Armida (Haydn)
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Operas by Joseph Haydn |
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Der krumme Teufel (1751) |
Armida is an opera in three acts by Joseph Haydn, set to a libretto based upon Torquato Tasso's poem Gerusalemme liberata (Jerusalem Delivered). The first performance was in 1784. The opera received 54 performances from 1784 to 1788 at the Esterháza Court Theatre, and during the composer's lifetime also was performed in Bratislava, Budapest, Turin and Vienna. Haydn himself regarded Armida as his finest opera.[1] Armida then disappeared from the general operatic repertoire, and in the 20th century was revived in 1968 in a concert rendition in Cologne, and later a production in Bern.[2]
Karl Geiringer has commented on how Haydn adopted the "principles and methods" of Christoph Willibald Gluck in this opera, and how the opera's overture alone encapsulates the opera's plot in purely instrumental terms.[3]
[edit] Roles
Role | Voice type | Premiere Cast, 1784 (Conductor: - ) |
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Armida, a sorceress | mezzo-soprano | |
Rinaldo, a knight | tenor | |
Zelmira, accomplice of Armida | soprano | |
Idreno, king of the Saracens | baritone | |
Ubaldo, friend of Rinaldo | tenor | |
Clotarco, a knight | tenor |
[edit] Selected recordings
- Philips 6769 021: Jessye Norman, Claes J. Ahnsjö, Norma Burrowes, Samuel Ramey, Robin Leggate, Anthony Rolfe Johnson; Lausanne Chamber Orchestra; Antal Doráti, conductor
- Teldec 81108-2: Cecilia Bartoli, Christoph Prégardien, Patricia Petibon, Oliver Widmer, Scot Weir, Markus Schäfer; Concentus Musicus Wien; Nikolaus Harnoncourt, conductor[2]
[edit] References
- ^ Lang, Paul Henry, "Haydn and the Opera" (April 1932). The Musical Quarterly, 18 (2): pp. 274-281.
- ^ a b Graeme, Roland (2002). "Armida. Joseph Haydn". The Opera Quarterly 18 (1): 110–114. doi: .
- ^ Geiringer, Karl, "Haydn as an Opera Composer" (1939-1940). Proceedings of the Musical Association, 66th Sess.: pp. 23-32.