António Pinho Vargas

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António Pinho Vargas (born Vila Nova de Gaia, August 15, 1951) is a Portuguese jazz and contemporary music pianist and composer. He's also a book author and essay writer regarding music.

He graduated in History at the University of Porto. He studyed at the Rotterdam Conservatory, from 1987 to 1990, were he graduated in Composition. He's been a teacher of Composition at the Superior School of Music, in Lisbon, since 1991. He started to be a leading name in Portuguese Jazz, often with many influences from contemporary music. He did seven albums in is unique Jazz style, being the first, Outros Lugares (1983). He also wrote seven soundtracks from Portuguese films and two theater plays.

Since his return from Holland, he's been mainly a classical composer. He wrote three Operas, several orchestral and ensemble pieces, including works recorded by the Arditti String Quartet, the Galliard Ensemble, the Royal Scottish Academy Brass, the Northern Sinfonia, among others.

OFFICIAL BIOGRAPHY António Pinho Vargas was born in 1951, in Vila Nova de Gaia near Oporto. He graduated in History and has the final degree in Piano by the Oporto Conservatory. With a scholarship from the Foundation Calouste Gulbenkian, he studied three years with the composer Klaas de Vries at the Rotterdam Conservatory, having majored in Composition in 1990. He was decorated by the President of the Portuguese Republic with the commend Order of the Infante D.Henrique, in 1995. He now teaches Composition at Escola Superior de Música de Lisboa since 1991 . Attended composition courses, workshops and seminars in Portugal with Emanuel Nunes; in the Netherlands with John Cage and Louis Andriessen; in Hungary with Gyorgy Ligeti and in Italy with Franco Donatoni. He was music consultant both to The Serralves Foundation (Oporto) between 1994 and 2000, and Centro Cultural de Belém (Lisbon), between 1996 and 1998. Begun to play jazz in 1974 with musicians such as Kenny Wheeler, Steve Potts, Paolo Fresu, Arild Andersen, Jon Christensen and Adam Rudolph. With his jazz group he performed trough Spain, France, Italy, Germany, Belgium, The Netherlands, The United Kingdom, the former Yugoslavia, The United States of America, Cape Verde, South Africa and Macao. Having recorded : Outros Lugares (1983), Cores e Aromas (1985), As Folhas Novas Mudam de Cor (1987), Os Jogos do Mundo (1989), Selos e Borboletas (1991), A Luz e a Escuridão (1996), and the best-of As Mãos (1998). He was awarded three times with the "Sete de Ouro", the Portuguese Press Prize for Best Instrumental Record of the Year. He also composes for theatre and cinema, such as for João Botelho’s movies Tempos Difíceis – Hard Times (1988), I.P.C. Award for Best Soundtrack, and Aqui na Terra – Here On Earth (1993); also José Fonseca e Costa’s movie Cinco Dias, Cinco Noites – Five Days, Five Nights (1996), awarded as Best Soundtrack at the Gramado Movie Festival (Brasil) and João Botelho’s Quem és tu? – Who Are You? (2001) and O Fascínio (2003), a José Fonseca e Costa movie. Also composed for Carlos Avilez staging of William Shakespeare's plays Hamlet (1987) and Richard II (1995). Since his years in Holand, António Pinho Vargas composes mainly contemporary music, having reached a proeminent place in the Portuguese music scenario. He had his works performed in France, Germany, Holand, Belgium, Poland, Hungary, Sweden, Spain, Brasil, United Kingdom and USA. His compositions have been comissioned or sponsored by institutions such as Foundation Calouste Gulbenkian, Culturgest, Lisbon’s 94 – European Capital of Culture, Expo’98, Teatro Nacional de S. Carlos, Porto’2001 – European Capital of Culture. In António Pinho Vargas’ works, there are compositions for ensemble and solo instruments, such as Mirrors (for piano solo, first performed in Amsterdam, 1990, by Paul Prenen; later performed by Ronald Brautigam, Madalena Soveral, Francisco Monteiro, Tania Achot, Gloria Chen-Chocran, Volker Banfield, Miguel Henriques, and others), or Três Versos de Caeiro (Ensemble Nuova Sincronia, Northern Sinfonia, OrchestrUtopica, Remix Ensemble); compositions for orchestra: Acting Out, (under António Saiote, J.R. Encinar , Martin André), A Impaciência de Mahler, (under. Michael Zilm, Martin André); for choir and orchestra: Judas secundum Lucam, Joannem, Matthaeum et Marco, (under Fernando Eldoro); and the operas Édipo, Tragédia de Saber and Os Dias Levantados (under João Paulo Santos). In April 2005 took place the premiere of Six Portraits of Pain for cello and large ensemble – Anssi Karttunen, cello and Remix Ensemble conducted by Frank Ollu – at the opening of Casa da Música, Porto. He was at Other Minds V Festival, organized by Charles Amirkhanian in S.Francisco, USA, in March 1999; at the International Music Theatre Workshop, at Oper am Rhein in Dusseldorf, for a video presentation of Os Dias Levantados and in 2001 was at the Bellagio Study and Conference Center, Italy, with a scolarship from the Rockefeller Foundation. The CD Monodia, was edited at 1995 by EMI Classics, sponsored by Lisbon’94 - European Capital of Culture. The string quartet Monodia-quasi un requiem was played in 1998 by the Artis Quartet of Wien, and it’s included in the Portuguese Chamber Music CD, performed by Arditti String Quartet (Etcetera Records). The CD Versos was edited in 2001 by Strauss and the sponsorship of IPAE. In February and March 2002, Culturgest promoted a Festival dedicated to António Pinho Vargas’ work. It was made a documentary -"António Pinho Vargas, notas de um compositor" – António Pinho Vargas, a composer’s notes , comissioned by Culturgest, LxFilmes and RTP, directed by Manuel Mozos and Luís Correia. In 2002 also was released of the composer’s first book, "Sobre Música – On Music, edited by Afrontamento, which contains seven essays and several texts and interviews. The live recording of the opera Os Dias Levantados, was released at 2005 by EMI Classics. António Pinho Vargas is member of the artistic direction of OrchestrUtopica. He is now doing his PhD degree at the University of Durham(UK) under the supervision of Prof. Max Paddison (University of Durham) and Prof. Boaventura de Sousa Santos (C.E.S. of the University of Coimbra, Portugal), with a Fellowship from the Foundation of Science and Technology. In March 2006 was premiered the large orchestra work Graffiti [just forms] by the Orquestra Sinfónica Portuguesa under Lothar Königs.

==Albums==

1983 - Outros Lugares
1985 - Cores e Aromas
1987 - As Folhas Novas Mudam de Cor
1989 - Os Jogos do Mundo
1991 - Selos e borboletas
1996 - A Luz e a Escuridão
1998 - Mãos
2001- Versos
1995- Monodia
2003 - Os dias levantados

LIST OF WORKS

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ENSEMBLE

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SIX PORTRAITS OF PAIN (2005) for Violoncello and Large Ensemble alto fl, ob, cl, bcl, fg, tp, cor, tbn, 3 perc., pf, Cello Solo, 6 vln, 2 vla, 2 vlc, 2 cb; Duration: 27' Commissioned by: Casa da Música / Porto 2001 Published by: First Performance: Anssi Karttunen (violoncello) and Remix Ensemble, dir: Frank Ollu, Porto, 2005 | critic |

MACHINES FICTIVES (pour Pierrot le fou) (2003) for Ensemble fl; ob; cl; bcl, fg; 2 perc; pf; vl I; vl II; vla; vlc; cb; Duration: 12 ' Commissioned by: Fundação Oriente Published by: First Performance: OchestrUtópica, dir. Yu- Feng, Lisboa, 2003

TRÊS VERSOS DE CAEIRO (1997) for 12 instruments fl; ob; cl, cor; fg;; pf; perc; vln I ; vl II; vla; vlc; cb Duration: 10' Commissioned by: Foundation Calouste Gulbenkian Published by: First Performance: Ensemble Nuova Sincronia, dir. Renato Rivolta, Lisboa and Milano, 1997 | record |

TRÊS QUADROS PARA ALMADA (1994) for 10 instruments fl, cl1, cl/clb, fg/cfg, tp, cr, tbn, pf, vln, vlc, Duration: 17' Commissioned by: Professional School of Music - Almada Published by: First Performance: Soloists from Orq. Sinfónica Portuguesa, Lisboa | record |

ESTUDO/FIGURA (1990) for 10 instruments fl; cl; c.i.clb; vib/mar; cel/pf vln I vla; vlc; cb Duration: 12' Commissioned by: Published by: First Performance: Performance: Ensemble RC, dir. Arie Van Beck, Ammsterdam

MÚSICA PLANA / MÚSICA CONTRAPLANA (1989) for Opus Ensemble ob/c.i.,vla, cb, pf. Duration: 12' Commissioned by: RTP Published by: First Performance: Soloists from Rotterdam's Conservatorium, Amsterdam (withdrawn for rev.)

CÍRCULOS (1986) for ensemble (10 instruments) fl; ob; cl; v; va; vc; pf; perc Duration: 10' Commissioned by: Published by: First Performance: Oficina Musical, dir. Álvaro Salazar, 1987 (withdrawn for rev.)

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ORCHESTRA

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GRAFFITI [just forms] (2006) for large orchestra (3.3.3.1.3.1- 6.3.3.1-5 perc. pf.hp.-16.14.12.10.8) Duration: 25 ' Commissioned by: Teatro Nacional de São Carlos Published by: http://www.editions-ava.com/store/work/8/ First Performance: Orq. Sinfónica Portuguesa, dir. LOTHAR KÖNIGS, Março 2006, Grande Auditório do CCB | critic |

REENTERING (2004) for orchestra and percussion obligato (2.2.2.2. - 0.2.0.2. -1perc) (10.8.6.5.4) Duration: 8 ' Commissioned by: Teatro Nacional de S. Carlos Published by: First Performance: Orq. Sinfónica Portuguesa dir. Donato Renzentti, Lisboa, 2004 | opinion |

... VON FREMDEN LÄNDLER ... (2004) for piano solo and orchestra (2.2.2.2 - 4.2.0.0. - 2 perc- 14.12.10.6.5) Duration: 18 ' Commissioned by: International Music Festival of Coimbra Published by: First Performance: Orq. Gulbenkian, dir. Yu Feng; piano: Anne Kaasa, Coimbra, 2004

DUAS PEÇAS (1992-2000) for string orchestra (8.6.6.6.5) Duration: 15' Commissioned by: Published by: First Performance: Orq. Nacional do Porto, dir. Cesário Costa, V.N. Gaia

A IMPACIÊNCIA DE MAHLER (1999) for orchestra (2.2.2.2 - 4.2.0.0. 1 perc); (14.12.10.6.5) Duration: 20 ' Commissioned by: Foundation Calouste Gulbenkian Published by: Fermata First Performance: Orq. Gulbenkian, dir. Michael Zilm, Lisboa, 2001

ACTING-OUT (1998 - 2000) for piano, percussion and orchestra (2. 2. 2. 1. 2 - 2. 2. 2. 2. 1. 2 perc); strings A (6.6.4.4.3); strings B (6.6.4.4.3) Duration: 19 ' Commissioned by: Teatro Nacional de São Carlos Published by: Portuguese Music Information Centre http://www.mic.pt/ First Performance: Orq. Sinfónica Portuguesa, dir. António Saiote. Piano: Miguel Henriques, Percussion: Elizabeth Davies, Lisboa, 1998 | critic |

EXPLICIT DRAMA (1992) for orchestra and jazz trio Duration: 20 ' Commissioned by: Comissão Portuguesa dos Descobrimentos Published by: First Performance: Orq. Gulbenkian, dir. Michel Swiertchevisky, Lisboa. (withdrawn for rev.)

GEOMETRAL (1988 - 2000) for Orchestra (27 instruments) Duration: 20 ' Commissioned by: Foundation Calouste Gulbenkian Published by: First Performance: Orq. Gulbenkian, dir. Michel Tabachnik, Lisboa, 1989

CHAMBER MUSIC

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DOIS VIOLINOS FOR CARLOS PAREDES (2003) for 2 violins (2.2.2.2. - 0.2.0.2. -1perc) (10.8.6.5.4) Duration: 6 ' Commissioned by: Movimentos Perpétuos Published by: First Performance: Aníbal Lima e Pedro Pacheco, Lisboa, 2003 | record |

STEP BY STEP, WOLFS! (2002) for 6 perdussionists (2.2.2.2. - 0.2.0.2. -1perc) (10.8.6.5.4) Duration: 6 ' Commissioned by: Drumming Published by: First Performance: Drumming, dir. Miguel Bernat, 2002 | critic |

TRÊS ESTUDOS FOR 2 PIANOS (2000-2001) for 2 pianos Duration: 15 ' Commissioned by: Published by: First Performance: Miguel Henriques, Ana Valente, Lisboa, 2001 | critic |

TWO FAMILY DISCUSSIONS (2001) for 2 trumpets Duration: 6 ' Commissioned by: International Music Festival of Mafra Published by: Instituto Camões, 2003 First Performance: John Wallace, John Miller, Mafra, 2001 | record | | critic |

QUATRO OU CINCO MOVIMENTOS FUGIDIOS DA ÁGUA (2001) for clarinet trio Duration: 15 ' Commissioned by: Published by: Quantitas, 2003; http://www.eduardopatriarca.com/page10.htm First Performance: Cl: António Saiote, Vlc: Jed Barahal, Pf: António Rosado, Póvoa de Varzim, 2001 | critic | record |

SETE CANÇÕES DE ALBANO MARTINS (2000) for barítone and piano Duration: 18' Commissioned by: Published by: Fermata First Performance: Paulo Ferreira, Jaime Mota, Porto, 2000 | critic | record |

ESTUDOS E INTERLÚDIOS (2000) for 6 percussionists Duration: 25' Commissioned by: Published by: First Performance: Drumming, dir. Miguel Bernat, Lisboa, 2000 | critic |

TERCEIRO VERSO DE CAEIRO (1997) for 4 instruments Duration: 10' Commissioned by: "Sven for Parlor" Published by: First Performance: "Sven for Parlor", Athens, 1997

NOVE CANÇÕES DE ANTÓNIO RAMOS ROSA (1995) for voice e piano Duration: 25' Commissioned by: Encontros Primavera de Guimarães Published by: Fermata First Performance: Rui Taveira, Jaime Mota, Guimarães, 1995 | critic | record |

NOCTURNO/DIURNO (1994) for string sextet Duration: 8' Commissioned by: Câmara Municipal do Porto Published by: First Performance: Sextuor L'Artois de Lille, Porto, 1994 | record |

MONODIA - quasi un requiem (1993) for string quartet Duration: 15' Commissioned by: Câmara Municipal do Porto para as Jornadas de Arte Contemporânea de 1993 Published by: Portuguese Music Information Centre http://www.mic.pt/ First Performance: Ensemble MusikFabrik, Porto, 1993 | critic | record 1 | record 2 |

MECHANICAL STRING TOYS (1992) for string orchestra (8,6,6,4,4) Duration: 6' Commissioned by: Orquestra Metropolitana de Lisboa Published by: First Performance: Orq. Metropolitana de Lisboa, dir. Miguel Graça Moura, Lisboa, 1992

POETICA DELL ESTINZIONE (secondo mikhal serguieievitch) (1990) for flute and string quartet Duration: 6' Commissioned by: Oficina Musical Published by: First Performance: Oficina Musical, dir. Álvaro Salazar, Porto, 1990 | record |

CUT (1989 / rev.: 2004) for saxophone quartet alto/soprano; alto; tenor; baritone Duration: 8' Commissioned by: Published by: http://www.editions-ava.com/store/work/201/ First Performance: Quarteto de Saxofones de Lisboa, Lisboa, 1989

GRAVITAÇÕES (1984) for flute and clarinet alto/soprano; alto; tenor; baritone Duration: 6' Commissioned by: Oficina Musical Published by: First Performance: Eduardo Lucena, Américo Aguiar (Oficina Musical), Porto, 1984 (withdrawn for rev.)

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OPERA, ORATORIA

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A LITTLE MADNESS IN THE SPRING (2006) chamber opera 3 singers; fl; ob; cl; Bcl; fg; tp; hn; tbn; 2 perc; harp; pf; vl I; vl II; vla; vln; cb; Electronics by Carlos Caires and Antonio Pinho Vargas Libreto: Paulo Tunhas Duration: 32' Commissioned by: Casa da Música Published by: First Performance: Eduarda Melo, Matthew Bean, Ivan Ludlow Remix Ensemble, dir. Franck Ollu, Lisboa, 1996 | critic |

JUDAS (secundum Lucam, Joannem, Matthaeum et Marcum) (2002) for choir and orchestra Large Choir; (2.2.2.2.4.2.2.0. 1 perc); (12.10.8.8.6) Duration: 30' Commissioned by: Festival de Música Sacra de Viana do Castelo Published by: http://www.editions-ava.com/store/work/319/ First Performance: Choir and Orq. Gulbenkian dir. Fernando Eldoro, 2002 | critic |

OS DIAS LEVANTADOS (1998) opera 8 singers; Large Choir; (2.2.3.2 - 2.0.2.2 - 3 perc) ; Strings Libretto: Manuel Gusmão Duration: 105' Commissioned by: Expo'98 Published by: First Performance: Orq. Sinfónica Portuguesa, Choir from Teatro Nacional de S. Carlos, dir. João Paulo Santos, Lisboa, 1998 | critic | record critics | record |

ÉDIPO - Tragédia de Saber (1996) opera 4 singers; 32 choir; fl;fg; cl; ob; tp; tbn; 2 perc pf; vl I; vl II; vla; vln; cb; Libretto: Pedro Paixão Duration: 64' Commissioned by: Culturgest Published by: First Performance: Soilists from Orq. Sinfónica Portuguesa, Choir from Teatro Nacional de S. Carlos, dir. João Paulo Santos, Lisboa, 1996

ANCESTRAL E MUDO (1994) opera for 4 mixed choir Duration: 5' Commissioned by: Published by: First Performance: Coro de Câmara de Lisboa, dir. Teresita Gutierrez Marques, Lisboa, 1994 | record |

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SOLO

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IL RITORNO (2002) for harpsichord Duration: 14' Commissioned by: International Music Festival of Mafra Published by: Instituto Camões, 2003 First Performance: Ana Mafalda Castro, Mafra, 2002 | critic |

HOLDERLINOS (2001) for piano Duration: 26' Commissioned by: International Music Festival of Coimbra Published by: Partituras PortugalSom; www.dgartes.pt First Performance: Miguel Henriques, Coimbra, 2001 | critic |

LA LUNA (1996) for guitar Duration: 3' Commissioned by: Cecilia Colien Honneger Published by: Cecilia Colien Honneger Album; http://www.editions-ava.com/store/category/88/ First Performance: Gabriel Estrahellas, Madrid, 1996 | record |

MIRRORS (1989) for piano Duration: 9' Commissioned by: Secretaria de Estado da Cultura Published by: Musicoteca, 1994; Portuguese Music Information Centre http://www.mic.pt/ First Performance: Paul Prenen, Amsterdam, 1990 | critic | record 1 | record 2 |

TRÊS FRAGMENTOS (1987) for clarinet solo Duration: 5' Commissioned by: Published by: Oficina Musical, 1995 First Performance: António Saiote, Lisboa, 1987 | record |

PEÇA (1983) for flute solo Duration: 4' Commissioned by: Calouste Gulbenkian School of Braga Published by: First Performance: Olavo Tengner, Jorge Salgado, Braga, 1983 (withdrawn for rev.)

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MUSIC FOR FILMS

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TEMPOS DIFÍCEIS (1988) by João Botelho

AQUI NA TERRA (1993) by João Botelho

CINCO DIAS, CINCO NOITES (1996) by José Fonseca e Costa

QUEM ÉS TU ? (2001) by João Botelho

O FASCÍNIO (2003) by José Fonseca e Costa

LINKS: http://www.antoniopinhovargas.com