Angels in the Outfield (1951 film)

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For the 1994 remake, see Angels in the Outfield (1994 film)
Angles in the Outfield
Directed by Clarence Brown
Produced by Clarence Brown
Written by Richard Conlin (story)
Dorothy Kingsley
George Wells (screenplay)
Starring Paul Douglas
Janet Leigh
Music by Daniele Amfitheatrof
Cinematography Paul Vogel
Editing by Robert Kern
Distributed by Metro-Goldwyn-Mayer
Release date(s) October 19, 1951
Running time 99 min.
Country Flag of the United States United States
Language English
Allmovie profile
IMDb profile

Angels in the Outfield is a 1951 black-and-white film starring Paul Douglas and Janet Leigh, directed by Clarence Brown, and released by Metro-Goldwyn-Mayer. The cinematography was by Paul Vogel and the original music score was composed by Daniele Amfitheatrof.

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[edit] Plot

While the Pittsburgh Pirates in the basement once more, their combative, foul-mouthed manager Guffy McGovern has plenty to complain about. All this changes when, while wandering through Forbes Field at night, Guffy is accosted by the voice of the Archangel Gabriel. As the spokesperson for the Heavenly Choir Nine, a celestial ballclub, Gabriel begins bestowing "miracles" upon the Pirates — but only on the condition that McGovern put a moratorium on swearing and fighting. With the help of the invisible ghosts of past baseball greats, the Pirates make it into the Pennant race. During one crucial game, orphan girl Bridget White insists that she can see the angels helping out the "live" ballplayers — understandably so, since it was Bridget's prayers that prompted Gabriel to visit McGovern in the first place.

Newspaper reporter Jennifer Page transforms Bridget's angelic visions into a nationwide news story, causing no end of trouble for McGovern. When Guffy himself confirms Bridget's claims, he falls right into the hands of vengeful sportscaster Fred Bayles, who's been scheming all along to have McGovern thrown out of baseball. Complication piles upon complication until the Big Game, wherein Guffy is forced to rely exclusively upon the talents of his ballplayers — notably "over the hill" Saul Hellman — to win the pennant.

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