Area (band)
From Wikipedia, the free encyclopedia
| Area | |
|---|---|
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| Background information | |
| Origin | Italy |
| Genre(s) | Progressive rock Art rock Free jazz Jazz fusion Experimental music Electronic music |
| Years active | 1972–1983 1993-1999 |
| Label(s) | Cramps, Ascolto, Sony |
| Associated acts | I Ribelli I Califfi The Pleasure Machine PFM |
| Former members | |
| Demetrio Stratos Giulio Capiozzo Eddie Busnello Leandro Gaetano Johnny Lambizzi Patrick Djivas Patrizio Fariselli Paolo Tofani Ares Tavolazzi Gianni Sassi Massimo Urbani Pietro Tonolo Sara Borsarini Guido Guidoboni Larry Nocella Paolo Dalla Porta Pietro Condorelli Angela Baggi Marco Micheli Stefano Bollani |
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Area - International POPular Group, most commonly known as Area or AreA, was an Italian progressive rock, jazz fusion, electronic, experimental group[1] formed in 1972. They were known for their left-wing Socialist and Communist lyrics. Their singer was Demetrio Stratos.
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[edit] History
Area grew to be one of the most respected and important bands of the blooming 70s Italian progressive rock scene.
Originally composed of Demetrio Stratos, Giulio Capiozzo (drums and percussion), Victor Edouard "Eddie" Busnello (saxophone and flutes), Leandro Gaetano (piano), and Johnny Lambizzi (guitar), soon followed by Patrick Djivas (bass) and Patrizio Fariselli (keyboards and piano), Area was formed in 1972.[2][3] The band was led by Demetrio Stratos, a highly original and talented singer of Greek family who used his voice as an instrument, in spite of not having written anything for the group.
In 1973, Johnny Lambizzi left the band and was replaced by Paolo Tofani (guitar and synth). In that year, they recorded their first studio album Arbeit Macht Frei ("Work Brings Freedom"), taken from the inscription that was found on the gate at the entrance to Auschwitz Nazi concentration camp,[2] was released by Cramps Records and the band performed in many musical and cultural events. Area went on tour in Chile and, representing Italy, they took part in the eighth Biennale de Paris.[3] At that time, Area's sound was an odd mish-mash that drew from rock, jazz, Eastern, and Arabic music, and it was the blending of all sorts of music that made the band stand out. The band soon grew to prominence because the youth of the time were able to identify with Area's socialist lyrics, and the band was founded on a strong and virtuosic musicianship. To aficionados of Italian progressive rock, their debut album Arbeit Macht Frei is considered a classic.
In 1974, Eddie Busnello and Patrick Djivas left the band. Patrick Djivas, who would later play with Premiata Forneria Marconi, was replaced by Ares Tavolazzi (bass).[3] Early in the band, Area had prominent saxophone work from Busnello but when he left, along with bassist Patrick Djivas, the Area sound became more guitar and keyboard oriented. At that time, the line-up of the group was composed of Demetrio Stratos on vocals, Hammond organ and steel drum; Giulio Capiozzo on percussion; Patrizio Fariselli on piano and keyboards; Ares Tavolazzi on bass and trombone; and Paolo Tofani on guitar and VCS 3 syntethizer. The sixth unofficial member of the group was Gianni Sassi, founder of the Cramps Records label, who took care of the group's image. Sassi was involved in nearly all of the cultural projects of the time and was a component of the Italian Fluxus movement, the international network of artists, composers, and designers noted for blending different artistic media and disciplines in the 1960s.[2] Area held a “therapeutic” concert at the Psychiatric Hospital of Trieste, directed by Franco Basaglia; recorded Caution Radiation Area, played at the Parco Lambro Festival in Milan and at the first International Festival of Rovereto; They represented Italy at the first Pop Festival of Berne and performed at the Velodromo Vigorelli event against the Vietnam War together with Joan Baez.[3]
During 1975, the number of their live performances and exhibitions increased. They participated at the second Parco Lambro Festival and at the "Festa Nazionale dell'Unità" in Florence; in November of that year, Area recorded their second studio album Crac!, and their recordings were published for the first time in France.[3]
| “ | It was the mid-1970s and live events roused enthusiasm as never before; they fulfilled the need to be together and the illusion of continuing as a person. Area ... (was) a head above the rest. Not only because they seemed to be more attentive to the themes outside the world of music ... nor due to their interest in the use of instruments which seemed vaster and futuristic, but above all because ... (of) an incomparable coherence in their everyday work and in the steadfastness (sic) with which thay faced even their contradditions. | ” |
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—“Riflusso,” resistances, unoccupied roads , [1] |
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In 1976, their recordings were distributed in Japan. They were featured at the third Parco Lambro Festival. In this year, Area played around 200 concerts in Italy. They were invited to take part in the Fête de L'Humanité, held in the working class suburbs of Paris at Le Bourget, near Aubervilliers, and at the Festa do Avante! in Lisbon. Giulio Capiozzo and Ares Tavolazzi left the group for a couple of months to meet the Andrea Mingardi Orchestra. Fariselli, Tofani, and Stratos did a concert at the University of Milan with Steve Lacy and Paul Litton, and from that concert their live album was released, Event 76. Area recorded their third studio album Maledetti with the Arze brothers, Steve Lacy, Paul Litton, Walter Calloni, and Hugh Bullen as guest musicians.[3]
During a concert at the Teatro Uomo in Milan in 1977, the band presented their compilation album Anto/Logicamente, and Paolo Tofani left the group.[3]
In 1978, Area left the Cramps record label for Ascolto, a record label owned by CGD; in that year, their fifth studio album was released, Gli Dei Se Ne Vanno, Gli Arrabbiati Restano!. In March, they played three concerts in Lisboa, Coimbra, and Oporto in Portugal; in July, the band had two dates in Havana, Cuba at the World Festival of Youth and Students (for Anti-Imperialist Solidarity, Peace and Friendship).[3]
1979 was the year of study, experimentation, and research. Demetrio Stratos left the group, and Fariselli, Capiozzo, and Tavolazzi recruited several musicians: Massimo Urbani, Pietro Tonolo, Sara Borsarini, and Guido Guidoboni.[3] In April 1979, Demetrio Stratos was diagnosed with a severe case of aplastic anemia. His condition deteriorated rapidly and he was transferred to New York City Memorial Hospital for treatment. Meanwhile, in Italy, his friends organized a concert to pay for his medical expenses. Many musicians accepted the invitation to perform, and the concert was planned for June 14, 1979. It was to become Demetrio Stratos’ memorial concert, where over a hundred musicians played in front of an audience of 100,000. He died in New York City Memorial Hospital on June 13, 1979 at the age of thirty–four, while waiting for a bone marrow transplant (the official cause of death was myocardial infarction, more commonly known as heart attack).[4][5][1]
Area released five studio albums and one live album before Demetrio Stratos's untimely death in 1979: the already mentioned Arbeit Macht Frei, Caution Radiation Area, Are(A)zione (live), Crac!, Maledetti, the live performance Event '76 and Gli Dei Se Ne Vanno, Gli Arrabiati Restano!, which does not feature Paolo Tofani and was not released by Cramps.
Tic & Tac, their sixth studio album, was released in 1980. Then, Area released Gli Uccelli ("The Birds") by Aristophanes, in collaboration with the theatrical company Nuova Scena, and directed by Memè Perlini, a Greek classic comedy that was performed in Italy around 100 times and finished in Bruxelles on May 1981. Larry Nocella was recruited and the band did several concerts with him.[3]
In 1982, together with Nuova Scena company, they prepared and performed Tristano e Isotta ("Tristan and Iseult"), a theatrical representation with dance and music of that influential romance/tragedy under the choreography and direction of Amedeo Amodio. In 1983, Area was disbanned and the musicians continued their musical activities separately.[3] There was a reappearance of Area II in the mid 1980s, but this was in fact a project by Area drummer Giulio Capiozzo with session musicians.
In 1993, Patrizio Fariselli, Giulio Capiozzo, and briefly, Ares Tavolazzi, resumed the live activity of Area, experimenting with new sounds, materials, and new languages. Ares Tavolazzi left the band and was replaced by Paolo Dalla Porta and Pietro Condorelli.[3]
Chernobyl 7991, their seventh and last studio album, was released in 1997. Gigi Cifarelli, John Clark and Pietro Condorelli featured as guest musicians. In January, the record was presented at the Leoncavallo Social Center in Milan, where they were denounced for "abuse of musical instruments and serious acoustic pollution". The group commonly known as Area II had several live concerts performed as a trio consisting of Fariselli, Capiozzo, and Paolo Dalla Porta.[3]
In 1998, Marco Micheli replaced Dalla Porta, and the band also recruited Angela Baggi.[3] This line-up toured until its split in 1999. Capiozzo died a year later.
[edit] Members
| 1972 Original line-up |
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| 1973 |
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| 1974-1979 Classic line-up |
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| 1979 |
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| 1980-1982 |
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| 1993 |
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| 1993-1997 |
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| 1998-1999 Final line-up |
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- Note: towards the end of 1999, Giulio Capiozzo has been replaced many times by several shift-workers because of his health condition.
[edit] Discography
[edit] Studio albums
| Year | Album | Additional information |
|---|---|---|
| 1973 | Arbeit Macht Frei | Cramps, CRSLP 5101.
Track listing Side one
Side two
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| 1974 | Caution Radiation Area | Cramps, CRSLP 5102.
Track listing Side one
Side two
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| 1974 | Crac! | Cramps, CRSLP 5103.
Track listing Side one
Side two
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| 1976 | Maledetti | Cramps, CRSLP 5105.
Track listing Side one
Side two
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| 1978 | Gli Dei Se Ne Vanno, Gli Arrabbiati Restano! | Ascolto, ASC 20063.
Track listing Side one
Side two
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| 1980 | Tic&Tac | Ascolto, ASC 20224.
Track listing Side one
Side two
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| 1997 | Chernobyl 7991 | Sony.
Track listing
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[edit] Live albums
| Year | Album | Additional information |
|---|---|---|
| 1975 | Are(A)zione | Cramps, CRSLP 5104.
Track listing Side one
Side two
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| 1979 | Il concerto - Omaggio a Demetrio Stratos | Cramps.
Track listing Side one
Side two
Side three
Side four
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| 1979 | Event '76 | Demetrio Stratos, Paolo Tofani, Patrizio Fariselli, Steve Lacy and Paul Lytton live 1976. Cramps, 5205-107.
Track listing Side one
Side two
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| 1996 | Parigi-Lisboa | Cramps. Live 1976
Track listing
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| 1996 | Concerto Teatro Uomo | Ascolto, ASC 20063.
Track listing Disc one
Disc two
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[edit] Compilations
| Year | Album | Additional information |
|---|---|---|
| 1977 | Anto/Logicamente | Cramps.
Track listing Side one
Side two
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| 1980 | Area '70 | Cramps. |
[edit] Singles
| Year | Single | Additional information |
|---|---|---|
| 1973 | "L'abbattimento dello Zeppelin / Arbeit Macht Frei" | Cramps, CRSNP 1701. |
| 1974 | "L'internazionale / Citazione da G. L. Jackson" | Cramps, CRSNP 1702. |
[edit] See also
[edit] References
- ^ a b c Young, Richard A. (2002). "From cantautori to posse: Sociopolitical Discourse, Engagement and Antagonism in the Italian Music scene from the 60s to the 90s", Music, Popular Culture, Identities. Amsterdam: Rodopi, 35. ISBN 9042012498. OCLC 51296962. “a) In this panorama of the individual, the cantautor who affirms the collective utopia, perhaps no other group was able to acquire legitimacy as the expression of emancipatry political collectives than Area, with singer, writer, and performer Demetrio Stratos. In keeping with the political dimension of engaged music, the group Area consolidated in their albums, and especially through their live performances (multi-genre musical expressions: free jazz, rock, electronic, instrumental and vocal experimentation) the foregrounding of desires and needs of a generation engaged in restructuring socio-political realities:
b) “It was the mid-1970s and live events roused enthusiasm as never before; they fulfilled the need to be together and the illusion of continuing as a person. Area ... (was) a head above the rest. Not only because they seeemed to be more attentive to the themes outside the world of music ... nor due to their interest in the use of instruments which seemed vaster and futuristic, but above all because ... (of) an incomparable coherence in their everyday work and in the steadfastness (sic) with which thay faced even their contradditions.” –“Riflusso,” resistances, unoccupied roads
c) By the time Demetrio Stratos died of leukemia in 1979.” - ^ a b c Demetrio Stratos (Italian). demetriostratos.it. Retrieved on 2007-12-20.
- ^ a b c d e f g h i j k l m n Biografia Area (Italian). Fariselli Project. Retrieved on 2007-12-17.
- ^ Contributori di Wikipedia (2007-12-12). Demetrio Stratos (Italian). Wikipedia, L'enciclopedia libera. Archived from the original on 2007-11-24. Retrieved on 2007-12-13.
- ^ Pavese, Antonella. The life and times of Demetrio Stratos. AntonellaPavese.com. Retrieved on 2007-12-14. “In April 1979, Demetrio Stratos had been diagnosed with a severe case of aplastic anemia. He was 34 years old. His conditions deteriorated rapidly and he was transferred to New York City Memorial Hospital for treatment. Back in Italy, his friends organized a concert to pay for his medical expenses. Many musicians accepted the invitation to perform, and the concert was planned for June 14 1979. It was to become Demetrio Stratos’ memorial concert: he died in New York City on June 13, 1979, while waiting for a bone marrow transplant.”
[edit] External links
- Patrizio Fariselli e Area Official Website. Fariselli Project. Retrieved on 2007-12-17.
- Area. ItalianProg.com. Retrieved on 2007-12-17.
- AREA discography, MP3, videos and reviews (ASP). Prog Archives. Retrieved on 2007-12-17.
