Andrew Fountaine (architect)

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Detail of Conversation Piece (Portrait of Sir Andrew Fountaine with Other Men and Women) by William Hogarth, c. 1730-35 - Fountaine is probably the figure on the far left, with a red sash and his left hand tucked into his brown jacket.^[1]

Sir Andrew Fountaine (1676, Salle, Norfolk – 4 September 1753, Narford Hall, Narford) was an English antiquarian, art collector and amateur architect.

[edit] Life

Attending Eton College (as a King's Scholar) and then Christ Church, Oxford (graduating BA in 1697), William Cavendish, 2nd Duke of Devonshire (a friend of his father, the gentleman Andrew Fountaine) introduced him at court and he received a knighthood in 1699 for the Latin oration he had made to William III on his entry to Oxford the previous year (a task he had been selected for by Christ Church's dean Henry Aldrich).

When shortly afterwards Lord Macclesfield took the Act of Settlement to the elector of Hanover in 1701, the younger Andrew Fountaine accompanied him and thus became known in the courts of Europe in what became the first of his two grand tours. He was in correspondence with Gottfried Leibniz between 1701 and 1704, was admitted to the Royal Society of Berlin, became friends with Cosimo III de' Medici, Grand Duke of Tuscany on travelling to Italy in 1702, and was part of the mission to the States General of the Dutch Republic in 1705 (using it as an opportunity to add to his book and coin collections).

On his father's death in 1707, he was appointed Gentleman Usher of the Black Rod and, whilst accompanying Thomas Herbert, 8th Earl of Pembroke to open the Irish parliament, became friends with Jonathan Swift (as is mentioned in Swift's letters and his Journal to Stella). He took a second grand tour in 1714, collecting maiolica, paintings and sculpture for himself and for the Earls of Pembroke (he later catalogued the 8th Earl's collection for his son the 9th earl). He suceeded Isaac Newton as warden of the Royal Mint in 1727, but retired from London in 1732 or 1733 to redesign the family seat of Narford Hall (working with the professional architect Roger Morris). At Narford he hung a portrait of his patroness Caroline of Ansbach on the staircase (she had made him her vice-chamberlain and tutor to her third son, William Augustus, and was William's proxy for his installation as knight of the Bath on 17 June 1725).