something was on and deliver the inch-perfect pass.
Later, as his role developed from goalscorer to goalmaker, he was to form an almost telepathic understanding with Ian Rush. The Welshman, who holds both the FA Cup and League Cup scoring records, said of his team-mate: "I just made the runs knowing the ball would come to me."
But the paradox of Dalglish is that while he was without peer in midfield in the domestic game, he never quite produced the same level of performance on the international stage.
He was the hottest property in British football in 1978 when he went to the World Cup in Argentina. It was a nightmare for Scotland. They lost their opening match 3-1 to Peru and Willie Johnston was sent home after failing a drugs test.
It got worse. Scotland drew 1-1 with no-hopers Iran. Then, when all was lost, Scotland astonished everyone by beating the "total football" aristocrats of Holland 3-2, Dalglish getting his name on the scoresheet.
In the wake of World Cup failure, Scotland manager Ally McLeod was sacked and replaced by the legendary Stein - Dalglish's old mentor. Stein made Dalglish captain, but it was not a happy time.
Dalglish's reign lasted just four games, losing three, before he was replaced as captain by Archie Gemmill.
The 1982 World Cup in Spain was no better. Dalglish scored in the 5-2 defeat of New Zealand but, by his own admission, played badly. He came on as a substitute against Brazil, but only when Scotland were 3-1 down, and was left out for the 2-2 draw with the Soviet Union.
No-one, least of all Dalglish, has sufficiently explained why he failed to make more of an impact in international football. That he had the talent is beyond question, but his failure meant that he was never rated as highly abroad as he was in Britain.
Liverpool, however, saw the best of him. After that World Cup shambles of 1978, he was inspirational as the Reds regained their League title with a record number of points - 68, under the old two-for-a-win system. They were undefeated at home and at the end of a 42-match programme had conceded just 16 goals.
Dalglish scored 25 goals that season and was voted Footballer of the Year.
These were the glory days at Anfield. Liverpool retained the Championship in 1979-80, won the League Cup four years in a row between 1980-81 and 1983-84 and then topped everything by winning a hat-trick of Championships in 1981-82, 1982-83 and 1983-84. They also won two more European Cups. Only the coveted League and FA Cup double eluded them.
Dalglish was at the heart of it all and became Footballer of the Year for the second time in 1983.
The 1983-84 season was the most astonishing - the Championship, the League Cup and the European Cup. Yet within 12 months, tragedy would turn Liverpool's world upside down.
Paisley had retired and his boot-room assistant Joe Fagan had taken over as manager. Dalglish's international career was drawing to a close. He had been named in Scotland manager Alex Ferguson's squad for the 1984 World Cup in Mexico, but had withdrawn through injury.
He was to make his final appearance in the blue jersey in a 3-0 win over Luxembourg in November 1986, claiming a record 102 caps and sharing the Scotland goalscoring record of 30 with Denis Law.
But in 1985 he still had the European Cup in which to parade his skills. And despite his shortcomings at international level, he had no such problems in Europe, scoring 19 goals in UEFA club competitions, a British record.
Liverpool again reached the final where they faced Juventus at the Heysel stadium in Brussels. On the eve of the match, Dalglish was told by club chairman John Smith that he was to be Liverpool's next manager. Fagan was retiring and Dalglish was to take over the day after the European final.
During the next 24 hours, the club was to be convulsed by turmoil. There was crowd trouble at the match, a wall collapsed under the strain of rioting fans and 39 Juventus supporters died.
Liverpool lost 1-0, but what did that matter? Their fans were held responsible for the deaths, the distaste of the football world was turned against Anfield and English clubs were banned from Europe. Welcome to management, Mr Dalglish.
Such were the appalling circumstances under which he began a new phase of his career as player-manager. Nonetheless, Liverpool retained the Championship in 1985-86. And though he restricted his playing appearances, who was there chesting the ball down to score the goal that won the title at Chelsea? None other than Dalglish.
What's more, Liverpool won the FA Cup, beating Merseyside rivals Everton 3-1. That elusive double, which had been beyond Shankly, Paisley and Fagan, was Dalglish's in his first year in the job. No wonder he was Manager of the Year.
But just as others have found before him, winning is one thing, repeating it is another. The following season was a flop by Anfield's standards. True, they finished second in the league, but they won no trophies. It was made worse by the fact that Everton won the title and Rush was leaving to join Juventus.
Dalglish had to rebuild and he did it by buying two players. John Barnes from Watford and Peter Beardsley from Newcastle. Everything clicked into place for that 1987-88 season. Liverpool equalled Leeds United's record of 29 games without defeat (eventually coming unstuck at Everton!) and won back the title. They also made the FA Cup Final, only to lose 1-0 to Wimbledon.
But once again, misfortune was lying in wait - and this time it was to be cataclysmic.
Ninety-six people died in the Hillsborough tragedy on the day Liverpool met Nottingham Forest in the 1989 FA Cup semi-final. It was the worst sporting disaster in British history and was to lead to the introduction of all-seater grounds.
Merseyside was numb with grief and the chain of events was eventually to drive Dalglish from the game, drained by the unremitting pressure.
But in the immediate aftermath of the tragedy, Dalglish was a giant. He told his players: "What is called for is dignity. We need to set an example." It was Dalglish who provided leadership, not just to the club but to the whole of Liverpool.
It was Dalglish who organised hospital visits to the injured, attended funerals, read lessons in church, visited the bereaved, helped with counselling for the grief-stricken. He worked tirelessly, giving every ounce of himself. He would take calls from families of the victims in the middle of the night when they could not sleep and patiently talked to them for hours.
He stood, like an unwavering colossus, a comforter for a city's pain. Which is why, despite subsequent events, they have never forgotten him.
And then there were the flowers, laid like a never-ending blanket covering the goalmouth in front of the Kop. "The saddest and most beautiful sight I have ever seen," said Dalglish.
After a period of mourning Liverpool returned to football, winning the replayed semi-final. They met Everton at Wembley, forcing a 3-2 victory in extra time. Naturally, it was dedicated to the fans who had perished at Hillsborough.
They were also in the running for the double, but this time there was to be no fairytale. Meeting Arsenal at Anfield in the final match of the season - Liverpool's third game in six days - they could afford to lose by one goal and still be Champions.
They lost 2-0, Arsenal's Michael Thomas scoring the crucial goal in injury time. Dalglish was stunned.
The following season they regained the title and reached the semi-finals of the FA Cup where Liverpool suffered one of their most amazing defeats. They were leading twice, yet contrived to lose 4-3 to Crystal Palace - a team they had beaten 9-0 earlier in the year.
By now Dalglish had hung up his boots, and the season of 1990-91 saw him at the centre of a controversy over his habit of selecting Beardsley as a substitute.
On Wednesday, February 20, 1991, Liverpool met Everton in a replayed FA Cup Fifth Round tie. It was an extraordinary match, ending 4-4. The following morning, Dalglish had a routine meeting with the club chairman and chief executive. Twenty minutes into the conversation he told them, without warning, that he was quitting.
The news was broken to a stunned football world the next day. Dalglish was walking out on a club that were top of the league, chasing a cup and league double and in the middle of unfinished business with rivals Everton.
Dalglish described himself as "a person pushed to the limit." He said: "I was putting myself under enormous pressure to be successful." His health was suffering and he told Liverpool chairman Noel White that on match days he felt "as if my head was exploding".
But if his resignation was a shock, his decision to join Blackburn Rovers as manager just eight months later was a sensation. Dalglish won them promotion from the old Second Division in his first year. Within three years they were Premier League Champions.
Of all places to clinch the trophy, Blackburn did it at Liverpool! Though they lost at Anfield in their last match of the season, nearest rivals Manchester United could only draw at West Ham and Rovers were celebrating.
The Dalglish magic was still working. It had cost former steel magnate Jack Walker, the Blackburn president, £30 million in transfer fees, breaking the British record twice for Alan Shearer and Chris Sutton. But Rovers had won their first senior title in 81 years and Dalglish had become only the third manager to lift the Championship with two different clubs.
And then he did it again. Just as Blackburn reached the pinnacle, he sought a way out of the day-to-day pressures, asking to be made director of football and handing the team manager's job to Ray Harford.
After success the fall. Blackburn struggled and both Dalglish and Harford left the club.
Then in spring of 1997, Kevin Keegan quit as manager of Newcastle United. His successor was Dalglish, just as he had replaced Keegan as a player at Liverpool.
What drove this man, who had quit twice at the top through pressure, to tread once again into the lion's den? Perhaps he wanted to be the first manager to win the Championship at three different clubs.
However, despite taking the Magpies into the Champions League that season as well as leading them out at Wembley for the 1998 FA Cup Final, he was sacked by the Newcastle board just two games into the 1998/99 season.
Despite the setback, he would soon return to football, this time back in his native Scotland, with his first club Celtic. Appointed Director of Football, he brought in former teammate John Barnes as manager. But when results would simply not go their way, Barnes was axed and once again Dalglish took up the managerial role. Unfortunately there would be no happy ending as he too would be sacked by the board. Unhappy with the way he was treated, he pursued legal action against Celtic and was eventually awarded compensation.
There is, nevertheless, something incredibly single-minded about Dalglish. He takes the business of football much more seriously than most, and is such a perfectionist that pursuit of success is an obsession.
He has 14 Championships to his name as a player and manager in England and Scotland. That combined total makes his achievements virtually unrivaled in British football. Yet somehow it doesn't seem enough.
One simple story probably captures the essence of what makes him tick. It is told by Stephen F. Kelly in his book, Dalglish.
Kelly writes of how, some years ago, a Scottish football reporter, Ian Archer, was strolling through Glasgow when Dalglish came up to him.
Dalglish offered a one-word greeting: "Wisnae!" "Wisnae whit?" asked the baffled journalist. "Wisnae offside," replied Dalglish and walked off.
Archer was stumped. Then he remembered that four weeks previously he had suggested in a match report that a Dalglish goal for Celtic might have been offside.
"It was," said the journalist, "the most piercing, informative and lengthy interview Dalglish ever gave to me."
It also speaks volumes about the self-conviction of Kenny Dalglish.
Taken from http://kennydalglish.tripod.com/bio.html
- Declined. We can not accept copyrighted content taken from web sites or printed sources. Note that copyright protection is granted to all works automatically, whether it is asserted or not. Unless stated otherwise, assume that most content on the internet is copyrighted and not suitable for Wikipedia. Please write in your own words, and in continuous prose. This submission was taken from http://kennydalglish.tripod.com/bio.html. •DanMS 01:11, 14 November 2006 (UTC)
[edit] Chaylon Brewster
Chaylon Brewster is an ECMA winning producer from Bridgewater, Nova Scotia.
Born on May 6th, 1982, Chaylon was then moved to Kingsville, Ontario at age 14 and began producing music at the age of 16.
Chaylon then moved to Charlottetown, Prince Edward Island and began working with local talent there.
In 2006, Chaylon started working on production with Brockway Biggs for commercials for Nelly's energy drink, Pimp Juice.
[edit] Sources
http://www.streetfamerecords.com http://www.hiphopcanada.com/indexing/index.php?page=13&cat=4&u_sort=uptime&u_order=desc
24.224.213.160 19:44, 13 November 2006 (UTC)
[edit] Trypanosomiasis
[edit] PeaceKeeper Cause-Metics
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[edit] Greg Moore - Port Coquitlam City Councillor
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[edit] Sources
70.68.79.194 21:21, 13 November 2006 (UTC) Greg Moore was raised in Port Coquitlam, and resides there with his wife and daughter. Greg currently works for IP Applications Corp., a New Westminster based technology company where his roles have included Senior Sales Executive, Director of Business Development and Investor Relations Manager. Until 2000, Greg was employed with the City of Port Coquitlam for 10 years, in the Development Services and Parks & Recreation Departments.
It is this knowledge and years of experience that Greg brings to the table.
Greg Moore is the past chair of the Terry Fox Hometown Run and past Board Member of the Port Coquitlam Heritage and Cultural Society. Throughout the years Greg has volunteered to coach teams, help out at community events, and assist with the local Business Improvement Association.
Greg completed his Masters of Business Administration with an emphasis in Digital Technology at Royal Roads University and a Bachelors Degree in Urban Geography/Planning from Simon Fraser University.
In 2002 Greg was elected to Port Coquitlam City Council. During the election Greg received the most votes among counicllors. With Port Coquitlam City Council Moore has chaired the Environmental Protection Committee, the Protective Services Committee; he has served as Deputy Chair of the Community and Economic Development Committee as well as a member of the Financial Intergovernmental Committee. Other duties include Alternate City Liaison to School District #43, Council Liaison to the Youth Advisory Committee, past chair of the North East Sector Stream Stewardship Committee. Prior to council Greg was a Port Coquitlam City employee for 10 years as a City Planner and Youth Worker, Greg has hands on day-to-day experience dealing with the community's issues. It is these experiences and his interaction with the residents that makes Greg very unique.
Greg Moore's leadership experience began with coaching sports. He later moved to a more issue-oriented role, such as chairing the Terry Fox Hometown Run Committee for the past 5 years. Greg was the city representative to the BIA (Business Improvement Association), GVRD (Greater Vancouver Regional District), Chamber of Commerce, Joint Family Court Committee, Social Development Council of District 43, Smart Communities and the Port Coquitlam Heritage and Cultural Society while with the City of Port Coquitlam.
Declined. We cannot accept unsourced suggestions or sources that are not reliable per the verifiability policy. Please provide reputable, third-party sources with your suggestions. Third party sources are needed both to establish the verifiability of the submission as well as its notability. Icestorm815 (talk) 20:50, 2 January 2008 (UTC)
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[edit] Ellis Mitchell
[edit] New Addiewell
[edit] Legato NetWorker
Storage management system. Provides backup and recovery functions for data storage including NAS (Networked Attached Storage) and SAN Storage Area Network) systems. Includes PowerSnap modules which manage the integration of applications and snapshots of data to achieve multiple "snapshot backups" of applications in seconds. This provides for rapid recovery of application data. Includes modules for Documentum and VMWare. Version 7.1 released: 2003. Originally written by Legato, which was acquired by EMC in mid-2003. Version 7.2 released: January, 2005.
[edit] Sources
www.semcoenterprises.com/techref
67.37.70.194 21:42, 13 November 2006 (UTC)
[edit] John Druse Hawk
Medal of Honor Citation: Rank and organization: Sergeant, U.S. Army, Company E, 359th Infantry, 90th Infantry Division. Place and date: Near Chambois, France, 20 August 1944. Entered service at: Bremerton, Wash. Birth: San Francisco, Calif. G.O. No.: 55, 13 July 1945. Citation: He manned a light machinegun on 20 August 1944, near Chambois, France, a key point in the encirclement which created the Falaise Pocket. During an enemy counterattack, his position was menaced by a strong force of tanks and infantry. His fire forced the infantry to withdraw, but an artillery shell knocked out his gun and wounded him in the right thigh. Securing a bazooka, he and another man stalked the tanks and forced them to retire to a wooded section. In the lull which followed, Sgt. Hawk reorganized 2 machinegun squads and, in the face of intense enemy fire, directed the assembly of 1 workable weapon from 2 damaged guns. When another enemy assault developed, he was forced to pull back from the pressure of spearheading armor. Two of our tank destroyers were brought up. Their shots were ineffective because of the terrain until Sgt. Hawk, despite his wound, boldly climbed to an exposed position on a knoll where, unmoved by fusillades from the enemy, he became a human aiming stake for the destroyers. Realizing that his shouted fire directions could not be heard above the noise of battle, he ran back to the destroyers through a concentration of bullets and shrapnel to correct the range. He returned to his exposed position, repeating this performance until 2 of the tanks were knocked out and a third driven off. Still at great risk, he continued to direct the destroyers' fire into the Germans' wooded position until the enemy came out and surrendered. Sgt. Hawk's fearless initiative and heroic conduct, even while suffering from a painful wound, was in large measure responsible for crushing 2 desperate attempts of the enemy to escape from the Falaise Picket and for taking more than 500 prisoners.
[edit] Post Military Career
Sergeant Hawk was discharged from the Army and went on to serve his community for 32 years as an elementary school teacher and principal in the Central Kitsap (WA) school district.
[edit] Sources
http://www.medalofhonor.com/JohnHawk.htm http://www.army.mil/cmh-pg/mohiia2.htm http://www.washington.edu/alumni/columns/march03/letters.html
67Rally 21:53, 13 November 2006 (UTC)
[edit] Max Vadukul
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Max Vadukul (Born 2nd February 1961, Nairobi, Kenya) is a self- taught British photographer. Infamous for his surreal, quirky style, Vadukul’s photography captures images with a raw elegance in the realm of fashion, music, advertising and portraiture.
As a child, Vadukul experienced unique expeditions across Africa capturing wild safari on camera with his father, a keen amateur photographer, which fuelled his fascination for photography.
In 1969 Vadukul was uprooted from his native soil and moved to London, England. Feeling dislocated and in the midst of a culture shock Vadukul embraced the camera and found a haven and sense of familiarity in photography. Driven by a passion to succeed, Vadukul, at age 22, left home and advanced to the fashion capital of the world- Paris. It was here that he was discovered by Yohji Yamamoto in 1984 and began a collaboration that would change the face of fashion. As an artist using photography, Vadukul set out to reform the rigid structure of fashion publications deeming fashion as an area of innovation in photography. He Produced satirical and wacky imagery influenced largely by cartoons, silent movies and British media, and had a flair for stimulating an emotion in his subject which possessed a distinctive Vadukul signature.
Revolutionary fashion journalists such as Franca Sozzani of Italian Vogue embraced this ‘Anti-Fashion’ style and commissioned Vadukul’s editorial voice by shooting for benchmark magazines such as Per Lui and Lei. His provocative and avant-garde work led to partnerships with Chloe, Emanuel Ungaro, Armani, Comme Des Garcons, Max Mara and Romeo Gigli. Moreover, he was an active contributor to the emerging supermodel phenomenon and his dynamic work caught the eye of musical legends such as Paul McCartney and Sting whose first iconic solo album ‘The Dream of the Blue Turtles’ was shot in 1985 by Vadukul.
In 1995, a decision to move to New York City took Max’s career to pioneering heights, shooting for magazines such as Rolling Stone, Harpers Bazaar, Vogue, Italian Vogue, Vanity Fair, and L’Uomo Vogue. The prestigious New Yorker Magazine offered Vadukul a three- year contract- it was only the second contract given to a photographer after Richard Avedon in the magazines 100-year history. This marked a transitional point for the photographer, transcending barriers from fashion to feature and journalistic photography. Vadukul captured the essence of extraordinary figures that shaped history such as Mother Teresa, Salman Rushdie, Yves Saint Laurent, Mick Jagger and Mayor Giuliani.
Vadukul’s images radiate his exuberance and he continues to work with a dedicated and ardent vigor. He currently resides in New York City with his wife and two children where he remains at the forefront of fashion and has shaken up the music world with his stunning images of Beyonce, Justin Timberlake, Keith Urban, and Janet Jackson. Photography is clearly an unquestionable passion but what makes Max Vadukul truly three- dimensional is his fervor towards current social, environmental and cultural issues. The outlet of creativity is directed towards numerous causes and talents such as drumming and producing a new photography publication and fine art. As an advocate towards green peace and anti-drugs campaigns his energy is focused upon helping to improve the current conditions of society.
- Declined. We cannot accept unsourced suggestions or sources that are not reliable per the verifiability policy. Please provide sources with your suggestions. •DanMS 01:26, 14 November 2006 (UTC)
[edit] I feel good
[edit] Edward Nyman
[edit] Demian Kniewald
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Probably one of the most mysterious living painters. Demian Kniewald's paintings are sold exclusively among carefully chosen circles of people around Europe. It is not known that any exhibition of his work has ever existed and nobody seems to know who this personality really is, where is he working or living, what origin or nationality is he of. His work can be found in private collections all over Europe, but mostly in Spain, Italy, Switzerland and England. It is almost certain that he studied photography at the world renown film academy FAMU in Prague, Czech Republic as well as painting at Academy of Fine Arts in Milan, Italy (Accademia di belle arti Brera, Milano) and Academy of Fine Arts in Venice, Italy (Accademia di belle arti di Venezia), but all under different names.
Some time in the late eighties, his name was mentioned in Triest, Italy, as a member of notorious esoteric order Ordo Templi Orientis O.T.O., founded by Aleister Crowley. Afterwards, his name is traced only occasionaly while his unusual work, connected to esoteric themes, kabbalah and even Priory of Sion, started to appear in certain European countries.
We were told that each of his paintings includes secret messages in form of hidden symbols and signs, whose meaning is known to his customers only, appearing to be free masons in general. That is the main reason why are these paintings so highly wanted nowadays.
Without any doubt, his technique and skills are brought to perfection by the use of brush technique, almost frightening for the 21st century painting.
There is story going on of a young promissing artist's painting titled Heroide Funebre appearing in private collection in Madrid, Spain. Supposedly, painting was shown to Salvador Dali in 1987 who commented it: »This is not art, this is painters' genocide!«. The painting was never exposed in public. People who had a chance to see it, described it as a gloomy picture with corpses at the front and misty valley spreading through the background, from which you can almost hear symphonic poem named Heroide Funebre composed by Franz Liszt, after which the painting received it's name. It is told that the author of the painting, while working on it, played that music constantly until it's tones were captured among the different layers of paint from where it is still audiable… We cannot say with certainty if it was all true, but the description is mysterious enough to awoke our fantasies… The young author was Demian Kniewald himself, of course.
Some of Kniewald's work can be found on the website www.demiankniewald.com, but do not expect to find any personal information about himself or his art. Beside an extract of his work, look carefully at the darkened photographs in the background, where you can partly see his face, still not enough to identify him. Like if he wants us to believe that he is present, but not reachable…
If you are not an owner of some of his rare artwork, this is the closest chance to see any of his mystical opus.
[edit] Sources
www.demiankniewald.com
Tego arcana 22:44, 13 November 2006 (UTC)
Declined. We cannot accept unsourced suggestions or sources that are not reliable per the verifiability policy. Please provide reputable, third-party sources with your suggestions. Third party sources are needed both to establish the verifiability of the submission as well as its notability. Icestorm815 (talk) 20:51, 2 January 2008 (UTC)
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[edit] Demian Kniewald
Probably one of the most mysterious living painters. Demian Kniewald's paintings are sold exclusively among carefully chosen circles of people around Europe. It is not known that any exhibition of his work has ever existed and nobody seems to know who this personality really is, where is he working or living, what origin or nationality is he of. His work can be found in private collections all over Europe, but mostly in Spain, Italy, Switzerland and England. It is almost certain that he studied photography at the world renown film academy FAMU in Prague, Czech Republic as well as painting at Academy of Fine Arts in Milan, Italy (Accademia di belle arti Brera, Milano) and Academy of Fine Arts in Venice, Italy (Accademia di belle arti di Venezia), but all under different names.
Some time in the late eighties, his name was mentioned in Triest, Italy, as a member of notorious esoteric order Ordo Templi Orientis O.T.O., founded by Aleister Crowley. Afterwards, his name is traced only occasionaly while his unusual work, connected to esoteric themes, kabbalah and even Priory of Sion, started to appear in certain European countries.
We were told that each of his paintings includes secret messages in form of hidden symbols and signs, whose meaning is known to his customers only, appearing to be free masons in general. That is the main reason why are these paintings so highly wanted nowadays.
Without any doubt, his technique and skills are brought to perfection by the use of brush technique, almost frightening for the 21st century painting.
There is story going on of a young promissing artist's painting titled Heroide Funebre appearing in private collection in Madrid, Spain. Supposedly, painting was shown to Salvador Dali in 1987 who commented it: »This is not art, this is painters' genocide!«. The painting was never exposed in public. People who had a chance to see it, described it as a gloomy picture with corpses at the front and misty valley spreading through the background, from which you can almost hear symphonic poem named Heroide Funebre composed by Franz Liszt, after which the painting received it's name. It is told that the author of the painting, while working on it, played that music constantly until it's tones were captured among the different layers of paint from where it is still audiable… We cannot say with certainty if it was all true, but the description is mysterious enough to awoke our fantasies… The young author was Demian Kniewald himself, of course.
Some of Kniewald's work can be found on the website http://www.demiankniewald.com, but do not expect to find any personal information about himself or his art. Beside an extract of his work, look carefully at the darkened photographs in the background, where you can partly see his face, still not enough to identify him. Like if he wants us to believe that he is present, but not reachable…
If you are not an owner of some of his rare artwork, this is the closest chance to see any of his mystical opus.
ENIGMA DA VINCI:
Demian Kniewald surprisingly opens to the public with the incredible new painting collection named »Enigma da Vinci«.
It is a succession of twenty one coordinate paintings revealing the secrets of Priory of Sion through the centuries and it's grandmasters. The masterpieces of famous painters, members of the free masons' order mentioned above, are blended and merged in a complex project, kind of a visualisation of what we have partly learned from Dan Brown's bestseller »The Da Vinci Code«. Incredible attention to the details, masterful aproach and symbolism are just few of the superlatives, which can now be admired publicly.
The project's subtitle »The revelation of the secret dossier of Priory of Sion« is definitely a dessert for our expectations and it just might seal the final chapter of the Holy Grail myth.
The greatest enigma of all is that this collection is available via internet now.
[edit] Sources
http://www.demiankniewald.com
Accademia di belle arti, Brera, Milano
Film academy FAMU, Prague
http://www.enigmadavinci.com
Tego arcana 22:56, 13 November 2006 (UTC)
[edit] List of Foreign Embassy Attacks
[edit] Mark Rapp: Jazz Trumpet, Composer, Didgeridoo
Mark Rapp, trumpeter, composer and groove-merchant of the didgeridoo, hails from a life uncommon amongst most professional musicians. He was not pre-destined for the world of music nor was he brought up in a family of musicians. However, he was and continues to be a one of a kind.
Mark was raised in South Carolina and although he played trumpet in the high school concert and jazz bands, his awareness of jazz did not come to fruition until he heard his first Louis Armstrong recording when he was 19 years old. Nearly in his 20's Mark was finally introduced to and quickly immersed himself in the world of jazz. The years to come held in store for Mark an expeditious journey of ambitious study and performance of the music called jazz.
Mark received a Bachelor in Music Performance at Winthrop University where he studied under Dr. Ian Pearson who hails from the tutelage of Vince DiMartino. During his time at Winthrop, Mark was featured in Charleston, SC's MOJA Festival in a salute to Jazz Greats, won an outstanding soloist award at the Mobile, AL Big Band Competition, won an audition to be a part of the All-Collegiate Big Band and he started to lead his own quartet playing in various clubs and cafes. It was during this time when Mark would have a propitious meeting with Wynton Marsalis and go on to study under Ellis Marsalis at the University of New Orleans where he earned his Masters in Jazz.
Nearly at the end of his first year at UNO, Mark was asked to join the University of New Orleans' Euro-Combo in Italy and Austria presenting concerts and clinics and returned to perform at the New Orleans' Jazz and Heritage Festival. In December 1997, Mark organized a Jazz studies benefit concert featuring the premier of his extended Jazz composition, "A Soul's Journey." Ellis Marsalis, David Pulphus (former bassist with Terence Blanchard), Ed Petersen, Brent Rose, and Leon Anderson, Jr. performed with Mark. He would return to perform the piece with Wess Anderson, Jr. (LCJO) at the famed Snug Harbor.
In 1998 and 1999 Mark won the first and second annual Jazz Kings Competition of New Orleans. Also in both years, Mark was awarded the People to Watch Award as part of the celebrated funk group, the Flavor Kings and Quintology, a group Mark helped form. Quintology's debut album was hailed as "one of the best modern jazz albums to come out of New Orleans," was voted Best New Jazz Group by offBEAT Magazine and Grammy winner Nicholas Payton contributed the liner notes.
Mark was also an integral part of the critically acclaimed New World Funk Ensemble which won similar awards and performed at some of the South's best Jazz festivals including the W.C. Handy Festival, Jazz Brevard, City Stages, and the New Orleans' Jazz and Heritage Festival. Their live CD recorded by Little Live Records was hailed as a Top 10 CD of 1999 by offBEAT Magazine.
During his last year in New Orleans, Mark worked for Terence Blanchard on his 1999 Sony Records release, "Jazz in Film" and was a featured musician for Lula Elzie's ballet "Pontius Pilate's Decision" based on Delfayo Marsalis celebrated Jazz compositions.
Since moving to NY, Mark has consistently performed with his trio and quartet at some of the city's finest venues including: the Carnegie Club, Campbell Apartment, World Bar, Whitney Museum of American Art, Armani, the United Nations, Museum of Modern Art, Le Cirque, Ka've'haz, Session73, Coda, American Park, Bliss, Session73, the Elbow Room, Town & Country Magazine, UBS Warburg, Discovery, and more.
Mark has had many notable and celebrated musicians perform with him including: Walter Blanding, Jr. and Wess Anderson of Wynton Marsalis' Lincoln Center Jazz Orchestra, Wycliffe Gordon, Seamus Blake, John Ellis, Brad Leali, Rodney Green, Marcus Strickland, Wayne Escoffery, Josh Roseman and more.
As a sideman, Mark went on the road with multi-platinum, Grammy award winning artist Darius Rucker and has played with Branford Marsalis, Hootie & the Blowfish, Edwin McCain, and Sister Hazel to name a few. He wrote and recorded horn parts for a hip-hop/rock outfit called Onetime, as well as, recording trumpet and didgeridoo tracks for a newly signed band Waking James. Mark also lends his trumpet sound on various studio sessions including acclaimed DJ, Jaymz Nylon, and hip-hop artist Hezekiah.
Mark is also a prolific composer and has written music for a number of film projects. "Friendship Hotel" and "Night and Day", both feature length independent films, "The Sound Barrier," and "Rescue & Search" all showed in a multitude of film festivals. He is currently scoring a feature-length film entitled "Rain in the Mountains," a 2004 Richard Vague Fund 1st Place $100K prize winner. He has also scored an off-Broadway play called "Talkin' Gumbo."
Currently, Mark and his group are preparing to record with producer Billy Terrell. Keep an eye out for what will happen next! The foundation of the Mark Rapp Group is jazz, groove, energy and passion. In utilizing unique instruments such as the didgeridoo, the music is organic, interesting and continues to stay fresh.
You can catch Mark Rapp performing every Friday at the Carnegie Club in NYC.
[edit] Sources
http://www.robertaonthearts.com/id386.html
http://www.myspace.com/markrappmusic
http://www.friendster.com/profiles/markrapp
http://www.quintology.com/reviews.html
http://www.louisianamusicfactory.com/showoneprod.asp?ProductID=607
24.39.138.165 23:14, 13 November 2006 (UTC)
[edit] Arab Zone
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[edit] George Wilson IV
[edit] Danielle L. Herner, CPA, CIA, MS, Global Capital Solutions, Internal Audit Senior Executive
Ms. Danielle L. Herner, CPA, CIA, MS, Global Capital Solutions is the only individual to create a global sole proprietorship and offer heavy duty Internal Audit Services to private and public companies across the globe with a one rate travel inclusive hourly fee prior.
The Company's competitive advantage is the services are offered by the owner, Ms. Danielle L. Herner, CPA, CIA, MS, as an Internal Audit Senior Executive. The Company was founded as a business that contracts directly with companies on a 30 hour week, Monday through Wednesday, across the globe with additional hours on request. It is a revolutionary concept in the Finance and Accounting industry. The Company has been offering services since 2001.
The owner, Ms. Herner, is a Certified Public Accountant, Certified Internal Auditor, and has a Master of Science in Organizational Dynamics from the University of Pennsylvania in Philadelphia, PA, and a Bachelor of Science in Business Administration Accounting major from The Lebow College of Business Drexel University, Philadelphia, PA. She is currently pursuing a Certificate in Global Organziational Studies from the University of Pennsylvania. In addition Ms. Herner, CPA, CIA, MS was awarded a grant from the University of Pennsylvania to study Sarbanes-Oxley (SOX) recently in 2003.
Ms. Herner, CPA, CIA, MS expertise includes over 12 years of Internal Audit experience, with Fortune 500s like Motorola, Verizon and other publicly traded companies across the globe. Ms. Herner is a professional with a balance of technical, leadership, and global business skills that were acquired through work experience, education, and certifications. As an Internal Audit Senior Executive and CPA, CIA, MS, the Company's expertise and no nonsense approach is invaluable to a broad range of companies. The Company's bottom line is to make companies look great through good numbers, good processes, and good technology: Anywhere, Anytime, Any region of the globe.
In addition, the owner, Ms. Herner, CPA, CIA, MS was the Social Chairman of her sorority Delta Zeta, Epsilon Zeta at Drexel University, where she planned a variety of events and galas in the late 80s and early 90s; in addition to being the Townwatch Chairman, which was noted as George Bush 41s Points of Light. Ms. Herner, CPA, CIA, MS has been a lifetime member of the United Methodist Church, and currently receives worship at The Covenant United Methodist Church in Lebanon, PA, USA, and is a 1st degree black belt in Tae Kwon Do with studies at the former Northeast Karate Academy in Philadelphia, PA. In addition she is one of the .01 of CPA’s that passed the CPA at age 25 in 1995 and subsequently was admitted to practice at age 26 in 1996.
http://www.theiia.org/ http://www.thepicpa.org/ http://www.aicpa.org/ http://organizationaldynamics.sas.upenn.edu/ http://www.lebow.drexel.edu/ http://www.umc.org/ http://www.motorola.com/ http://www.verizon.com/