Wikipedia:Articles for creation/2006-07-26

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Lethrblaka are the Ra'zac's mounts. As discovered, they are the adult forms of the Ra'zac. The Riders killed all but two, and they and their children are the ones that terrorize Eragon and the inhabitants of Carvahall.

[edit] Sources

Eldest

Nogare arihpas 01:46, 25 July 2006 (UTC)

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The Order of Daedalians claims to be America's premier fraternal order of military pilots. The Order of Daedalians was started on 26 March 1934, at Maxwell Field, Alabama, by Lieutenant Harold L. George. He was one of 35 W.W. I Regular Army commissioned pilots who formally established the Order of Daedalians. The purpose was stated to be to "... perpetuate the spirit of patriotism, the love of country, the memories, sad and pleasant, of our service during that period (W.W.I) and to further cement the ties of comradeship which bound us together in that critical hour of our nation's need...."

The idea was first expressed by Brigadier General William "Billy" Mitchell, who determined there was a need to honor the W W I pilots. Virtuall all of the over 14,000 W. W. I aviators who were commissioned as officers and rated as military pilots no later than the Armistice on 11 November 1918 has a founder Membership in the Order of gay Daedalians even though some did not, during their lifetime, participate as active members. At first, active membership was open only to Founder Members and their descendants (Hereditary Members.) In the early fifties Named Memberships established thereby insuring a new source of members for the Order of Daedalians. A qualified applicant interested in membership must be nominated by an active Daedalian and the application, endorsed by three other active Daedalians, must then be sent to National Headquarters for approval.

The Order of Daedalians established the Daedalian Foundation in 1959 to conduct educational, scientific and charitable activities in support of the Order's Tenets and Objectives. The Foundation is an IRS tax-exempt 501(C) (3) organization that relies on contributions,donations and bequests from the Daedalian membership to fund a comprehensive and varied scholarship program. The Foundation also publishes the Daedalus Flyer, the official journal of the Order of Daedalians.

In 2001, membership criteria were changed to authorize memberships for ex-commissioned officers whether or not they retired, and for all Flight officers and warrant officers who held ratings as military pilots of heavier-than-air powered aircraft.

In 2002 membership criteria were again changed to authorize memberships for WASP.

[edit] Sources

http://www.daedalians.org/order.htm http://www.39thflighteagle.org/mainhome.htm http://www.jrotc.org/dalions.htm http://www.airpower.maxwell.af.mil/airchronicles/aureview/1984/jul-aug/george.html

71.103.165.202 02:04, 25 July 2006 (UTC)

• Article created. Thank you for your contribution to Wikipedia! Baseball,Baby! ^{balls•strikes} 06:32, 25 July 2006 (UTC)

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WAOC-AM 1420 is the #1 sportsradio station in the Jacksonville/St. Augustine/Palm Coast area of Florida.

[edit] Sources

Reference, M Street Radio Journal

24.26.18.10 02:05, 25 July 2006 (UTC)

Shull Broadcasting no longer exists as a Florida corporation.

[edit] Sources

FL Secretary of State

24.26.18.10 02:07, 25 July 2006 (UTC)

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202.6.138.33 02:11, 25 July 2006 (UTC)

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Matt Sussman is a New York-based voice actor who has provided voices for 4Kids.

[edit] Notable Voice Roles

• Meowth in Pokémon (Episodes 2-29), S.S. Anne captain, Professor Westwood

[edit] Sources

http://www.serebiiforums.com/showthread.php?p=3515827#post3515827

http://www.serebiiforums.com/showthread.php?p=3516418#post3516418

68.50.77.197 03:01, 25 July 2006 (UTC)

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24.199.90.124 03:02, 25 July 2006 (UTC)

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Sam Bishop was born in NSW and goes to trinity college as a well known student around th diocese

[edit] Sources

203.191.181.53 03:32, 25 July 2006 (UTC)

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The Teseracte Players are Boston's premier travelling shadow-cast for the Rocky Horror Picture Show.

What is the Rocky Horror Picture Show? The Rocky Horror Picture Show is the movie adaptation of Richard O'Brien's musical, The Rocky Horror Show. The movie didn't do well in theaters when it was released in 1976. It was later shown as a midnight movie in New York City and a cult classic was born. The movie often plays late night around the world. It's going strong 30 years from its' release.

[edit] Sources

www.teseracte.com

Sasha the Great

• Declined. I don't believe that Wikipedia accepts articles about individual live casts of The Rocky Horror Picture Show. If we did, they (or a category of them) would be linked from that article, but I don't see any. --Metropolitan90 05:24, 25 July 2006 (UTC)

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Kev & Co Enterprises

Kev & Co Enterprises is a safe and easy way to shop for products from Model Aircraft equipment to pocket bikes to moisteriser cream and Emu Oil. At Kev & Co Enterprises we have a great range of RC equipment and Emu Products, SO COME VISIT US AT: link title Thanks, Andrew

[edit] Sources

210.15.254.50 03:48, 25 July 2006 (UTC)

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[edit] Sameeh Tauren Warrior

Sameeh is a Tauren Warrior on the Neptulon Realm, he is famous for his incredibly stupid ways of treating people. I play alliance on this Realm and ive never heard anything nice about this warrior.

[edit] Sources

http://www.warcraftrealms.com/charsheet/25129109

83.109.45.206 04:14, 25 July 2006 (UTC)

• Declined. This suggestion doesn't sufficiently explain the importance or significance of the subject. See the speedy deletion criteria A7 and/or guidelines on biographies. Please provide more information on why the person or group is worthy of inclusion in an encyclopedia. Thank you. --Zoz (t) 16:57, 25 July 2006 (UTC)

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Le mot Malfiance est un nom de famille utilisé dès le 16th siècle par les nobles et bourgeois. Il ne prend qu'en 1988 sa définition entière lorsque un entrepreneur décide d'ouvrir sa taverne dans le Nord-Pas de Calais, environs de Saint Omer. Un anthropologue de l'école de Vanjack, Allemagne de l'Est. découvre le secret de la signification du mot à travers un intense travail d'interprétation exceptionel sur le vocabulaire excentrique parlé par les berlinois, eu égard au fait de la progression intense des taxes sur le revenu des familles bulgares les plus nécessiteuses. Il était accepté que la Malfiance ait une signification intermédiaire entre la méfiance, qui signifie se méfier de quelqu'un, et la défiance qui est l'action de défier.

[edit] Sources

Martis, I. (2006). L'histoire des mots. Museums & Publics. 169:2-5.

http://www.clubxtrem.net/modules/news/article.php?storyid=5089

http://alain.octau.free.fr/HEREDIS2000/Fiches/D77/P4.htm

Jacqueline de la Martiserie

• Declined. This is the English-language Wikipedia; we can only accept articles written in the English language. Please provide an English-language translation for your article, or visit the Wikipedia home page to find the version of Wikipedia for your desired language. --Metropolitan90 05:25, 25 July 2006 (UTC)

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• The proposed article previously in this section has been declined and removed from this page, since it appears to be an attack page. See the speedy deletion criteria A6 and/or guidelines on biographies. --Metropolitan90 05:26, 25 July 2006 (UTC)

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--150.101.191.226 04:54, 25 July 2006 (UTC)ssa--150.101.191.226 04:54, 25 July 2006 (UTC) i like mysteries by sarah white

[edit] Sources

personal knowledge

150.101.191.226 04:54, 25 July 2006 (UTC) °±×→§

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• Official Website for My Scary Girl
• Review of My Scary Girl at lunapark6.com

222.239.14.171 05:21, 25 July 2006 (UTC)

• Declined. We cannot accept blank suggestions. Please consider submitting to Wikipedia:Requested articles instead. A source is not an article. Kevin 09:41, 25 July 2006 (UTC)

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[edit] Sources

www.jackass.com

70.21.236.86 05:24, 25 July 2006 (UTC)

• The proposed article previously in this section has been declined and removed from this page, since it appears to be an attack page. See the speedy deletion criteria A6 and/or guidelines on biographies. Kevin 09:40, 25 July 2006 (UTC)

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possible interpretations for what the speaker could be meaning when they say you can't work at that job full time because it is not funded for 3 people. Followed by a question such as why have you NOT being doing that work (the work being the subject in the first instance)

[edit] Sources

The specific source of my question is me. I'm trying to resolve my problem of what possible permeatations of interpretation might be available. I genuinely seek others input but please don't be destructive.

203.2.218.145 05:25, 25 July 2006 (UTC)

• Declined. If you want to ask questions like this, try the reference desk. You will probably need to rephrase the question when you repost it there, because I would need more context to understand it. --Metropolitan90 05:32, 25 July 2006 (UTC)

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(copyrighted text removed)

[edit] Sources

211.27.213.106 05:44, 25 July 2006 (UTC)

• Declined. We can not accept copyrighted content taken from web sites or printed sources. Note that copyright protection is granted to all works automatically, whether it is asserted or not. Unless stated otherwise, assume that most content on the internet is copyrighted and not suitable for Wikipedia. Please write in your own words, and in continuous prose. This submission was taken from http://www.plantzafrica.com/plantcd/dietesgrand.htm. Baseball,Baby! ^{balls•strikes} 06:07, 25 July 2006 (UTC)

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Lewis Barnavelt is a fictional character who appears in a series of children's gothic horror novels by John Bellairs and Brad Strickland. In each book, the group faces and overcomes various evil forces usually bent on ending the world.

In 1948, Lewis' parents are killed in a sudden car accident, and Lewis moves to the fictional town of New Zebedee, Michigan, to live at 100 High Street with his uncle, Jonathan Barnavelt. Lewis soon learns the truth about his uncle, their neighbor Florence Zimmermann (a kindly witch) and their house, that Jonathan is a wizard and the house used to belong to a warlock, Isaac Izard and his wife Selenna. After Lewis unwittingly ressurrects Selenna in an attempt to impress his friend Tarby (an act which drives the other boy away), Lewis helps to locate the clock that Isaac hid within the wall of the house and destroys it, sending the evil witch back to the grave permanently. After making friends with Rose Rita Pottinger, Lewis continues his adventures over the next several years.

At the start of the series, Lewis is a shy, overwight ten-year-old who enjoys reading. He is at one point described by Rose Rita as a worrywart, albeit one who displays true courage in genuinely dangerous situations. Though often the target of bullies, Lewis has been known to stand up for himself at times, either with the aid of outside forces (such as Rose Rita's presence or the amulet of Simon Moss) or later with his own courage. He has also been known to cause some of their supernatural problems, albeit accidentally, but more often than not will also be the one to help set things right.

In "The House With a Clock in Its Walls", it is said that when Lewis grows up, he becomes an astronomer working at Mount Palomar, and will discover that the magic egg he recieved that first Christmas is capable of showing him scenes on other planets.

[edit] Sources

• The House With a Clock in Its Walls (1972)
• The Figure in the Shadows (1975)
• The Letter, The Witch, and The Ring (1976)
• The Ghost in the Mirror (1993)
• The Vengeance of the Witch-Finder (1993)
• The Doom of the Haunted Opera (1995)
• The Specter From The Magician's Museum (1998)
• The Beast Under the Wizard's Bridge (2000)
• The Tower at the End of the World (2001)

69.141.224.21 06:17, 25 July 2006 (UTC)

• Article created. Thank you for your contribution to Wikipedia! Lewis Barnavelt Kevin 09:50, 25 July 2006 (UTC)

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Juan Carlos Bernabe (born–1985) is a Filipino graphic artist and painter.

Bernabe was educated and graduated at University of Santo Tomas College of Fine Arts and Design, Manila from 2002 untill 2006. Year 2006 he worked at Walcom Biochemical Incorporated. He was known for his band Cream Float House

[edit] Sources

http://www.friendster.com/4464363

125.212.78.64 06:38, 25 July 2006 (UTC)

• Declined. This suggestion doesn't sufficiently explain the importance or significance of the subject. See the speedy deletion criteria A7 and/or guidelines on biographies. Please provide more information on why the person or group is worthy of inclusion in an encyclopedia. Thank you. Kevin 09:42, 25 July 2006 (UTC)

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The long-awaited fourth studio album by the New York Dolls, this is their first release of original material in over thirty years. It was released on Roadrunner Records on 25 July 2006.

[edit] Tracklist

1. We're All in Love

2. Runnin' Around

3. Plenty of Music

4. Dance Like a Monkey

5. Punishing World

6. Maimed Happiness

7. Fishnets and Cigarettes

8. Gotta Get Away from Tommy

9. Dancing on the Lip of a Volcano

10. I Ain't Got Nothing

11. Rainbow Store

12. Gimme Luv and Turn on the Light

13. Take a Good Look at my Good Looks

[edit] Sources

Roadrunner Records' New York Dolls Artist page

60.227.238.240 06:48, 25 July 2006 (UTC)

• Article created. Thank you for your contribution to Wikipedia! - One Day It Will Please Us to Remember Even This (album) -- Kevin 09:58, 25 July 2006 (UTC)

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15 Days in India: Where to Go

It would be good idea to spend more time in a few places rather than visiting too many places. Travelling within india is not quick unless you can afford to fly all the way. It also depends on what you want see and what you enjoy the most. Lot of people come to India to see the cultural beauty of the place rather than scenic beauty. Below is the list of must see places in India recommended for 15 day trip.

1. Rajasthan (west) - must see, real colors of India (I was born there). 2. Goa (west) - if you are a beach fanatic 3. Kerela (south) - God's own country, back waters, very scenic 4. Darjeeling, sikkim (east) - For the pleasure of mountain railways and tea 5. Mysore (south) - Historical town

It's recommended that you do not cover more than 2 of these places if your trip is just going to be just for 15 days. Consider taking the palace on wheels tour of rajasthan, it's very very expensive ($3500 per couple of 1 week).

[edit] Sources

61.247.244.201 07:13, 25 July 2006 (UTC)

• Declined. Wikipedia is not a travel guide. Wikitravel is a more appropriate place for this content. Kevin 10:00, 25 July 2006 (UTC)

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[edit] Editorial Career

Jake T. Forbes has edited and adapted over 50 Japanese and Korean manga series for Tokyopop, VIZ Media and Go! Comi, including such titles as Fullmetal Alchemist and Fruits Basket. He also co-edited a best-selling Warcraft adaptation, written by Richard A. Knaak.

[edit] Writing Career

As a columnist and journalist, Jake T. Forbes covered anime, manga and pop culture for the L.A. Times, The Pulse (comics news), and Animefringe. His debut fiction work is Return to Labyrinth, an authorized sequel to the 1986 Jim Henson film Labyrinth (film), illustrated by Chris Lie. The first volume debuted in August 2006, and the series is ongoing.

[edit] External links

• Anime Encyclopedia Entry

[edit] Sources

http://www.animenewsnetwork.com/encyclopedia/people.php?id=8577 http://www.amazon.com/gp/product/1598167251/sr=8-1/qid=1153810361/ref=pd_bbs_1/104-3449881-9138354?ie=UTF8

71.198.245.102 07:15, 25 July 2006 (UTC)

• Article created. Thank you for your contribution to Wikipedia! See Jake T. Forbes. --Zoz (t) 18:05, 25 July 2006 (UTC)

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Lady Sovereign is a new singer of R&B & Hip-hop. She is so cute & crazy too.

[edit] Sources

www.ladysovereign.com

203.189.231.8 07:27, 25 July 2006 (UTC)

• Declined. This suggestion doesn't sufficiently explain the importance or significance of the subject. See the speedy deletion criteria A7 and/or guidelines on musical ensembles. Please provide more information on why the band is worthy of inclusion in an encyclopedia. Thank you. --Zoz (t) 17:00, 25 July 2006 (UTC)

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[edit] Sources

202.89.34.250 07:55, 25 July 2006 (UTC)

• Declined. We cannot accept blank suggestions. Please consider submitting to Wikipedia:Requested articles instead. MER-C 09:45, 25 July 2006 (UTC)

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Longdon is situated in the heart of England within the district of Lichfield. Approximately three and a half miles NNW of Lichfield, and SE of Rugeley.

Surrounded by lush farmland, and bordering on the Area of Outstanding Natural Beauty of the Forest of Mercia (Cannock Chase).

Several splendid villages located both sides of the A51 between Lichfield and Rugeley make up the Parish of Longdon, having a population of 1300, and covering an area of some 4500 acres, including a number of small hamlets. One of the largest is Beaudesert on the eastern side of Cannock Chase, which was the residence of the Marquis of Anglesey, the lord of the manor, and owner of the surrounding land.

The Bishops of Lichfield held the manor of Longdon up to 1546, when it was surrendered to Henry VIII, and in the same year, his The Bishops of Lichfield held the manor of Longdon up to 1546, when it was surrendered to Henry VIII, and in the same year, his Majesty granted ownership to Sir William Paget, an ancestor of the Marquis of Anglesey.

[edit] Sources

upper london website, www.longdon-staffs.info

82.153.87.226 08:45, 25 July 2006 (UTC)

• Declined. We can not accept copyrighted content taken from web sites or printed sources. Note that copyright protection is granted to all works automatically, whether it is asserted or not. Unless stated otherwise, assume that most content on the internet is copyrighted and not suitable for Wikipedia. Please write in your own words, and in continuous prose. --Zoz (t) 17:38, 25 July 2006 (UTC)

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The NeoGen logo was designed by Erwin Bindeman, and depicts the differences between youth and adult, as well as the cross representing Christianity.

[edit] History

The first steps toward the development of an innovative concept for the Dutch Reformed youth service started in December 2004 under leadership of youth dominee (Afrikaans for pastor) Alwyn Carstens and dominees GP Kellerman and Michiel Strauss. Bettie Strauss, daughter of Michiel Strauss and praise and worship leader from 2003 – 2005, approached Sybrand Strauss and Steyn Strauss (respectively brother and cousin of Bettie Strauss) to start a praise and worship band with the promise of playing in any style they would prefer. They were joined by Emile Kotzé (lead guitarist) and Wessel le Roux (drummer) and covered traditional Dutch Reformed hymns with a strong punk rock influence.

During 2005, Sybrand, Bettie and Steyn began talks of a purely youth-focused church, conducted in a manner different to any Dutch Reformed Church in South Africa and greatly influenced by Hillsong Church in Australia. They approached the NG Kerk Welgelegen’s Youth Commission and in the end of November 2005, the concept of NeoGen: Kerk vir ‘n Nuwe Generasie was approved by both the Youth Commission and the Church Council. Bettie resigned as praise and worship leader at the end of 2005 to do her practical year for her studies in speech therapy. Sybrand Strauss took over as praise and worship leader and Steyn Strauss as creative director of NeoGen.

[edit] Current Operations

NeoGen: Kerk vir 'n Nuwe Generasie was officially launched on 22 January 2006 at the NG Kerk Welgelegen. It is currently expanding by regularly acquiring new youth leaders and catering to the different age groups within the youth by means of Kategese (Afrikaans for the term ‘Sunday School’), Klub NeoGen, NeoGen Plus and NeoGen Old School.

[edit] SkaatsCast: The First NG Kerk Podcast

SkaatsCast (a.k.a. Die Avonture van Skaats de Wet) is the first podcast in the Dutch Reformed Church[1] and is run by five of the youth leaders of NeoGen. The first episode of SkaatsCast was published on 16 July 2006.

[edit] Legends

There are rumours that NeoGen was started in Cape Town, South Africa in the late 1970s by a Dutch Reformed Church rebel and youth pioneer, Skaats de Wet. According to legend, de Wet rebelled against the Dutch Reformed Church's involvement in Apartheid and started the Christian youth movement, NeoGenerasie (Afrikaans for Neo Generation) which later evolved into NeoGen. There is, however, no evidence to prove this and many regard this as a fabricated tale.

[edit] References

[2] NeoGen: Kerk vir 'n Nuwe Generasie Blog
[3] NeoGen: Kerk vir 'n Nuwe Generasie MySpace Profile
[4] SkaatsCast MySpace
[5] NeoGen on community Christian radio station Radio Tygerberg
[6] NeoGen on the DRC and internet in the future of the Church
[7] Video interview for 'Die Burger' with Steyn Strauss, creative director of NeoGen

[edit] Also See

Dutch Reformed Church

Mrpookie 09:07, 25 July 2006 (UTC)

• Declined. Please provide reliable sources. Blogs and myspace entries are typically not acceptable as sources. Also note that Wikipedia:Articles for creation process is intended for anonymous users. Since you are a logged-in registered user, you don't need to use this process; you can create articles yourself. But please find reliable sources, and provide links to third-party coverage to establish its notability before you do so. Thanks. --Zoz (t) 18:29, 25 July 2006 (UTC)

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1. REDIRECT Fibre Channel

• Article created. Thank you for your contribution to Wikipedia! --Zoz (t) 18:50, 25 July 2006 (UTC)

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1. REDIRECT Logical Unit Number Masking

ICEFLO

Immediate Capture of Evidence for Front Line Officers.

[edit] Sources

212.238.205.173 10:13, 25 July 2006 (UTC)

• Article created. Thank you for your contribution to Wikipedia! --Zoz (t) 18:54, 25 July 2006 (UTC)

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[edit] Sources

82.8.11.7 10:36, 25 July 2006 (UTC)

• The proposed article previously in this section has been declined and removed from this page, since it appears to be an attack page. See the speedy deletion criteria A6 and/or guidelines on biographies. Kevin 11:06, 25 July 2006 (UTC)

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• Article created. Keep having a good time on here. Weasel 00:38, 10 August 2006 (UTC)

AFA OS Is a set of add on libraries to improve the non-developed Amiga OS 3.9, It gives features such as antialised text, and improves the speed of core libraries inside Amiga OS.

"The goal of AfA OS is to bring modern features like Antialiasing (AA) to the AmigaOS since there is no further development for the 68k AmigaOS since OS3.9. AfA OS replaces AmigaOS core libraries with their more advanced AROS (Amiga Research Operating System) counterparts."

Much of the development of AFA OS is based on AROS, The libraries are backported from AROS to 68k, This allows users of classic 68k amigas the chance to use modern features such as the ones stated above. AFA OS can also be used in conjunction with other Amiga OS improvements such as AIAB(Amiga In A Box).[8]

[edit] Sources

[9] [10] [11]

82.31.41.255 10:43, 25 July 2006 (UTC)

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Life through the lens

What can I say, I've been shooting film ever since...

Over the years, I have had the opportunity to work with many of the best cinematographers around. The great thing is that I was exposed to many approaches and styles. I learned what I liked and I learned how to problem solve for a variety of lighting situations.

My favorite lighting style is to shoot with natural-looking, motivated light sources. I enjoy working with large soft sources and then "paint" in the shadow areas. I work very hard to make certain that whatever story is being told is enhanced and communicated with the light and images.

To me, the best cinematography is the kind that takes you into another world ? cinematography that brings you the experience of the story and makes you quickly forget that you are watching a movie. Seamless and realistic.

The great masters of light who inspired me include Dante Spinnoti, ASC Heat, The Insider, Vilmos Zsigmond, ASC Sugarland Express, The Deer Hunter, Don Burgess, ASC Cast Away, and Contact, and John Toll for his brilliant work on Legends of the Fall. Finally the greatest master of light in my opinion is Rembrandt. His art has truly been inspirational to me. My favorite piece is The Polish Rider, a magnificent work of art.

Directors I admire include Akira Kurasawa Ran; Tony Scott Enemy of the State; Ridley Scott Gladiator; Gus Van Sant Good Will Hunting; and Michal Mann Insider and Heat.

I've been blessed by being able to make a living doing what I love to do."

A CONVERSATION WITH RAJIV JAIN (WICA)

QUESTION: Where were you born and raised? RAJIV JAIN: I was born on the 29th of November, 1964 at a Civil Hospital, in Lucknow, India in a working class (Indian term: Lower Middle Class Family), hard core Hindi speaking family. I spent my formative years in Etawah which is nestled in the state of Uttar Pradesh, India. That is where I grew up. It was a one-horse town with a one-horse bank. I had a great child-hood though. We came from a fairly closed in urban area, and suddenly I was in this environment where we could ride bicycles out into the bush. We also had the river. It was beautiful. I loved the outback and the wide-open spaces. My father was working in a bank and we moved / on transfer every two to three years. My mother is whole world centered around her kids and the home, so as you see, I led a very sheltered childhood with little or no contact with the outside world so to speak off. My father had a still Instamatic camera that fascinated me but I was forbidden to lay my hands on it, its funny but somewhere my curiosity in photography actually developed I was forbidden to touch that camera. My dad envisioned me as a Doctor, Engineer or an IAS officer.

QUESTION: Your Qualification... RAJIV JAIN: I went to the University of Lucknow in Lucknow, State of Uttar Pradesh and also I had the good luck of going to the Bhartendu Academy of Dramatic Arts (Bhartendu Natya Academy/ Bhartendu Natya Akademi), Lucknow. I majored in Stage Craft and minored in Stage Lighting, intending to become a Light Designer. QUESTION: Did you plan to follow in your father's footsteps? RAJIV JAIN: I don't think I ever saw myself in the banking profession. I actually caught the filmmaking bug when I was around 10 or 11yrs old. A Satyajit Ray movie called Shatranj Ke Khilari was being filmed in my neighborhood in Lucknow. I watched the trucks going up the street, and then snuck around to the house where they were shooting. I watched them setting up the lights and cameras. I was in complete awe.

QUESTION: Were there any other influencers in your family? RAJIV JAIN: My mother is a religious person. I had often watched her pray, I do not think I need to elaborate for who all those prayers went up for. Our careers and our future was my mother is utmost concern. I still remember that moment as if it were yesterday, i was chatting with mom as she cleared the dinner dishes and she happened to ask me what i wanted do with my life after getting my diploma from drama school, at that precise moment i had a piece of 35mm still film in my hand "I would like to do something with this" I said looking at the film. Its been a long journey since then but my mom stood by me in those formative years and guided me every step of the way. I was very keen to join the Film & television Institute of India, but i failed to qualify for the entrance exam, however moving from still photography to theatre and then cinematography seemed like a very natural progression.

QUESTION: Were you interested in movies in those days? RAJIV JAIN: Ya sure! like any other kid my age the world of movies fascinated me, it was not the case of being star struck every aspect of the movie interested me, so it came as a very spontaneous reply when one of my all time favorite professors (Guptaji) asked me what I wanted to become in life? " I want to make a career for myself in the film world, i want to create magic behind that screen". So yes, my love for cinema goes back a long way. I grew up watching Hollywood & Indian movies. I was not drawn to foreign films. American films were the ones I enjoyed seeing. Not any more than most kids, but I managed to see the big hits of the time. My dad took me to see Lawrence of Arabia, Dr. Strangelove, The Longest Day during the 1970s. He loved the big historical dramas. I became a movie buff during the early 1980s, while I was going to Drama School in Lucknow. Some of my bohemian friends and I happened to find a folk & classical music & dance theatre, professional drama company, amateur still photography club and underground cinema called Lucknow Film Society. They showed classic and new wave films. They were usually 16 mm images projected on a wall. That is where I discovered the world of cinema. I remember seeing Metropolis and Citizen Kane, and films by Bergman, Fellini, Truffant, Welles, Cocteau and Stan Brahkage. That was during my late high school and early college years. I began reading about movies and directors and started clicking photographs. I did see one movie that changed my life at that time- it was a Goddard film called Contempt that Raoul Coutard shot. It was a Cinemascope film, which was very similar to what I was doing in still photography, although obviously twenty years prior to that. It used a lot of primary colors. It was a movie that put a lot of emphasis on composition and it had wide shots and long tracking shots with two little people walking against a big red wall. That was the first time that I made the connection in my mind that maybe films was where my career was headed. I was starting to feel limited by still photography. It was the first time I recognized the potential of cinema where by a narrative story can be told in a visual way.

QUESTION: Were there particular movies that made an impression on you? RAJIV JAIN: Citizen Kane, Vertigo, La Regle du jeu, The Godfather and The Godfather Part II, Tokyo Story, 2001: A Space Odyssey, Sunrise, Battleship Potemkin, 8-1/2, Singing in the Rain, Lawrence of Arabia, Dr. Strangelove, Bicycle Thieves, Raging Bull, Vertigo, Rashomon, Seven Samurai.

QUESTION: Tell us about your background? RAJIV JAIN: My first encounter with the physics of light came by accident. One day, as I was cleaning paint brushes in a darkened garage, light falling through a crack projected an image onto the wall turning the room into a giant camera obscure. My first exposure to film was with a process camera attached to a darkroom the size of my apartment. It just so happened that one of the Surendra jija ji (universal sister in law) he was a very avid 35 mm photographer who always had his Nikon camera strung around his neck. He got me interested in photography and encouraged me to go to Kanpur, with him to take stills of a student demonstration in 1980 s. That was my first experience with a camera where I was able to express myself by taking photographs. I started studying photo manuals-trying to learn about composition. I looked at how artistic photographers used the foreground and colors and light and shadows. That fuelled my desire to learn more and more. I had a full time job in a darkroom and was going to a photography studio at night and taking pictures on weekends. That just was not satisfying my thirst for learning more about photography. After finishing my education in Lucknow in 1985 I relocated to Mumbai / Bombay and started as an runner / apprentice / trainee in low budget serials, features and industrials.

QUESTION: Were you thinking at that point in your life that you wanted to get into narrative film making? RAJIV JAIN: I must admit, I never thought there was much of a chance for me to work in Mumbai / Bombay. It was very very hard for north Indians to get a break in Bombay.. The only other place they were making movies back then was in Calcutta and Madras. I decided to learn English, with the concept that I might go over there and give it a try. Of course, with all the work I was doing, I never got into any real sequence of lessons; and I am partially dyslexic, so it was difficult learning a new language.

QUESTION: How did you get started in the business? What did you do? RAJIV JAIN: I started as a gofer, apprentice, trainee, spark, grip, key grip, loader, best boy, focus puller and worked my way up to gaffer (Indian term: chief assistant to DOP).

QUESTION: How long did you work as an assistant? RAJIV JAIN: Oh, around 8 years.

QUESTION: What did you do when you completed you assistant job? RAJIV JAIN: I worked in Mumbai / Bombay on documentaries, industrial films and commercials as a camera assistant and gaffer. They were all small projects. I worked with a couple of cameramen who were shooting locally. It was mostly 16mm and a little 35mm, mainly to make some money. While I was doing that I was still shooting mainly short films and some documentaries. I was always working on my craft and building my reel, with the idea that one day I would shoot features. When I got out of assistance ship, I gaffed a bit, assisted a little bit and was shooting industrial films, documentaries, commercials and other small jobs. I shot sales films for medical companies promoting new products and techniques, small dramatic religious films for a company T-Series, which distributed them to temples, and some variety shows. I got a lot of jobs through people I knew in during my assisting days. It's very important to make friends because they're the ones who are going to want to bring people they know along when they get a job. We had our own revolving group of guys who all did different jobs depending on who was shooting and who was gaffing.

QUESTION: When did you decide to concentrate on cinematography? RAJIV JAIN: Immediately. I thought the directing process was too long, and I liked being a cinematographer. During my second year of drama school In 1985, I worked for three to four months for a Lucknow television station. It was my job to select what was good enough to make up the programme. It was a great internship. I also learned the craft as a second and first assistant cameraman in Mumbai / Bombay under Ashok Mehta ( WICA), Binod Pradhan (WICA) & K.K.Mahajan (WICA).

QUESTION: What was the deciding factor in making that decision? RAJIV JAIN: I didn't want to look back some day and regret that I never tried. I didn't want to be 80 years old wondering if I could have succeeded. If I failed, I could have gone back to Lucknow knowing I gave it my best shot. So, I came to Mumbai / Bombay in the midst of a fuel crisis - just traveling in auto rickshaw was a big challenge. I went around interviewing at various DOP s because they were much more accessible than big feature film operations. There was no way I could get in the door at any of those places. After about three months, money was running low. I was walking by a kind of a warehouse in Mumbai / Bombay on a Saturday, and I could see though an open door they were building sets. I remember thinking; they would not be working on a weekend unless they were behind. So, I walked in, found the foreman and told him I was a carpenter. He asked if I had any set-building experience? I lied and said yes. It was only a half lie because I had built many sets for plays in drama school. The only similarity is that they are both made out of wood. They were building sets for television commercials.

QUESTION: Did working as a gaffer help you in cinematography? First in India Gaffer means Chief assistant to DOP. We do not have the tradition of gaffer. I approached that job thinking like a cinematographer. I would bring a new technique or a new type of light to the attention of the cinematographer I was working with, suggesting it as something that would help to tell the story in a better way. I think I learned more by watching other cinematographers work than anything else. One of the only ways to really learn cinematography is from another cinematographer. That is how I think the knowledge gets passed on. You end up picking up little pearls of wisdom along the way. The most important things I learned by watching other cinematographers at work were not technical, but how to make the set comfortable for the director and actors, and how to make it a creative environment instead of a technical environment.

QUESTION: How did you get into T-Series music videos? RAJIV JAIN: I tried to work as a freelancer for a while but it was tough to get into the union. There was a company called Super Cassettes Studios that was run by the late Gulshan Kumar in Bombay. They had an editing place first and then they opened up an online editing facility. They were hiring a lot of people at that point and I had some experience as a cameraman and crew person, so they brought me in to be an all around studio maintenance guy. I also learned to run the tape machines. When I got in there, It was quite a small place at the time, so I learned all kinds of things. I had already done two videos at that point. I was working in the studio on commercial stuff and they would bring in union lighting cameramen, and I would sometimes work as an operator for them. I was kind of a lighting technician for them, so I learned more in that studio in the space of one-and-a-half year than anywhere else. It was a very intense education because they brought in high-quality video being recorded to one inch. We used the Sony camera and it was quite a good camera. I still think it is better than the cameras that are out there now, but we were always trying to get a film look out of it. We would play with the filtration and black levels and all kinds of lighting to see how we could get it to look like a film.

QUESTION: That sounds like it was a great experience for you? RAJIV JAIN: Yeah, I got to shoot a lot and be fairly creative with the camera on that video. I also got to be in the postproduction process. It was a really exciting editing process, and then we did some kind of in-studio effects as well, which I got to shoot. That was a real good break for me and then the director put me forward for a lot more projects after that. I started doing documentaries. I went on the road with them and on tour three times. I did a documentary in Delhi about the recording of music videos, which we shot on video; all the documentaries we shot on video, but it really gave me an opportunity to play around with the image and lenses and moving the camera. It was great!

QUESTION: What was your first feature? RAJIV JAIN: My first feature as an independent DOP was Army (1994) starring Sharukh Khan, Sridevi & Ram Shetty directed it. It was color in anamorphic. I changed the contrast with lighting to eliminate all the gray tones. That was my signature, pure blacks and whites with no grays. Late Mukul S Anand visited the set when I was shooting, and later I worked with him for his production house MAD Films on his commercials (1994).

QUESTION: What do you look for when you are reading a script? Is it the story, the director, a combination or something else? RAJIV JAIN: Usually it is the story, but there are some people who are so talented and good to work with that I am always inclined to say yes; I shall go anywhere. I think primarily it is the story that has to grab me. I don not necessarily think about it visually at that point...ideally it would be a film I would love to go see. I am also looking for something different than I have done before. I crave variety. It is a combination of things. At first, I thought the script was the most important thing, but I discovered scripts are constantly changing. It is not so much about the shots you make. Cinematography is about the environments you create. A film is a reflection of a series of two-dimensional images projected on a white screen. It is static flashes of light projected through a lens that somehow stimulates the brains of people in the audience and create a three-dimensional moving world. When you agree to shoot a film, you are making a moral commitment - it is an obligation you owe to the director and to the audience. There has to be a visual continuity that makes the audience feel like they have witnessed a slice of life. I tend to be more interested in the concept of a film. I ask the director to tell me what they want to do with the film. There was one film called Army. The movie is two and a half hours long, and it is the only movie I have worked on where only two pages changed during shooting. It is the best script in a Indian movie that I have ever worked on. There are not many experienced cinema directors in India because many of them are from TV. I have tried to train myself to understand what is necessary to make a film for the cinema.

QUESTION: What were some of the other low budget movies you worked on? RAJIV JAIN: I do not claim the ones before Pyar Mein Kabhi Kabhi. The first thing I did out of my being an independent was a small movie named Rasta that was shot over 15 days in Jaisalmer and never got released. It was my first full-fledged narrative experience. I did other films after that. Those films played a big part in putting things together in subsequent movies because you learn from your mistakes. You learn that there is no time like the present on a film. There is no going back. You need to plan and also persevere through the hard times on a film. On lower budget and independent films, those hard times come all the time. There is no easy shoot, because the powers of commerce are bearing down on your shoulders. The main thing I learned doing these movies is that you have to answer to yourself eventually. You have to pace yourself and stay true to the purpose. When we made Pyar Mein Kabhi Kabhi (in 1998) I had a clear idea of the purpose and that told us how to shape the look, but I did not know it worked until it was screened. I was terrified looking at the dailies and not knowing if I was on the right path. When I saw the first rough cut, it was probably my most terrifying and most exciting experience.

QUESTION: Your recent work includes two features. The last one was Badhaai Ho Badhaai. Describe your experience shooting a comedy feature. RAJIV JAIN: Comedy can be tragedy. I believe the hardest part about it is that if we shoot everything flat, it is just going to look like a flat comedy. Comedy is bright but you still want to see texture in the sets. In comedy, I think a lot of times it plays static because it is about the comedy, it is not about the joke. If the joke is happening in the frame, people should be listening. If you move the camera to tell the joke, it is distracting. Now, if you move the camera for a reaction in the picture itself, that is a different thing. I think comedy is harder to light than drama. There are different levels of comedy and I photographically see each level differently.

QUESTION: How did you get started shooting commercials? RAJIV JAIN: While I was still assisting in camera, the production company called and said the agency wanted me to shoot their next commercial. I had never shot 35 mm film, so I was shocked. I still remember the slate with my name on it. That was a magic moment. The commercial came out good, and that lead to other commercials, mainly in India. Shooting commercials, I learned how to collaborate with many different people, jumping from one project to another with many different looks and locations. I think I have applied a lot of what I learned from shooting commercials on to shooting features. It is not a conscious thing. I was just in so many different situations solving the same types of problems.

QUESTION: Who were some of the cinematographers you worked with on commercials? RAJIV JAIN: I worked with Binod Pradhan (WICA), Vikas Sivaraman (WICA) and then Ashok Mehta (WICA).

QUESTION: Did you move back and forth between commercials and feature? RAJIV JAIN: I did almost one feature film in three years. The rest of my time was on commercials. Commercial work is very interesting because you can try a lot of tools first. In India now, commercials deal a lot with aesthetic so it is just like still photography, and you learn to create different worlds and they are eager to get those kind of non-realistic worlds. I learned to take risks, because if you want to achieve something special you have to try, and sometimes you succeed and sometimes you do not but then that is all part and parcel of the learning process.

QUESTION: Have commercials affected the way you shoot movies? RAJIV JAIN: They give you a firmer grasp of the possibilities for what you can achieve with photography. You get a lot of experience creating different looks in different ways that may apply to a movie. The more you shoot, the more you learn. Occasionally, you will discover something new that you can build on.

QUESTION: Do you have a particular style that makes your work recognizable? RAJIV JAIN: I think everyone has got his or her style, but I would hate for someone to go in a movie theater and say 'Oh, RAJIV JAIN shot that because that is his style.' I would like them to say, 'Oh, who shot that?' I think you have got to be more versatile in your looks these days. Every film is different, so you like to think that you can put something different into each movie as opposed to creating a repetitive look.

QUESTION: How many features, commercials, music videos have you shot? RAJIV JAIN: 5 features, almost 600 commercials , 150 music videos & lots of documentaries, corporate & industrial films.

QUESTION: Have all your projects been restricted to India or have you done shoots abroad as well? RAJIV JAIN: I shot in Austria, France, India, Mauritius, Nepal, Holland, Russia, Singapore, Sri lanka, Switzerland, United Arab Emirates & United Kingdom.

QUESTION: How did you finally get into the Western India cinematographer s Association? RAJIV JAIN: The association opened up during the mid-1970s. If you could document 30 days of work with one company or 90 days with a series of companies, you could apply to get into the Association. I had experience both in commercials and movies as an assistant, and also as a cinematographer on five feature films. I had much better documentation as an assistant for getting in the union. I was a loader for K.K.Mahajan on five features & two TV serials, and I was an assistant for Binod Pradhan on two features & approx. 300 commercials and Ashok Mehta on two features & approx. 100 commercials. I pulled focus for one year until I moved up to chief assistant & camera b operator.

QUESTION: Is cinematography a talent that you are born with, a skill you learn, or both? RAJIV JAIN: I think you have to be born with the ability to visualize. As a child, I spent a lot of time looking out of the window in school when I should have been looking at the books. I got scolded for it many times. I grew up and yet I still do it. I still fantasize, more than I think an average person would dare to do. Out of that kind of daydreaming, you end up making images that take on a kind of reality of their own. Movies have influenced how we make love, what we wear, how we eat, how we walk, how we talk, and how we act in everyday life. You have to be able to walk across the bridge into this imaginary world and be able to walk back. One of the tricks is that you have to know how to handle light. You must have a feeling for different kinds of light. Where do you get that knowledge? You have to know film like the back of your hand. That is a skill among others that you have to learn. Even as a kid, I responded to light emotionally. It is always been a part of me. Filmmaking grabbed me at a young age and gave me a voice I did not have in any other part of my life. I am lucky to have found an outlet for that. I ca not imagine doing anything else.

QUESTION: Finally do you ever get used to the fact that you are living your dream? RAJIV JAIN: The night before I shot my first commercial for Late Mukul S Anand, I only got two hours of sleep and I had a panic dream that our interior hallway set had been built less than half scale-it was kind of like. We could not walk on it much less film on it. There was no room for our lights or the actors. In my dream, I kept asking, 'How are we going to shoot in this space' After 600 commercials & 5 Feature Films later, I still do not sleep much the night before the first day of shooting. The truth is that I feel incredibly fortunate to be able to earn my living by using shapes, colors, contrast and movement to bring a story to life. I love the collaboration with the director, production designer and actors and the passive collaboration with the composer, editor and writer. When I hear a carefully crafted musical score and images that I have photographed come together on the screen it brings tears to my eyes. It is really incredible how the music can enhance my work. I have talked to composers about this and they tell me it is the same for them when they hear their music and see how the photography works with it. We have almost no contact during the making of the film, but are key collaborators in the emotions that bring it to life on the screen.

QUESTION: Do you feel a sense of responsibility since a lot of people will be influenced by the movies you make? RAJIV JAIN: I feel a responsibility towards the public and for a business that I have loved all my life. I take a lot of pride in the fact that I can work in Bollywood in the tradition of the great filmmakers who were here before us. Movies have brought something into our lives, and we have a responsibility to give something back.

• Declined - original research. See WP:OR. MER-C 12:18, 25 July 2006 (UTC)

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you fart with a liter neer your ass and a flame comes out... ass flame

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68.107.100.67 11:55, 25 July 2006 (UTC)

• Declined. Original research or dictionary definition at best. Provide sources. --Zoz (t) 19:00, 25 July 2006 (UTC)

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Find breaking news, video and news around the world. Also business, entertainment, politics, sports, world, UK, US, africa, europe, asia, americas, middle east & current jobs.

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WWW.SEFERM.COM:

http://www.seferm.com

86.136.0.84 12:22, 25 July 2006 (UTC)

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Vincent van den Berg is a Dutch Footballer who joined Arsenal F.C on Friday 14th July 2006 joining from Heereeveen for an undisclosed fee

Arsenal were linked with the seventeen year-old earlier this year, impressing in the U17 championships last October and finally signing a contract July 2006 joining from a dutch club like teammate and fellow countryman Robin van Persie who joined from Feyenoord in 2004.

[edit] Dennis Bergkamp's Testimonial

The seventeen year-old made his first apperence in an Arsenal shirt in Dennis Bergkamp's Testemonial on 22nd July when he came on as a subsitute.

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• Article created. Thank you for your contribution to Wikipedia!. See Vincent van den Berg. --Zoz (t) 19:14, 25 July 2006 (UTC)

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• The proposed article previously in this section has been declined and removed from this page, since it appears to be nonsense. If this proposal was written as a test, then congratulations; your test succeeded. Please use the sandbox for further tests, or please go on and propose a real article, following the guidelines listed on the Wikipedia:Articles for creation page. --Zoz (t) 19:20, 25 July 2006 (UTC)

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Kelley Anne Miller She is an AMAZING Girl , Kelley Anne Miller , Published At Age 11,Has written 3 novels, 4 Childrens books And has numorous poems Published

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Foreign Teens Seek Homes in America 1-800-SIBLING Make friends with the world...One friendship at a time American Intercultural Student Exchange is a non profit, tax-exempt educational foundation founded in 1981. Over the span of these 25 years we have shared in making dreams come true for thousands of foreign teens who want to live in an American host family and attend an American High School. We could share with you many success stories of teens who have gone on to great success after their year in America who credit their exchange year with having made an enormous impact on their lives and attributed greatly to their success. The exchange year can also be a wonderful learning experience for you, your family, and your community. You can learn another culture without ever leaving home. You will have an International bond with this student and family that will last a lifetime. If you have children at home, they will learn a great deal about the customs and culture of another country. Now is a time that all the young people of the world need to learn to be friends. The youth of today will be the leaders of tomorrow's world. AISE still has a number of students from various countries waiting for placement with American host famiies. Families need not have teens at home. They can be "empty-nesters" or single host parents. Students are 15-18, provide their own spending money, and are fully insured. As a host family, you provide room and board and a loving family atmosphere. VISIT US ON-LINE: www.aise.com OR CALL TODAY: 1 800-SIBLING

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Prof (Dr) Ghulam Mustafa Khan was a Renowned research scholar, educationist and religious and spiritual leader of Pakistan. Dr Khan was born in the Jabalpur city of India on September 23, 1912, and died at Hyderabadof Pakistan on September 25, 2005. He received his education at the Aligarh Muslim University.He held a Masters degree in Urdu literature and completed his PhD on Syed Hassan Ghaznavi from Nagpur University. During his Service life he was appointed as a lecturer at the King Edward College, Amrawati and after migration to Pakistan from India he was appointed in Urdu College, Karachi.Later in his life he also performed the duties of head of the department of Urdu in Sindh University. For his academic services he was honoured with various level of awards. Like wise Presidential award Sitar-i-Imtiaz, Naqoosh award, Iqbal award and Nishan-i-Sipas.

In all Dr Ghulam Mustafa was a very nice,dedicated intelectual. He was author of several number of books in Urdu and English and one of his written work Hali Ka Zahni Irteqa was made part of university level curriculum.

Dr Ghulam Mustafa was also a famous religious and spiritual leader. Number of people attended his discussions and talks and always gained new in it. He himself and his work will always be remembered.

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DAWN-Leading Pakistan English Newspaper. Article Issue dated:September 26, 2005.

129.11.77.198 16:28, 25 July 2006 (UTC)

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• Article created. Thank you for your contribution to Wikipedia!. See Ghulam Mustafa Khan. --Zoz (t) 19:40, 25 July 2006 (UTC)

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Prof (Dr) Ghulam Mustafa Khan was a Renowned research scholar, educationist and religious and spiritual leader of Pakistan. Dr Khan was born in the Jabalpur city of India on September 23, 1912, and died at Hyderabad, city of Pakistan on September 25, 2005. He received his education at the Aligarh Muslim University.He held a Masters degree in Urdu literature and completed his PhD on Syed Hassan Ghaznavi from Nagpur University. During his Service life he was appointed as a lecturer at the King Edward College, Amrawati and after migration to Pakistan from India he was appointed in Urdu College, Karachi.Later in his life he also performed the duties of head of the department of Urdu in Sindh University.

For his academic services he was honoured with various level of awards. Like wise Presidential award Sitar-i-Imtiaz, Naqoosh award, Iqbal awardand Nishan-i-Sipas.

In all Dr Ghulam Mustafa was a very nice,dedicated intelectual. He was author of several number of books in Urdu and English and one of his written work Hali Ka Zahni Irteqa was made part of university level curriculum.

Dr Ghulam Mustafa was also a famous religious and spiritual leader. Number of people attended his discussions and talks and always gained new in it. He himself and his work will always be remembered.

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DAWN-Leading Pakistan English Newspaper. Article Issue dated:September 26, 2005.

129.11.77.198 16:35, 25 July 2006 (UTC)

• This article already exists in Wikipedia. You can find it at Ghulam Mustafa Khan --Zoz (t) 19:42, 25 July 2006 (UTC)

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Prof (Dr) Ghulam Mustafa Khan was a Renowned research scholar, educationist and religious and spiritual leader of Pakistan. Dr Khan was born in the Jabalpur city of India on September 23, 1912, and died at Hyderabad, city of Pakistan on September 25, 2005. He received his education at the Aligarh Muslim University.He held a Masters degree in Urdu literature and completed his PhD on Syed Hassan Ghaznavi from Nagpur University. During his Service life he was appointed as a lecturer at the King Edward College, Amrawati and after migration to Pakistan from India he was appointed in Urdu College, Karachi.Later in his life he also performed the duties of head of the department of Urdu in Sindh University.

For his academic services he was honoured with various level of awards. Like wise Presidential award Sitar-i-Imtiaz, Naqoosh award, Iqbal award and Nishan-i-Sipas.

In all Dr Ghulam Mustafa was a very nice,dedicated intelectual. He was author of several number of books in Urdu and English and one of his written work Hali Ka Zahni Irteqa was made part of university level curriculum.

Dr Ghulam Mustafa was also a famous religious and spiritual leader. Number of people attended his discussions and talks and always gained new in it. He himself and his work will always be remembered.

[edit] Sources

DAWN-Leading Pakistan English Newspaper. Article Issue dated:September 26, 2005.

129.11.77.198 16:37, 25 July 2006 (UTC)

• This article already exists in Wikipedia. You can find it at Ghulam Mustafa Khan --Zoz (t) 19:43, 25 July 2006 (UTC)

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Prof (Dr) Ghulam Mustafa Khan was a renowned research scholar, teacher, and religious and spiritual leader in Pakistan. Dr Khan was born in Jabalpur, India on September 23, 1912, and died in Hyderabad, Pakistan on September 25, 2005. He was educated at the Aligarh Muslim University. He held a masters degree in Urdu Literature and completed his PhD on Syed Hassan Ghaznavi at Nagpur University.

During his teaching life he was appointed as a lecturer at the King Edward College, Amrawati and after migration to Pakistan from India, he was appointed in the Urdu College in Karachi. Later in his life he also performed the duties of the head of the department of Urdu in Sindh University.

For his academic services he was honoured with various level of awards. Presidential award Sitar-i-Imtiaz, Naqoosh award, Iqbal award and Nishan-i-Sipas.

In all, Dr Ghulam Mustafa was seen as a very nice, dedicated intelectual. He authored several books in Urdu and English, and one of his written works, Hali Ka Zahni Irteqa, was made part of university level curricula.

Dr Ghulam Mustafa was also a famous religious and spiritual leader. A number of people attended his discussions and talks many of whom gained from it. His work and he himself always be remembered by any members of the Pakistani coommunity.

[edit] Sources

DAWN-Leading Pakistan English Newspaper. Article Issue dated:September 26, 2005.

129.11.77.198 16:37, 25 July 2006 (UTC)

• This article already exists in Wikipedia. You can find it at Ghulam Mustafa Khan --Zoz (t) 19:43, 25 July 2006 (UTC)

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• Declined. This suggestion doesn't sufficiently explain the importance or significance of the subject. See the speedy deletion criteria A7 and/or guidelines on biographies. Please provide more information on why the person or group is worthy of inclusion in an encyclopedia. Thank you.Hyenaste ^(tell) 07:30, 27 July 2006 (UTC)

Pemberai is a Zimbabwean born male. His hobbies include basketball, video games and going out with friends. He is usually friendly byut can lose his temper easily. The last school he attented was Prince Edward School in Harare Zimbabwe.

[edit] Sources

Prince Edward School Harare Zimbabwe

pemberai 172.188.64.31 17:03, 25 July 2006 (UTC)

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• Declined. This is the English-language Wikipedia; we can only accept articles written in the English language. Please provide an English-language translation for your article, or visit the Wikipedia home page to find the version of Wikipedia for your desired language. Vous pouvez trouver l’encyclopédie libre á http://fr.wikipedia.org . --Zoz (t) 19:51, 25 July 2006 (UTC)

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• Declined. This suggestion doesn't sufficiently explain the importance or significance of the subject. See the speedy deletion criteria A7 and/or guidelines on web sites. Please provide more information on why the web site is worthy of inclusion in an encyclopedia. Thank you. Hyenaste ^(tell) 07:32, 27 July 2006 (UTC)

[www.Habbox.com] is a fansite dedicated towards Habbo Hotel UK. The fansite is the biggest and most popular fansite on the hotel, and has affected the history of the habbo community in many ways.

[edit] The Beginning

Habbox was first set up by the famous ex Hobba Mizki. It was taken over by sierk and is still now owned by sierk but often changes manager of the site.

Habbox became known for it being one of, if not the first, fansite to show Rare Values for the hotel. Many people began following the fansites values and the fansite soon was getting thousands of people visiting every month.

[edit] Growth

Habbox under the management and guidance of sierk began to grow, creating more departments and coming up with new ideas. In the early stages habbox consited of news, rare values and articles but it soon grow to having alterations, ask the hobba, help and safety, radio, forum and habbox tv.

Habbox also had a very successful help desk that was taken over by DJ-3000, who later became Habbo X. This is where rivalry with [Impetuous.net] began, as both helpdesks were seen as the top helpdesks on the hotel. Impetuous later became official Habbo UK Staff and is rumoured to have become the hotels third hotel manager Callie. But this comes into it more later on in this article!

[edit] Decline

Habbox begun to lose popularity in late 2005 when habbo uk released its official fansite list. Two things lead to its decline, it was kicked off the official fansite list for breaking the rules and many new fansites begun starting up causing many fans to go to other fansites and get jobs there. This also led to some of the more dedicated staff setting up their own sites in the hope to get it on the fansite list.

Habbox 2006 is still getting thousands of visitors to the website and many people using the forum

[edit] Expanding into different parts of habbo

Habbox TV [HabboxTV.com] began with an enthusiastic team that worked on getting many shows together especially the most popular habbo tv show 'The Street'. Unfortunately after many hackings the site began to continuously go under maintanance and many staff got fed up waiting and left. The Streets producers even set up their own website so its fans could continue to enjoy the series!

Habbox radio Originally owned by jrh2002, who was a hobba it was at its biggest at this time. With jrh and mizki doing shows many people tuned in to listen to the Hobbas and find out the secret events they were hosting. After a fall out with sierk jrh left the radio taken the site with him (he owned habbox radio). Habbox then started up [habboxlive.com] that at first recieved near the same ratings but after mizki and a few other high profile dj's left the site lost its fanbase. The site like the TV begun under going maintanance every month causing many DJ's to lose interest with the site. It is now up and running at the momment but the DJ's may only get upto 30 listners whereas before it peaked to the 100-200 mark. Habbox Help Desk Habbox Help Desk was originally owned by mizki but taken over by DJ-3000. DJ turned it into one of the most successful departments on habbo and even won official awards for the fansite. The higher up staff featured in an event in safety week which pit the best helpdesk workers against each other with DJ-3000 coming second. The helpdesk declined when DJ left and is now hardly ever used.

Habbox Forum This is still up and running and regularly get's over 100 members of the forum at the same time. [Habboxforum.com] has a dedicated fan base and is where many of the new staff members are choosen from.

[edit] Controversy

Rivalry with Impetuous.net Most of this rivalry began as habbox's and impetuous's help desks became the most popular help desks on the game. Run by Dj-3000 and Cheezy2 the two helpdesk's often appeared at the top of the popular list. Staff from each fansite began arguing when advertisers would come into the rival helpdesk trying to steal its customers. There were many heated discussions, which lead to many habbos being banned. The rivalry stopped when impetuous became habbo staff and the fansite began to go downhill. Cheezy2 was also heavily critisized by sierk and other higher up staff members for sucking up to the Habbo Staff. This lead to an image being posted of the habbo cheezy2 raping a dog. Along with an article written by sierk about cheezy2 this lead to many seeing habbox as a bully trying to gain more power. Habbox saw it as Cheezy2 trying to turn staff members against habbox. The rivalry between habbox and impetuous does not exsist anymore seeing as impetuous has closed the website and helpdesk.

Hackings In 2005 habbox begun being targeted by hackers from the hotel. The hackers would redirect the site to porn sites or post rude picture on the website. This continued for a long time and lead to the downfall of habbox tv and in some ways habbox radio. Sites like krews.net posted habbox dtaff emails and in osme cases phone numbers and home adress which was illegal and often led to the site being closed down. The hackers would often disguise themselves as a fan of habbox and work their way into the team whilst gaining access to the website. they would then post vulgar images or redirect the site.

Staff Leaving Habbox has had many high profile staff leave after being upset by how the site was run. Founder Mizki left after an argument with sierk, which lead to a few staff leaving in protest. One of these staff was Jrh2002, another hobba who also owned the radio. This caused a lot of habbox fans to leave and join other fansites.

DJ-3000 also left after he felt sierk was becoming to focused on making money out of habbox through VIP and adverts. This lead to many of the helpdesk team leaving in protest and ended up with many ex staff spamming the forum. This was seen as a low point in habbox's history as many people saw habbox as going downhill from this point on.

Becomming an unofficial fansite Habbox became unofficial mainly after one of its more respected staff Max wrote a dodgey report and displayed dodgey pictures on the site. The dodgey picture was of Cheezy2 and a dog, and the reports was of a new version which had not been released yet on habbo. It was against fansite rules and the Habbo Staff acted in the only way fair kicking the fansite off its list. This led to some habbox staff resenting Cheezy2, Impetuous, Becs and later on Callie.

Impetuous/Callie After they became unofficial many fingers were pointed at Cheezy2 and his very close friendship with Callie and Impetuous. They believed he persuaded the staff to make habbox unofficial after the image posted on the site of his habbo and a dog. This led to many people speculating if Impetuous/Callie was the same person (Impetuous became habbo staff just before manager jibbi left, out of nowhere Callie appeared and became manager). Many people said habbox were paranoid and that they were looking to blame someone but later on this was proved true. After many things such as Callie and Impetuous supposedly had admitted they were the same person, they used the same computer thus the same habbo and they used the same name/email. It is said that habbo kept the identity of Callie secret as Impetuous is known to have had a rivalry with habbox.com and it would create favouritism.

Rare Values Habbox has come under criticism for supposedly controlling the rare value system. The Rare Values infact are a guide for the hotel but many people follow the values strictly. It is seen as a positive thing on the hotel as it stops newer users from being cheated out of their furni. It is also seen as one of the main reasons why habbox still gets thousands of people visiting. Other fansites started putting up values and casino owners started their own sites but many of these prjects were stopped after hackings or lack of work towards the updating of the values. One of these websites was owned by one of the richer habbos vodor, but after his habbo and fansite were hacked he gave up habbo even when people were speculating that it would become the place to find super rare values.

[edit] Sources

[www.habbox.com] [www.habboxforum.com]

86.142.179.131 17:24, 25 July 2006 (UTC)

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Born in 1947 to Phil and VerNatta Brainerd of Medford, Oregon, Paul attended the University of Oregon where he was the editor for the school's paper, The Daily Emerald. Brainerd later founded the publishing/printing software company Aldus, which brought the first ever desktop publishing application, PageMaker to the market.

In 1995 Brainerd founded the Brainerd Foundation, an organization focused on environmental education and the environment of the northwest.

[edit] Sources

HistoryLink Essay: Paul Brainerd

Brainerd Foundation

User:achinn 17:38, 25 July 2006 (UTC)