Antonomasia
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In rhetoric, antonomasia is a substitution of any epithet or phrase for a proper name, such as "the little corporal" for Napoleon I. The reverse process is also sometimes called antonomasia. The word derives from the Greek word antonomazein meaning "to name differently".[1] Antonomasia is a particular form of metonymy.
The name used to substitute an abstract notion or or personal trait is commonly called archetype or, more specifically, archetypal name.
A frequent instance of antonomasia in the Late Middle Ages and early Renaissance was the use of the term, "the Philosopher," to refer to Aristotle. A more recent example of the other form of antonomasia (usage of archetypes) was the use of "Solons" for "the legislators" in 1930s journalism, after the semi-legendary Solon, lawgiver of Athens.
[edit] Examples
- "Pelides" or "the son of Peleus" for Achilles.[1]
- "The Stagirite" for Aristotle.[1]
- "The little corporal" for Napoleon I.[1]
- "Macedonia's madman" for Alexander the Great.[1]
- "the author of Paradise Lost" for Milton. [1]
- "The Commentator" for Averroes (so named for his commentaries on "The Philosopher" Aristotle's works)
- "The Iron Duke" for the Duke of Wellington.
- "The Bard" for William Shakespeare.
- "The Magpies" for Newcastle United.
- "Old Blue Eyes" for Frank Sinatra.
- "The Scottish play" for Macbeth.
- "The Gipper", "The Great Communicator" for Ronald Reagan.
- "The King" for Elvis Presley.
See "archetypal name" for examples of the opposite kind of antonomasia.
[edit] See also
[edit] References
- ^ a b c d e f This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.