Portal:Arts/Featured article

From Wikipedia, the free encyclopedia

purge server cache

other

[edit] 2005

December

El Lissitzky's 1914 self portrait

El Lissitzky was a Russian artist, designer, photographer, teacher, typographer, and architect. He was one of the most important figures of the Russian avant-garde, helping develop suprematism with his friend and mentor, Kazimir Malevich, and designed numerous exhibition displays and propaganda works for the former Soviet Union. His work greatly influenced the Bauhaus, Constructivist, and De Stijl movements and experimented with production techniques and stylistic devices that would go on to dominate 20th century graphic design. Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarised with his edict, "das zielbewußte Schaffen" (The task-oriented creation). In 1941 he produced one of his last known works — a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany.

ArchiveNominationsRead more...


view - talk - history

[edit] 2006

January
Greco-Buddhist head of Buddha

Buddhist art, defined as the figurative arts and decorative arts linked to the Buddhist religion, originated in the Indian subcontinent in the centuries following the life of the historical Gautama Buddha in the 6th to 5th century BCE, before evolving through its contact with other cultures and its diffusion through the rest of Asia and the world. A first, essentially Indian, aniconic phase (avoiding direct representations of the Buddha), was followed from around the 1st century CE by an iconic phase (with direct representations of the Buddha). From that time, Buddhist art diversified and evolved as it adapted to the new countries where the faith was expanding. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as South-East Asia to form the Southern Branch of Buddhist art. In India, the land of its birth, Buddhist art flourished and even influenced the development of Hindu art, until Buddhism almost disappeared around the 10th century with the expansion of Hinduism and Islam.

ArchiveNominationsRead more...


view - talk - history


February
A graffiti artist working with spray paint at a Graffiti competition in London

Graffiti is a type of deliberate human markings on property. Graffiti can take the form of art, drawings, or words, and is illegal vandalism when done without the property owner's consent. Its origin can be traced back to ancient civilizations such as the Roman Empire and Ancient Greece. Graffiti originally was the term used for inscriptions, figure drawings, etc., found on the walls of ancient sepulchers or ruins, as in the Catacombs, or at Pompeii. It has evolved to include any decorations inscribed on any surface that are considered to be vandalism or pictures or writing placed on surfaces, usually outside walls and sidewalks, without the permission of the owner. Thus, inscriptions made by the authors of a monument are not considered graffiti. The word "graffiti" expresses the plural of "graffito", although the singular form has become relatively obscure and is largely used in art history to refer to works of art made by scratching the design on a surface.

ArchiveNominationsRead more...


view - talk - history


March
The Parthenon

The Parthenon (Greek: Παρθενώνας) is the best-known surviving building of Ancient Greece and is regarded as one of the world's great cultural monuments. The building has stood atop the Acropolis of Athens for nearly 2,500 years and was built to give thanks to Athena, the city's patron goddess, for the salvation of Athens and Greece in the Persian Wars. The building was officially called the Temple of Athena the Virgin, and its popular name derives from the ancient Greek word παρθένος (parthenos), a virgin. The Parthenon replaced an older building that had been destroyed by the Persians. As well as being a temple, the Parthenon was used as a treasury, and was the location of the treasury of the Delian League, which later became the Athenian Empire. Although the nearby Temple of Hephaestus is the most complete surviving example of a Doric order temple, the Parthenon, in its day, was regarded as the finest. It was elaborately decorated with marble sculptures both internally and externally. These survive only in part, but there are good descriptions of most of those parts that have been lost. Beginning in 1975, the Greek Government, with funding and technical assistance provided by the European Union, began a concerted effort to restore the Parthenon and other Acropolis structures.

ArchiveNominationsRead more...


view - talk - history


April
"Collegiata" in Catania, designed by Stefano Ittar (c. 1768)

Sicilian Baroque is the distinctive form of Baroque architecture that took hold on the large island of Sicily off the southern Italian coast in the 17th and 18th centuries. The style is recognisable not just by its typical Baroque curves and flourishes, but by its grinning masks and putti and a particular flamboyance that has given Sicily a unique architectural identity. The Sicilian Baroque style came to fruition during a major surge of rebuilding following a massive earthquake in 1693. Previously, the Baroque style had been used on the island in a naive and parochial manner, having evolved from hybrid native architecture rather than being derived from the great Baroque architects of Rome. After the earthquake, local architects, many of them trained in Rome, were given plentiful opportunities to recreate the more sophisticated Baroque architecture that had become popular in mainland Italy. Around 1730, Sicilian architects had developed a confidence in their use of the Baroque style. Their particular interpretation of this style led to its evolving further into a personalised and highly localised art form on the island. From the 1780s onwards, the style was gradually replaced by the newly-fashionable neoclassicism.

ArchiveNominationsRead more...


view - talk - history


May
A 1905 poster for the opening run at the Abbey Theatre

The Abbey Theatre, also known as the National Theatre of Ireland, is located in Dublin, Ireland. The Abbey first opened its doors to the public on December 27, 1904 and, despite losing its original building to a fire in 1951, it has continued to stage performances more or less continuously to the present day. The Abbey was the first state-subsidised theatre in the English-speaking world; from 1925 onwards it has received an annual subsidy from the Irish Free State. In its early years, the theatre was closely associated with the writers of the Celtic revival, many of whom were involved in its foundation and most of whom had plays staged there. The Abbey served as a nursery for many of the leading Irish playwrights and actors of the 20th century. In addition, through its extensive programme of touring abroad and its high visibility to foreign, particularly North American, audiences, it has become an important part of the Irish tourist industry.

ArchiveNominationsRead more...


view - talk - history


June

Igor Stravinsky was a Russian-born composer of modern classical music. He composed in the primitivist, neo-classical and serialist styles, but he is best known for three works from his earlier, Russian period: Le sacre du printemps (The Rite of Spring), Petrushka and L'Oiseau de feu (The Firebird). For some, these daring and innovative ballets practically reinvented the genre. Stravinsky also wrote in a broad spectrum of ensemble combinations and classical forms. His oeuvre included everything from symphonies to piano miniatures.

Stravinsky also achieved fame as a pianist and conductor, often at the premières of his own works. He was also a writer. With the help of Alexis Roland-Manuel, Stravinsky composed a theoretical work entitled Poetics of Music. In it, he famously claimed that music was incapable of "expressing anything but itself". Robert Craft transcribed several interviews with the composer, which were published as Conversations with Stravinsky.

A quintessentially cosmopolitan Russian, Stravinsky was one of the most influential composers and artists of 20th century music, both in the West and in his native land. He was named by Time magazine as one of the most influential people of the century.

ArchiveNominationsRead more...


view - talk - history


July

Restoration literature is the literature written in English during the period commonly referred to as the English Restoration (1660 - 1689), corresponding with the last years of the direct Stuart reign in England, Scotland, Wales, and Ireland. In general, the term is used to denote roughly homogeneous styles of literature that center on a celebration of or reaction to the restored court of Charles II. It is a literature that includes extremes, for it encloses both Paradise Lost and the Earl of Rochester's Sodom, the high-spirited sexual comedy of The Country Wife and the moral wisdom of Pilgrim's Progress. It saw Locke's Treatises on Government, the founding of the Royal Society, the experiments and holy meditations of Robert Boyle, the hysterical attacks on theaters from Jeremy Collier, and the pioneering of literary criticism from John Dryden and John Dennis. It saw news become a commodity, the essay develop into a periodical artform, the beginnings of textual criticism, and the emergence of the stock market.

The dates for "Restoration literature" are a matter of convention, and they differ markedly from genre to genre. Thus, the "Restoration" in drama may last until 1700, while in poetry it may last only until 1666 and the annus mirabilis, and in prose it might end in 1688, with the increasing tensions over succession and the corresponding rise in journalism and periodicals or not until 1700, when those periodicals grew more stabilized. In general, the term "Restoration" is used to denote the literature that began and flourished due to Charles II, whether that literature was the laudatory ode that gained a new life with restored aristocracy or the eschatological literature that showed an increasing despair among Puritans, or the literature of rapid communication and trade that followed in the wake of England's mercantile empire.

ArchiveNominationsRead more...


view - talk - history


August

Diego Rodríguez de Silva y Velázquez (June, 1599 – August 6, 1660), commonly referred to as Diego Velázquez, was a Spanish painter, the leading artist in the court of King Philip IV. He was an individualistic artist of the contemporary baroque period, important as a portrait artist. His two visits to Italy while part of the Spanish court are well documented. In addition to numerous renditions of scenes of historical and cultural significance, he created scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece, Las Meninas (1656).

Starting in the first quarter of the nineteenth century, Velázquez's artwork proved a model for the realist and impressionist painters, in particular Édouard Manet. Since that time, more modern artists, including Spain's Pablo Picasso, Francisco Goya and Salvador Dalí, have paid tribute to Velázquez by recreating several of his most famous works.

ArchiveNominationsRead more...


view - talk - history


September

Porgy and Bess is an opera with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and Heyward. It was based on Heyward's novel Porgy and the play of the same name that he co-wrote with his wife Dorothy. All three works deal with African American life in the fictitious Catfish Row in Charleston, South Carolina in the early 1930s.

Originally conceived by Gershwin as an "American folk opera," the work was first performed in various forms in the fall of 1935, but was not widely accepted in the United States as a legitimate opera until the late 1970s and '80s: it is now considered part of the standard operatic repertoire. Porgy and Bess is also regularly performed internationally, and several recordings of the complete work, including Gershwin's cuts, have been made. Despite this acclaim, the opera has been controversial; some from the outset have considered it racist.

"Summertime" is by far the best-known piece from the work, and countless interpretations of this and other individual numbers have also been recorded and performed. The opera is admired for Gershwin's innovative synthesis of European orchestral techniques with American jazz and folk music idioms. Porgy and Bess tells the story of Porgy, a crippled black man living in the slums of Charleston, South Carolina, and his attempts to rescue Bess from the clutches of Crown, her pimp, and Sportin' Life, the drug dealer.

ArchiveNominationsRead more...


view - talk - history


October

Ran is a 1985 film written and directed by Japanese filmmaker Akira Kurosawa. It is a Jidaigeki (Japanese period drama) depicting the fall of Hidetora Ichimonji (Tatsuya Nakadai), an aging Sengoku-era warlord who decides to abdicate as ruler in favor of his three sons. His kingdom slowly disintegrates as each son struggles for power, murdering rivals and laying waste to the land. Hidetora goes insane after watching his retainers slaughtered in an epic massacre, the centerpiece of the film. As the kingdom crumbles and rival warlords move in for the kill, the Ichimonji clan collapses in a culmination of revenge and betrayal as old scores are finally settled. The story is based on legends of the daimyo Mori Motonari as well as on the Shakespearean tragedy King Lear.

Ran was Kurosawa's last great epic. With a budget of $12 million it was the most expensive Japanese film ever produced. Kurosawa would direct three other films before he died, but none would be so large scale. The film was hailed for its powerful images and use of color – costume designer Emi Wada won an Academy Award for Costume Design for her work on Ran. The distinctive film score, written by Toru Takemitsu, plays in isolation with the normal sound muted–particularly as Hidetora's castle is destroyed.

ArchiveNominationsRead more...


view - talk - history


November
Ezra Pound in 1913.

The poetry of the United States began as a literary art during the colonial era. Unsurprisingly, most of the early poetry written in the colonies and fledgling republic used contemporary British models of poetic form, diction, and theme. However, in the 19th century a distinctive American idiom began to emerge. By the later part of that century, when Walt Whitman was winning an enthusiastic audience abroad, poets from the United States had begun to take their place at the forefront of the English-language avant-garde. This position was sustained into the 20th century to the extent that Ezra Pound (pictured) and T. S. Eliot were perhaps the most influential English-language poets in the period around World War I. By the 1960s, the young poets of the British Poetry Revival looked to their American contemporaries and predecessors as models for the kind of poetry they wanted to write.

Toward the end of the millennium, consideration of American poetry had diversified, as scholars placed an increased emphasis on poetry by women, African Americans, Hispanics, Chicanos and other subcultural groupings. Poetry, and creative writing in general, also tended to become more professionalized with the growth of Creative Writing programs on campuses across the country.

ArchiveNominationsRead more...


view - talk - history


December

Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. It combines elements from the action movie, as codified by Hollywood, with Chinese storytelling and aesthetic traditions, to create a culturally distinctive form that nevertheless has a wide transcultural appeal. In recent years, the flow has reversed somewhat, with American and European action films being heavily influenced by Hong Kong genre conventions.

The first Hong Kong action films favoured the wuxia style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by styles in which films depicted more down-to-earth unarmed kung fu, often featuring folk hero Wong Fei Hung. Post-war cultural upheavals led to a second wave of wuxia films with highly acrobatic violence, followed by the emergence of the grittier kung fu films for which the Shaw Brothers studio became best known. The 1970s saw the rise and sudden death of international superstar Bruce Lee. He was succeeded in the 1980s by Jackie Chan—who popularised the use of comedy, dangerous stunts, and modern urban settings in action films—and Jet Li, whose authentic wushu skills appealed to both eastern and western audiences. The innovative work of directors and producers like Tsui Hark and John Woo introduced further variety (for example, gunplay, triads and the supernatural). An exodus by many leading figures to Hollywood in the 1990s coincided with a downturn in the industry.

ArchiveNominationsRead more...


view - talk - history

[edit] 2007

January

Sicilian Baroque is the distinctive form of Baroque architecture that took hold on the island of Sicily, off the southern coast of Italy, in the seventeenth and eighteenth centuries. The style is recognizable not only by its typical Baroque curves and flourishes, but also by its grinning masks and putti and a particular flamboyance that has given Sicily a unique architectural identity.

The Sicilian Baroque style came to fruition during a major surge of rebuilding following a massive earthquake in 1693. Previously, the Baroque style had been used on the island in a naïve and parochial manner, having evolved from hybrid native architecture rather than being derived from the great Baroque architects of Rome. After the earthquake, local architects, many of them trained in Rome, were given plentiful opportunities to recreate the more sophisticated Baroque architecture that had become popular in mainland Italy; the work of these local architects — and the new genre of architectural engravings that they pioneered — inspired more local architects to follow their lead. Around 1730, Sicilian architects had developed a confidence in their use of the Baroque style. Their particular interpretation led to its evolving further into a personalised and highly localised art form on the island. From the 1780s onwards, the style was gradually replaced by the newly-fashionable neoclassicism.

The highly decorative Sicilian Baroque period lasted barely fifty years, and perfectly reflected the social order of the island at a time when, nominally ruled by Spain, it was in fact governed by an extravagant and egocentric aristocracy. Its Baroque architecture gives the island an architectural character that has lasted into the 21st century.

ArchiveNominationsRead more...


view - talk - history


February
Self-Portrait, c. 1866.

Felice Beato (born 1833 or 1834, died c.1907), sometimes known as Felix Beato, was a Corfiote photographer. He was one of the first photographers to take pictures in East Asia and one of the first war photographers. He is also noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels to many lands gave him the opportunity to create powerful and lasting images of countries, people and events that were unfamiliar and remote to most people in Europe and North America. To this day his work provides the key images of such events as the Indian Rebellion of 1857 and the Second Opium War. His photographs represent the first substantial oeuvre of what came to be called photojournalism. He had a significant impact on other photographers, and Beato's influence in Japan, where he worked with and taught numerous other photographers and artists, was particularly deep and lasting.

ArchiveNominationsRead more...


view - talk - history


March
Oscar Wilde is one of Ireland's
best-known playwrights.

The history of Irish theatre begins with the rise of the English administration in Dublin at the start of the 17th century. Over the next 400 years this small country was to make a disproportionate contribution to drama in English.

In the early days of its history, theatrical productions in England tended to serve the political purposes of the administration, but as more theatres opened and the popular audience grew, a more diverse range of entertainments was staged. Many Dublin-based theatres developed links with their London equivalents and performers and productions from the British capital frequently found their way to the Irish stage. However, most Irish playwrights from William Congreve to George Bernard Shaw found it necessary to go abroad to establish themselves.

At the beginning of the 20th century, theatres and theatre companies dedicated to the staging of Irish plays and the development of indigenous writers, directors and performers began to emerge. This allowed many of the most significant Irish dramatists to learn their trade and establish their reputations at home rather than in Britain or the United States.

ArchiveNominationsRead more...


view - talk - history


April
Holkham Hall.

Holkham Hall, Norfolk, England, is an eighteenth century country house constructed in the Palladian style for Thomas Coke 1st Earl of Leicester by the architect William Kent with advice from the architect and aristocrat Lord Burlington. Burlington's Chiswick House is the prototype for many of England's Palladian revival houses.

Holkham Hall is one of England's finest examples of the Palladian revival style of architecture, the severity of the design being closer to Palladio's ideals than many of the other numerous Palladian style houses of the period. The Holkham estate, formerly known as Neals, had been purchased in 1609 by Sir Edward Coke, the founder of the family fortune. It remains today the ancestral home of the Coke family, Earls of Leicester of Holkham.

ArchiveNominationsRead more...


view - talk - history


May
Holkham Hall.

Holkham Hall, Norfolk, England, is an eighteenth century country house constructed in the Palladian style for Thomas Coke 1st Earl of Leicester by the architect William Kent with advice from the architect and aristocrat Lord Burlington. Burlington's Chiswick House is the prototype for many of England's Palladian revival houses.

Holkham Hall is one of England's finest examples of the Palladian revival style of architecture, the severity of the design being closer to Palladio's ideals than many of the other numerous Palladian style houses of the period. The Holkham estate, formerly known as Neals, had been purchased in 1609 by Sir Edward Coke, the founder of the family fortune. It remains today the ancestral home of the Coke family, Earls of Leicester of Holkham.

ArchiveNominationsRead more...


view - talk - history


June
Charles II of England.

Restoration literature is the English literature written during the historical period commonly referred to as the English Restoration (1660 to 1689), which corresponds to the last years of the direct Stuart reign in England, Scotland, Wales, and Ireland. In general, the term is used to denote roughly homogeneous styles of literature that centre on a celebration of or reaction to the restored court of Charles II. It is a literature that includes extremes, for it encompasses both Paradise Lost and the Earl of Rochester's Sodom, the high-spirited sexual comedy of The Country Wife and the moral wisdom of The Pilgrim's Progress. It saw Locke's Treatises of Government, the founding of the Royal Society, the experiments and holy meditations of Robert Boyle, the hysterical attacks on theatres from Jeremy Collier, and the pioneering of literary criticism from John Dryden and John Dennis. The period witnessed news become a commodity, the essay develop into a periodical art form, the beginnings of textual criticism, and the emergence of the stock market.

ArchiveNominationsRead more...


view - talk - history


July
Charles II of England.

Restoration literature is the English literature written during the historical period commonly referred to as the English Restoration (1660 to 1689), which corresponds to the last years of the direct Stuart reign in England, Scotland, Wales, and Ireland. In general, the term is used to denote roughly homogeneous styles of literature that centre on a celebration of or reaction to the restored court of Charles II. It is a literature that includes extremes, for it encompasses both Paradise Lost and the Earl of Rochester's Sodom, the high-spirited sexual comedy of The Country Wife and the moral wisdom of The Pilgrim's Progress. It saw Locke's Treatises of Government, the founding of the Royal Society, the experiments and holy meditations of Robert Boyle, the hysterical attacks on theatres from Jeremy Collier, and the pioneering of literary criticism from John Dryden and John Dennis. The period witnessed news become a commodity, the essay develop into a periodical art form, the beginnings of textual criticism, and the emergence of the stock market.

ArchiveNominationsRead more...


view - talk - history


August
Self-portrait.

El Greco ("The Greek"[a][b], 1541April 7, 1614) was a painter, sculptor, and architect of the Spanish Renaissance. He usually signed his paintings in Greek letters with his full name, Doménicos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος), underscoring his Greek descent.

El Greco was born and baptized in Crete, which was at that time part of the Republic of Venice; at 32 he traveled to Venice itself to study, In 1575 he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance. In 1577 he immigrated to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best known paintings.

El Greco's dramatic and expressionistic style was met with puzzlement by his contemporaries but found appreciation in the 20th century. El Greco is regarded as a precursor of both Expressionism and Cubism, while his personality and works were a source of inspiration for poets and writers such as Rainer Maria Rilke and Nikos Kazantzakis. El Greco has been characterized by modern scholars as an artist so individual that he belongs to no conventional school. He is best known for tortuously elongated figures and often fantastic or phantasmagorical pigmentation, marrying Byzantine traditions with those of Western civilization.

ArchiveNominationsRead more...


view - talk - history


September

Deconstructivism in architecture, also called deconstruction, is a development of postmodern architecture that began in the late 1980s. It is characterized by ideas of fragmentation, an interest in manipulating ideas of a structure's surface or skin, non-rectilinear shapes which serve to distort and dislocate some of the elements of architecture, such as structure and envelope. The finished visual appearance of buildings that exhibit the many deconstructivist "styles" is characterised by a stimulating unpredictability and a controlled chaos. Important events in the history of the deconstructivist movement include the 1982 Parc de la Villette architectural design competition (especially the entry from Jacques Derrida and Peter Eisenman and Bernard Tschumi's winning entry), the Museum of Modern Art’s 1988 Deconstructivist Architecture exhibition in New York, organized by Philip Johnson and Mark Wigley, and the 1989 opening of the Wexner Center for the Arts in Columbus, designed by Peter Eisenman. The New York exhibition featured works by Frank Gehry, Daniel Liebeskind, Rem Koolhaas, Peter Eisenman, Zaha Hadid, Coop Himmelb(l)au, and Bernard Tschumi. Since the exhibition, many of the architects who were associated with Deconstructivism have distanced themselves from the term. Nonetheless, the term has stuck and has now, in fact, come to embrace a general trend within contemporary architecture.

ArchiveNominationsRead more...


view - talk - history


October

Sunset Boulevard (also known as Sunset Blvd.) is a 1950 American film noir containing elements of drama, horror, and black comedy. Directed and co-written by Billy Wilder, it was named after the famous boulevard of the same name that runs through Los Angeles and Beverly Hills.

It stars William Holden as down-on-his-luck screenwriter Joe Gillis, and Gloria Swanson as Norma Desmond, a faded movie star and femme fatale who entraps the unsuspecting Gillis into her fantasy world in which she dreams of making a triumphant return to the screen. Erich von Stroheim, Nancy Olson, Fred Clark, Lloyd Gough and Jack Webb play supporting roles. Director Cecil B. DeMille and gossip columnist Hedda Hopper play themselves, and the film includes cameo appearances by leading silent film figures Buster Keaton, H. B. Warner and Anna Q. Nilsson.

Praised by many critics when first released, Sunset Boulevard was nominated for eleven Academy Awards and won three. It is widely accepted as a classic, often cited as one of the most noteworthy films of American cinema. Deemed "culturally significant" by the U.S. Library of Congress in 1989, Sunset Boulevard was included in the first group of films selected for preservation in the National Film Registry. In 1998 it was ranked number twelve on the American Film Institute's list of the 100 best American films of the 20th century, dropping to number 16 on the 10th Anniversary edition published in 2007.

ArchiveNominationsRead more...


view - talk - history


November

"Smells Like Teen Spirit" is a song by the American rock band Nirvana, and the opening track and lead single from the band's 1991 breakthrough album Nevermind. Written by Kurt Cobain, Krist Novoselic, and Dave Grohl and produced by Butch Vig, the song uses a verse-chorus form where the main four-chord riff is used during the intro and chorus to create an alternating loud and quiet dynamic.

The unexpected success of "Smells Like Teen Spirit" propelled Nevermind to the top of the charts at the start of 1992, often marked as the point where alternative rock entered the mainstream. "Teen Spirit" was Nirvana's first and biggest hit, reaching number six on the Billboard Hot 100 and placing high on music industry charts all around the world in 1991 and 1992. The song also received many critical plaudits, including topping the Village Voice Pazz & Jop critics' poll and winning two MTV Video Music Awards for its music video, which was in heavy rotation on music television. The song was dubbed an "anthem for apathetic kids" of Generation X, but the band grew uncomfortable with the success and attention they received. In the years since Nirvana's breakup, listeners and critics have continued to praise "Smells Like Teen Spirit" as one of the greatest rock songs of all time.

ArchiveNominationsRead more...


view - talk - history


December
Anton Chekhov, 1898

Anton Pavlovich Chekhov (Russian: Анто́н Па́влович Че́хов, IPA[ʌnˈton ˈpavləvʲɪtɕ ˈtɕɛxəf]) was a Russian short story writer and playwright. He was born in Taganrog, southern Russia, on 29 January [O.S. 17 January] 1860, and died of tuberculosis at the health spa of Badenweiler, Germany, on 15 July [O.S. 2 July] 1904. His brief playwriting career produced four classics, while his best short stories are held in high esteem by writers and critics. Chekhov practiced as a doctor throughout most of his literary career: "Medicine is my lawful wife," he once said, "and literature is my mistress".

Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim by Konstantin Stanislavsky's Moscow Art Theatre, which subsequently also produced Uncle Vanya and premiered Chekhov’s last two plays, Three Sisters and The Cherry Orchard. These four works present a special challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text". Not everyone appreciated that challenge: Leo Tolstoy reportedly told Chekhov, "You know, I cannot abide Shakespeare, but your plays are even worse".

Tolstoy did, however, admire Chekhov's short stories. Chekhov had at first written stories only for the money, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later exploited by Virginia Woolf and other modernists, combined with a disavowal of the moral finality of traditional story structure. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.

ArchiveNominationsRead more...


view - talk - history


[edit] 2008

January
Belton House.

Belton House is a country house near Grantham, Lincolnshire, England. The mansion is surrounded by formal gardens and a series of avenues leading to follies within a greater wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, the only truly vernacular style of architecture that England had produced since the time of the Tudors. The house has also been described as the most complete example of a typical English country house; the claim has even been made that Belton's principal facade was the inspiration for the modern British motorway signs which give directions to stately homes. Only Brympton d'Evercy has been similarly lauded as the perfect English country house.

For three hundred years, Belton House was the seat of the Brownlow and Cust family, who had first acquired land in the area in the late 16th century. Between 1685 and 1688 the young Sir John Brownlow and his wife had the present mansion built. Despite great wealth they chose to build a modest country house rather than a grand contemporary Baroque palace. The contemporary, if provincial, Carolean style was the selected choice of design. However, the new house was fitted with the latest innovations such as sash windows for the principal rooms, and more importantly completely separate areas for the staff. As the Brownlows rose from baronets to barons upward to earls and then once again became barons, successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little.

ArchiveNominationsRead more...


view - talk - history


February

Campbell's Soup Cans (sometimes referred to as 32 Campbell's Soup Cans) is a work of art produced in 1962 by Andy Warhol.

It consists of thirty-two canvases, each measuring 20 inches in height × 16 inches in width (50.8 × 40.6 cm) and each consisting of a painting of a Campbell's Soup can—one of each of the canned soup varieties the company offered at the time. The individual paintings were produced with a semi-mechanized silkscreen process, using a non-painterly style. Campbell's Soup Cans' reliance on themes from popular culture helped to usher in pop art as a major art movement.

For Warhol, a commercial illustrator who became a successful author, painter, and film director, the work was his first one-man gallery exhibition as a fine artist. First exhibited in the Ferus Gallery of Los Angeles, California, it marked the West Coast debut of pop art. The combination of the semi-mechanized process, the non-painterly style, and the commercial subject initially caused offense, as the work's blatantly mundane commercialism represented a direct affront to the technique and philosophy of abstract expressionism. The abstract expressionism art movement was dominant during the post-war period, and it held not only to "fine art" values and aesthetics but also to a mystical inclination. This controversy led to a great deal of debate about the merits and ethics of such work. Warhol's motives as an artist were questioned, and they continue to be topical to this day. The large public commotion helped transform Warhol from being an accomplished 1950s commercial illustrator to a notable fine artist, and it helped distinguish him from other rising pop artists. Although commercial demand for his paintings was not immediate, Warhol's association with the subject led to his name becoming synonymous with the Campbell's Soup can paintings.

ArchiveNominationsRead more...


view - talk - history


March

The Point Park Civic Center was a proposed civic center for downtown Pittsburgh, Pennsylvania, United States, where the confluence of the Allegheny and Monongahela Rivers forms the Ohio River. The structure was designed by Frank Lloyd Wright on commission from Edgar J. Kaufmann in the late 1940s. Wright initially envisioned a circular building more than 1000 feet (300 m) in diameter and 175 feet (50 m) tall. The structure, containing an opera house, sports arena, three movie theaters, and a convention hall, was wrapped with a spiraling strip of road. The plan expressed Wright's insistence on bringing the automobile into the social setting. It did not find favor with Pittsburgh authorities.

To make the design more palatable to its audience, Wright developed a radically different proposal for a monolithic tower supporting bridges across the Allegheny and Monongahela. This too was unsuccessful, and none of Wright's work for the site was ever built. The site is now occupied by Point State Park.

The unused design has garnered scholarly attention, and elements of it have been compared to other Wright designs, such as the Solomon R. Guggenheim Museum and his unrealized plans for Monona Terrace.

ArchiveNominationsRead more...


view - talk - history


April

The Country Wife is a Restoration comedy written in 1675 by William Wycherley. A product of the tolerant early Restoration period, the play reflects an aristocratic and anti-Puritan ideology, and was controversial for its sexual explicitness even in its own time. Even its title contains a lewd pun. It is based on several plays by Molière, with added features that 1670s London audiences demanded: colloquial prose dialogue in place of Molière's verse, a complicated, fast-paced plot tangle, and many sex jokes. It turns on two indelicate plot devices: a rake's trick of pretending impotence in order to safely have clandestine affairs with married women, and the arrival in London of an inexperienced young "country wife", with her discovery of the joys of town life, especially the fascinating London men.

The scandalous trick and the frank language have for much of the play's history kept it off the stage and out of print. Between 1753 and 1924, The Country Wife was considered too outrageous to be performed at all and was replaced on the stage by David Garrick's cleaned-up and bland version The Country Girl, now a forgotten curiosity. The original play is again a stage favourite today, and is also acclaimed by academic critics, who praise its linguistic energy, sharp social satire, and openness to different interpretations.

ArchiveNominationsRead more...


view - talk - history


May

Samuel Beckett (13 April 190622 December 1989) was an Irish writer, dramatist and poet.

Beckett's work is stark and fundamentally minimalist. As a follower of James Joyce, Beckett is considered by many one of the last modernists; as an inspiration to many later writers, he is considered one of the first postmodernists. He is also considered one of the key writers in what Martin Esslin called "Theatre of the Absurd".

He was awarded the Nobel Prize in Literature in 1969 "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". Beckett was elected Saoi of Aosdána in 1984. He died in Paris of respiratory problems.

ArchiveNominationsRead more...


view - talk - history


June
Freedom Monument by Kārlis Zāle.

The Freedom Monument (Latvian: Brīvības piemineklis) is a memorial located in Riga, Latvia honoring soldiers killed during the Latvian War of Independence (1918-1920). It is considered an important symbol of the freedom, independence, and sovereignty of Latvia. Unveiled in 1935, the 42-metre (138 ft) high monument of granite, travertine, and copper often serves as the focal point of public gatherings and official ceremonies in Riga.

The sculptures and bas-reliefs of the monument, arranged in thirteen groups, depict Latvian culture and history. The core of the monument is composed of tetragonal shapes on top of each other, decreasing in size towards the top, completed by a 19-metre (62 ft) high travertine column bearing the copper figure of Liberty lifting three gilded stars. The concept for the monument first emerged in the early 1920s when the Latvian Prime Minister, Zigfrīds Anna Meierovics, ordered rules to be drawn up for a contest for designs of a "memorial column". After several contests the monument was finally built at the beginning of the 1930s according to the scheme "Shine like a star!" submitted by Latvian sculptor Kārlis Zāle. Construction works were financed by private donations.
view - talk - history


July

Portal:Arts/Featured article/July, 2008
view - talk - history


August

Portal:Arts/Featured article/August, 2008
view - talk - history